Entertainment
Baltimore Based Rapper, TrevMoMatic’s Voice is Elevating him as International Artist
Born Trevor Arnett in Baltimore, Maryland, rap artist TrevMoMatic is creating music that evokes a spectrum of emotions. He is reaching worldwide popularity due to his rap style, international collaborations, and tracks that span over multiple genres – including hip hop and trap to electro-pop and afro-beats. His sound is establishing a global appeal and is elevating him as an artist we all need to pay attention to.
One of the reasons behind TrevMoMatic’s popularity is that he is open to rap on all sorts of tracks like he did on his song “Almost” where he raps over electronic drums and synths as he looks into difficult periods of his life.
In 2018, the Bill & Melinda Gates Institute and Bill & Melinda Gates Foundation sponsored a song called “We Are Family” that is focused on addressing global health issues. This project was led by TrevMoMatic and includes notable collaborations with artists like Yvonne Chaka Chaka, Avril Nyambura, Knowless Butera, Xenia Franca, Navz-47, and Otuck William. Later that year, TrevMoMatic again teamed up with singer Otuck William and together they released the track “More Than Love”. This song is stuffed full of rhythmic Afropop, hip-hop, and melodious R&B elements.
As of this year, he has remixed Wikid’s very popular “Soco” track which is getting an immense level of popularity among streaming platforms. With this he is creating a momentum to catapult a successful long-term music career. Currently, he resides in New York City and is working on various projects. In the near future he hopes to work with other African artists such as Davido, Burna Boy, Victoria Kimani, Nasty C, and Octopizzo as well as Indian artists like Divine, Naezy, Emiway Bantai, and Ananya Bhat.
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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