Entertainment
Here Be Monsters (HBM) is Creating Podcast Episodes to Help People Face the Unknown and Fear
Here Be Monsters (HBM) is creating podcasts for people interested in pursuing their fear and facing the unknown. It has produced many podcast episodes about crow death rituals, flex eating beetles, internet scammers, nudism, fair healing and many more. People are digging into HBM’s archive to find shows about nearly everything.
HBM releases 20 new episodes per year. Jeff Emtman is the host of all episodes and he has been on much other grand slam telling personal stories. HBM has been featured on many other shows like Radiotopia’s Love + Radio, BBC Shortcuts, WNYC’s Snap Judgement and MIT’s Undark.
Jeff Emtman started these podcast episodes in 2012 about how to pursue fear and face the unknown. Other persons including Bethany Denton and Nick White joined him later. KCRW distributes all the podcast episodes for HBM. All their podcast episodes are proving to be very helpful for people.
Anyone can become a member of KCRW and this is a good sign for HBM. People are becoming a member of KCRW in large numbers and supporting other people to do great work. HBM does not have any fixed source of income. It is only receiving money directly through a donation.
Recently HBM has developed a new podcast show HBM092: Carry the Scent with the help of KCRW. This episode shows a profile of typical search and rescue scammer. It was produced by Lee Gaines and Alex Kime. This show was edited by Bethany Denton and Jeff Emtaman. Nick White who works for KCRW, edited the show.
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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