Business
Mayur Patankar’s Journey from a Small Town in India to the Cinematic World of Los Angeles

Mayur Patankar’s story is one of passion, courage, and a relentless drive to succeed in an industry far removed from his roots. Hailing from Bramhapuri, a rural town in Maharashtra, India, Mayur took a leap of faith seven years ago, moving across the world to Los Angeles to pursue a Master’s in Cinematography at the prestigious New York Film Academy. It was a decision that would change his life, opening doors to working with some of the biggest names in entertainment and advertising. “It was the scariest and most unconventional decision I’ve ever made,” Mayur recalls, but one that turned out to be the best for his career.
Mayur’s journey didn’t follow the typical path of someone born with a camera in hand. In fact, he began his career with a degree in forensic science, unsure of his true calling. “I didn’t have one of those ‘I wanted to be a cinematographer since I was a kid’ stories,” he explains. His interest in photography developed gradually as he started working at a sports broadcast company in Delhi, where he began covering sporting events and after-parties. His love for shooting videos led to travel blogs and, eventually, the realization that filmmaking was his true passion. With YouTube as his initial teacher, he dived into learning the basics of photography and cinematography, leading him to the New York Film Academy.
Mayur’s work ethic and willingness to adapt and learn quickly gained him a foothold in the competitive world of filmmaking. His resume now boasts collaborations with renowned artists and companies, including Billie Eilish, Nike, Netflix, and more. “My most humbling experience was working on Space Jam 2 with LeBron James,” Mayur says, recalling his early days on set after graduating film school. “I thought I knew it all, but quickly realized it was only the beginning. That project taught me to empty my cup, be open to learning, and constantly improve my craft.”
Mayur also highlights his work on The Guilty with Jake Gyllenhaal and lighting Billie Eilish for her music videos as some of his most memorable projects. “Every project is different, whether I’m the cinematographer, gaffer, or playing any other role. I push my creative boundaries and give my best every time,” he says, adding that his best keeps getting better with each new challenge.
Despite his success, the road to becoming a prominent cinematographer wasn’t always easy. Growing up in a small town where filmmaking is an unconventional career choice, Mayur faced initial skepticism from his family. “My dad thought it was a prank when I said I wanted to go to America for a diploma,” he laughs. However, his family’s support never wavered, and once they saw his determination, they did everything they could to help him pursue his dreams.
Navigating the cultural and professional differences between India and Los Angeles also posed significant challenges. From dealing with stereotypes to building trust in a competitive industry, Mayur learned to adapt and thrive. “I realized the importance of being open-minded and respecting different cultures,” he says. “It’s about standing out with your unique creative vision, but also being someone people want to work with.”
Mayur’s story is proof that hard work, resilience, and following your passion can lead to extraordinary success. With his unique blend of technical expertise, creativity, and the cultural richness of his Indian roots, Mayur Patankar continues to make a mark in the world of cinematography, inspiring others to take risks and pursue their dreams.
Business
Derik Fay and the Quiet Rise of a Fintech Dynasty: How a Relentless Visionary is Redefining the Future of Payments

Long before the headlines, before the Forbes features, and well before he became a respected fixture in boardrooms across the country, Derik Fay was a kid from Westerly, Rhode Island with little more than grit and audacity. Now, with a strategic footprint spanning more than 40 companies—including holdings in media, construction, real estate, pharma, fitness, and fintech—Fay’s influence is as diversified as it is deliberate. And his most recent move may be his boldest yet: the acquisition and co-ownership of Tycoon Payments, a fintech venture poised to disrupt an industry built on middlemen and outdated rules.
Where many entrepreneurs chase headlines, Fay chases legacy.
Rebuilding the Foundation of Fintech
In the saturated space of payment processors, Fay didn’t just want another transactional brand. He saw a broken system—one that labeled too many businesses as “high-risk,” denied them access, and overcharged them into silence. Tycoon Payments, under his stewardship, is rewriting that narrative from the ground up.
Instead of the all-too-common “fake processor” model, where companies act as brokers rather than actual underwriters, Tycoon Payments is being engineered to own the rails—integrating direct banking partnerships, custom risk modeling, and flexible support for underserved industries.
“Disruption isn’t about being loud,” Fay said in a private strategy session with advisors. “It’s about fixing what’s been ignored for too long. I don’t chase waves—I build the coastline.”
Quiet Power, Strategic Depth
Now 46 years old, Fay has evolved from scrappy gym owner to an empire builder, founding 3F Management as a private equity and venture vehicle to scale fast-growth businesses with staying power. His portfolio includes names like Bare Knuckle Fighting Championships, BIGG Pharma, Results Roofing, FayMs Films, and SalonPlex—but also dozens of companies that never make headlines. That’s by design.
Where others seek followers, Fay builds founders. Where most celebrate their exits, Fay reinvests in people.
While he often deflects conversations around his personal wealth, analysts estimate his net worth to exceed $100 million, with some placing it comfortably over $250 million, based on exits, real estate holdings, and the trajectory of his current ventures.
Yet unlike others in his tax bracket, Fay still answers cold DMs. He mentors rising entrepreneurs without cameras rolling. And he shows up—not just with capital, but with conviction.
A Mogul Grounded in Real Life
Outside of business, Fay remains committed to his role as a father and partner. He shares two daughters, Sophia Elena Fay and Isabella Roslyn Fay, and has been in a relationship with Shandra Phillips since 2021. He’s known for keeping his personal life private, but those close to him speak of a man who brings the same intention to parenting as he does to scaling multimillion-dollar ventures—focused, present, and consistent.
His physical stature—standing at 6′1″—matches his professional gravitas, but what’s more striking is his ability to operate with both discipline and empathy. Fay’s reputation among founders and CEOs is not just one of capital deployment, but emotional intelligence. As one partner noted, “He’s the kind of guy who will break down your pitch—and rebuild your belief in yourself in the same breath.”
The Tycoon Blueprint
The playbook Fay is writing at Tycoon Payments doesn’t just threaten incumbents—it reinvents the infrastructure. This isn’t another “fintech startup” with a flashy brand and no backend. It’s a strategically positioned venture with real underwriting power, cross-border ambitions, and a founder who understands how to scale quietly until the entire industry has to take notice.
In an age where so many entrepreneurs rely on noise and virality to build influence, Fay remains a master of what can only be called elite stealth. He doesn’t need the spotlight. But his impact casts a long shadow.
Conclusion: The Empire Expands
From Rhode Island beginnings to venture boardrooms, from gym owner to fintech force, Derik Fay continues to build not just businesses—but a blueprint. One rooted in resilience, innovation, and long-term infrastructure.
Tycoon Payments may be the latest chess piece. But the game he’s playing is bigger than one move. It’s a long game of strategic leverage, intentional legacy, and generational wealth.
And Fay is not just playing it. He’s redefining the rules.
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