Entertainment
Guillermo Del Toro, Andrew Opryshko, Jane Campion, And The Power In Mute Performances
Whether it is The Kid or City Lights, what Charlie Chaplin conveyed mutely may not perhaps be told by hundred thousand vocal words loudly audible to the ears of the viewers.
Here, the mute magic comes to play!
No wonder, some mute films create intellectual storms as they are uniquely expressive in their own way.
Here, the creativity of movie directors comes to the fore with all their scenic depiction craftsmanship bringing to the screen the performance of actors and actresses who convey the meaning mutely making them supremely meaningful.
Talking about this, it becomes a prerequisite to mention Guillermo del Toro whose creativity was at its best in “The Shape of Water”, a film that bagged the Oscar Best Picture Award in 2018. It is a sci-fi fantasy romance movie that brought in a new era of cinema.
Starring Sally Hawkins, the film faced tough competition but emerged as the final choice of the Oscar selectors. The movie’s script has rolled into the film history with its theme which is a marked departure from other films.
A fantasy thriller, “The Shape of Water” is set in the 1962 cold war in which a mute cleaning woman, a memorable role played by Sally Hawkins, suddenly comes across a strange kind of aquatic-human hybrid in a water tank at a well kept secret laboratory of the government.
Sally Hawkins fully justified the difficult role of that cleaning woman named Elisa Esposito. She was mute and communicated through sign language and body movement.
A difficult role indeed!
But Sally Hawkins performed it with supreme ease and it made a lingering effect on the viewers. Her facial expression, gestures, and body movement turned out to be extraordinary. In the history of the mute movie genre, she made an indelible imprint.
The mute Elisa Esposito’s gestures, facial expressions, the flick of an eyebrow, tender smile, and sign language were most realistically played by Sally Hawkins.
“The Shape of Water” is simply unique in its own right. It gave the global audience something that they had been waiting for long. Such movies are rarely made. They find their way into the theatres in 10 years or more.
The mute cleaning woman who had fallen in love with the creature finally helps it to escape from the laboratory.
“The Shape of Water” fought a close Oscar award war competing with such entries as Get Out, Lady Bird, and Three Billboards Outside Ebbing to become the Best Picture. It was the most-nominated film in the Oscar-winning four categories which were: Production Design, Original Score, and Director.
“The Shape of Water” is a tribute to the “Power of Cinema” in silent format. Guillermo Del Toro created the film’s universally acclaimed script. The mute performance of Sally Hawkins also created history.
It is more so as the film proved the Best Award in Oscar can be won without even saying a single word. And Sally Hawkins has proved this amply. Naturally, she was greatly appreciated by Director Guillermo Del Toro.
In the genre of mute movies, the one-minute movie titled “+380” directed by Andrew Opryshko also merits a special mention. This Ukrainian director was at his best while directing Troy Bronson in this path-breaking movie.
Troy Bronson, playing the role of a young influencer on Instagram, posts a brief one-minute movie in Ukrainian to honor all the talent that goes unseen from the mainstream. Hollywood remains a very distant dream for them yet they are talented.
His mute performance brought to fore the fact that silence can be a powerful mode to express a lot of things, it is more so when the issue relates to intellectualism. Troy was very expressive even without uttering a single word.
It was a role that needed mastery to depict the emotions, inner conflicts, and dissociation of the world due to trauma in their real perspective. Troy Bronson appeared to have entered into the persona of the lead character as the role he played made it appear so.
His character was special as it involved the job of a spy and mercenary. Even in talkie–vocal films – such roles turn out to be very difficult. The role of spies and mercenaries requires certain special traits. Troy showed all such traits including facial expressions and gait.
“The Piano”, a 1993 period drama revolving around romance, has been directed by Jane Campion. It is a path-breaking mute movie considered as one of the greatest ever directed by a woman. She was the first woman from New Zealand to direct a mute film.
It stars Holly Hunter, Harvey Keitel, Sam Neill, and Anna Paquin. The mute performance of Holly Hunter is a history, which was critically acclaimed by film critics.
In the film, the mute woman Ada McGrath does not utter a single audible word yet her silent expressions and acting spoke volumes about her not-so-happy life. Anna Paquin’s role as Ada was remarkably well.
Conclusion
The silent movies continue to raise intellectual storms all across the world. In fact, the history of creativity never dies. No wonder the films that began in silent mode decades ago continue unabated even today and will continue in the future also.
The mute moves like The Shape of Water, “+380 and The Piano create ripples in the human brain more than the talkies.
This is due to the reason that in a talkie, you find the characters are vocally interacting. But in mute movies, everything is transacted by gestures, smiles, cries with drops of water rolling down from the eyes, laughter, and different other gestures.
Since The Shape of Water bagged the Oscar and became a filmy buzz internationally, we find that the mute movies have tremendous scopes in the future. As this is the season of film awards, the critics are going to review all the entries. Here, the silence power of mute characters needs to be given proper evaluation. We know a message conveyed through facial expressions, looks and body movement happens to be far more important than vocal elements.
The jury of the award committees must be reminded that mute acting is more difficult than talkie as the actor or actress is expressing the meaning without any sound. This is just like you discover a meaning from a piece of graphic art. You read between the lines drawn on the canvas.
The argument for this emanated from the fact that the mute roles, being marked departure from the talkie-roles, evoke more interest among the audience as they find the element of novelty in it.
Mute roles make the celluloid ventures the most powerful craft of the art of film-making. Such silent roles have lingering effects on the minds of the people for decades together which a character talking on the silver screen may not be able to impact so.
“The Shape of Water” (2017) https://www.youtube.com/watch?v=XFYWazblaUA
“+380” (2021) https://www.instagram.com/p/CWogJMND03G/
“The Piano” (1992) https://www.youtube.com/watch?v=cyTn4XIYH8M
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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