Entertainment

Omar Harfouch’s ‘Concerto for Peace’ to Enchant Paris in an Evening of Musical Unity

Published

1 year ago

September 5, 2024

Jonathan Grilli

Photo Credit: Daniel Topic

Byline: Katreen David

It’s no secret that music holds the power to enchant people. Ears hear the melodies and every fiber of the soul feels them, especially when the message behind the musical notes conveys a call for world peace.

“In times of turmoil, music has always been our refuge, where we find solace and the courage to hope. This is what inspired ‘Concerto for Peace,’” reflects Omar Harfouch, the world-renowned pianist and composer who will bring “Concerto for Peace” to the Théâtre des Champs-Élysées in Paris, France.

When he isn’t busy producing classical melodies with every keystroke of his piano, Harfouch can be found redefining what it means to blend art and activism. His upcoming “Concerto for Peace,” set to premiere on September 18, 2024, promises to be more than just a concert—it’s an evocative call to unity, a symphonic plea for a world yearning to heal.

Just 48 hours after enchanting Paris with the concerto, Omar Harfouch will take the stage at the United Nations in Geneva to deliver the “Concerto for Peace” once more. This remarkable performance is set to be a highlight of the World Music Conference, coinciding with the global observance of World Peace Day on September 20.

A Symphony as a Statement

Omar Harfouch is no stranger to the power of music as a transformative force. With a career that’s as much about melodic innovation as it is about social impact, Harfouch’s latest work, “Concerto for Peace,” encapsulates his belief that music can be both recreational and revolutionary. As 2024 sees the rise of art with a cause, Harfouch’s concert stands out for its musical mastery and bold message.

“This isn’t just about notes on a page,” Harfouch explains. “It’s about creating a space where every listener, regardless of background, can feel part of something larger—a movement toward peace, one note at a time.”

In a world where philanthropy is increasingly woven into the heart of the arts, Omar Harfouch’s “Concerto for Peace” reflects a growing trend where music serves as a catalyst for change. The performance, featuring the Béziers Méditerranée Symphony Orchestra under the skilled direction of Mathieu Bonnin, is set to be a defining moment in this movement.

The Pulse of 2024: Music with Purpose

As we navigate the complexities of 2024, the intersection of art and advocacy has never been more pronounced. The global music industry is seeing an unprecedented convergence with philanthropic efforts. Artists are not just creating for the sake of creation; they are crafting experiences that resonate with the world’s most pressing issues.

Omar Harfouch stands on the frontlines of this shift. “Concerto for Peace” is emblematic of a broader movement where art becomes a form of protest, a medium for messages that words alone can’t convey.

“Music has this incredible ability to reach where words often fail,” Harfouch reflects. “In every melody, there’s a story. In every crescendo, a call to action.”

An Artistic Tribute to Roots and Responsibility

The story behind one of Harfouch’s most famous compositions is a tale from his childhood. This is primarily why the upcoming Paris performance is also deeply personal for Harfouch. Among the pieces featured is “Tripoli,” a composition that serves as a musical homage to his birthplace.

With its intricate blend of cultural motifs and personal history, this piece adds a profound layer of authenticity to the concert. To that effect, it becomes an artistic expression fueled by his personal journey.

“Tripoli is more than just a city to me—it’s a symbol of resilience, of the beauty that can emerge from hardship,” says Harfouch. “Through this piece, I’m sharing a part of myself, my history, and my hope for the future.”

Another key highlight is “Save One Life, You Save Humanity,” a composition that spotlights Harfouch’s belief in the power of individual action. In a world where small acts of kindness can ripple into broader societal change, this piece serves as both a reminder and an inspiration.

A Crescendo of Hope

As the “Concerto for Peace” prepares to echo through the streets of Paris, Omar Harfouch is reflective yet resolute. “We live in a world that’s constantly changing, constantly challenging us,” he says. “But in music, we find a constant—a reminder that beauty, harmony, and peace are always within our reach if only we’re brave enough to listen.”

For Harfouch, this concert is the culmination of months of work and proof of the enduring power of art to reflect the world, comfort the world, and change the world.

The “Concerto for Peace” is bound to leave behind a lasting impact—a reminder that, in the grand symphony of life, every voice matters, and every note counts.

Entertainment

Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

Published

4 days ago

January 16, 2026

Jonathan Grilli

Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.