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Kaye Drops “Life” EP, Fusing U.K. and U.S. Rap Influences

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Photo Credit: Kaye 

Byline: Joshua Sunday 

It was a typical London evening, and Kaye, seated in his studio, was contemplating the next step in his musical journey. A new EP had been brewing for months—an exploration of both his roots in U.K. rap and his influences from across the pond in the United States. But as he worked on the final touches, one thought kept echoing: What could I bring that is truly unique?  

He was not just thinking about the sound—he was thinking about what his music could represent in the larger cultural conversation. It was not enough to blend the two styles of U.K. and U.S. rap; Kaye wanted to make a statement about identity, authenticity, and the future of rap itself. Thus, the “Life” EP was born—an album that brings together the sounds of two continents and the stories of a generation caught between them.

“With this project, I wanted to showcase what it means to have a global sound while still staying grounded in where I come from,” Kaye says.

A New Wave in U.K. Rap

Kaye’s decision to release a full EP without a preceding single is one of the many ways he defies conventions in the industry. He flipped the script in an era where artists often build anticipation with multiple singles leading up to an album. “Life” is a bold statement, dropping in full force, with no teasers or hype, just music that speaks for itself.

This decision was both a risk and a reflection of Kaye’s artistic philosophy. He sees the rise of streaming platforms as an opportunity to redefine how projects are released and consumed. “People do not need to wait months to hear what you have been working on. If your sound is good, people will find it,” he shares. “I wanted to present my whole vision at once. It is about seeing the whole picture, not just bits and pieces.”

The EP features collaborations with different artists, including grime stalwart Double S, Subten, and Shocka. Double S, known for his hard-hitting, rapid-fire delivery, contrasts with Kaye’s more melodic and introspective style, while Shocka’s gritty lyricism provides an anchor to the project’s more experimental moments.

“Double S has been in the game for years, and Shocka is someone whose authenticity I’ve always respected,” Kaye explains. “I wanted to work with people who bring something different, something real. The goal was always to create something that challenges the listener and pushes us as artists.” 

Redefining the Sound of a Generation

For Kaye, the “Life” EP is not simply about music—it is about building a community and a movement. As streaming platforms continue to make access to music easier, the artist’s relationship with fans is shifting. Kaye is keenly aware of this change, utilizing social media for promotion and direct engagement with his audience.

“I think the way music is consumed today gives artists much more power. It is not about waiting for labels or radio stations to dictate what is good. Fans are the tastemakers now,” Kaye says. “I’m all about connecting directly with people. They are the ones who will shape this scene’s future.”  

Kaye’s international appeal is another critical facet of his rising influence. While U.K. rap has long been tied to local scenes in London, Manchester, and Birmingham, the sound is now reaching audiences worldwide. “Life” has charted in the U.K., the United States, Australia, and parts of Europe.

Making More Than Just a Sound 

Kaye is well aware that this is only the beginning. “The goal is to make music that lasts,” he says with determination. “I want to create something that defines a generation, something that people will still be listening to in years to come.” 

He is already at work on his next project, which he hopes will redefine his creative boundaries even further. “The next one will be different,” Kaye promises. “I am not here to follow trends. I am here to create them.”

From television to the internet platform, Jonathan switched his journey in digital media with Bigtime Daily. He served as a journalist for popular news channels and currently contributes his experience for Bigtime Daily by writing about the tech domain.

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Entertainment

Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

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Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.

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