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Here Be Monsters (HBM) is Creating Podcast Episodes to Help People Face the Unknown and Fear

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Here Be Monsters (HBM) is creating podcasts for people interested in pursuing their fear and facing the unknown. It has produced many podcast episodes about crow death rituals, flex eating beetles, internet scammers, nudism, fair healing and many more. People are digging into HBM’s archive to find shows about nearly everything.

HBM releases 20 new episodes per year. Jeff Emtman is the host of all episodes and he has been on much other grand slam telling personal stories. HBM has been featured on many other shows like Radiotopia’s Love + Radio, BBC Shortcuts, WNYC’s Snap Judgement and MIT’s Undark.

Jeff Emtman started these podcast episodes in 2012 about how to pursue fear and face the unknown. Other persons including Bethany Denton and Nick White joined him later. KCRW distributes all the podcast episodes for HBM. All their podcast episodes are proving to be very helpful for people.

Anyone can become a member of KCRW and this is a good sign for HBM. People are becoming a member of KCRW in large numbers and supporting other people to do great work. HBM does not have any fixed source of income. It is only receiving money directly through a donation.

Recently HBM has developed a new podcast show HBM092: Carry the Scent with the help of KCRW. This episode shows a profile of typical search and rescue scammer. It was produced by Lee Gaines and Alex Kime. This show was edited by Bethany Denton and Jeff Emtaman. Nick White who works for KCRW, edited the show.

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

MiG Arogan: The Haitian Powerhouse Behind the Spiritual Anthem “Moon Under Me”

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MiG Arogan has firmly established himself as a commanding force in the music industry, bringing the weight and depth of Haitian culture and spirituality into the spotlight with his powerful track “Moon Under Me.” This song is not simply a musical creation; it is a bold spiritual declaration and a vivid expression of ancestral strength rooted in Haitian Vodou tradition.

Hailing from Haiti, MiG Arogan combines contemporary rap energy with rich cultural symbolism, carving a unique space where music meets ritual. “Moon Under Me” stands as a testament to this fusion, drawing deeply from the Vodou pantheon of Lwa (spirits) to convey protection, power, and fearlessness.

The song’s hook centers around the presence of Mama performing the sacred work “with the moon under me,” a metaphor for hidden spiritual forces guiding and empowering the artist. Papa Legba, the revered gatekeeper of the spiritual crossroads, “opens doors I don’t see,” symbolizing MiG’s access to realms and protections invisible to others. This connection to Legba asserts a profound control over paths both physical and metaphysical.

Further spiritual guardians emerge in the lyrics: Kalfou, the fierce spirit of crossroads and chaos, “waiting at the edge with heat,” ready to defend or attack; Baron Samedi and Baron Kriminel, powerful death spirits who “laugh when your blood hit street,” representing MiG’s untouchable status backed by forces of life and death. These spirits signal that crossing MiG Arogan or disrespecting his heritage comes with grave consequences.

The song also invokes Erzuli, embodying love, beauty, and pride, along with Simbi, the wise serpent spirit guiding MiG’s style and movement. Ogou, the warrior spirit, tests and arms him, while Damballa offers calm wisdom and balance. The mention of Granne Brigitte, the fierce protector, and the other spirits completes a powerful spiritual armor surrounding the artist.

“Moon Under Me” goes beyond conventional music; MiG Arogan describes himself as “no rapper, I’m a ritual in boots,” emphasizing the song’s ceremonial and mystical weight. The imagery of candles, chants, incense, and spirits evokes authentic Vodou ceremonies that infuse the track with genuine ancestral energy.

By weaving these sacred names and symbols into his lyrics, MiG Arogan not only asserts his own power but elevates Haitian Vodou from misunderstood superstition to a living, respected tradition. His message is clear: “Play with Haitians — that’s the wrong belief.” It’s a warning and a proclamation — the strength of his roots and spiritual backing make him untouchable, commanding respect from all who hear his voice.

With “Moon Under Me,” MiG Arogan asserts a profound cultural and spiritual identity. His music becomes a vessel for ancestral power, a declaration that the Haitian spirit is fierce, unbreakable, and very much alive in him. This song stands as an anthem for strength, heritage, and the unstoppable force that MiG Arogan represents in today’s music and culture landscape.

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