Entertainment
Meet Dren Starr: Our featured guest Feb 22
Before the internet became a popular source of entertainment, Dren Starr was among those leading the hip-hop scene primarily through FM radio. Today, 44-year-old Dren Starr, a native of the Lower East Side Manhattan, is making strides in the music and digital marketing industries. He is associated with Roc Nation, D’ussé Cognac, Rolling Loud, and other hip-hop festivals and tours.
Starr, who has three decades of experience in the entertainment industry, can be described as a Music Mogul who has worn many hats as DJ, promoter, producer, recording engineer, plus a tour and artist manager.
He began his entertainment career at age 14 as a deejay. Then at 18, he started his own hip hop radio station in New York City called WBAD Radio 91.9 FM. This was to be a competitor for Hot 97, New York’s long-standing and top-rated radio station, and give many upcoming artists a platform. He captured his audience’s attention and successfully grew his listening. However, his radio station was later shut down by the Federal Communications Commission (FCC).
Starr then went on to open Pirate Recording Studio, one of the first official studios on the Lower East Side of Manhattan. He went on to start more recording studios around the city, where his role included producer and engineer.
He has worked with top names in the industry, including South Bronx rapper, Big Punisher also called Big Pun. He did an interesting interview with Pun before he passed away in 2000. This interview can be found on YouTube.
Starr also had the opportunity to manage hip hop artists like Terror Squad’s Cuban Link, Wu-Tang Clan’s Ghostface Killah, and Kinetic 9 of Killarmy, a group affiliated with the Wu-Tang Clan. He also produced controversial mixtapes for rapper Tru Life.
His music career continued to gain momentum as he collaborated and created within the hip-hop industry. But he experienced a slight pause when he served a five-and-a-half-year sentence in the New York State prison for gun possession.
This was enough to set back anyone’s career. But because of Starr’s hard work over the years, many people were willing to work with him when he was released.
He says, “Do good business, never burn any bridges, stay true to yourself and be humble! People can learn from me that as long as your grind is real and your heart is pure, you will always be good and have a good name in this industry.”
After his release, he was faced with adapting to the music industry in the digital age. However, through his willingness to learn and his perseverance, he is mastering the sector where it is today. He uses his social media presence to continue his work in music and marketing. He can be seen on Instagram associating with artists like Fabolous and Meek Mill.
Starr hopes to continue creating opportunities for himself and his family. He is currently committed to developing his brand – LES – and put the community of Lower East Side on the map.
For even more information or to collaborate with Dren Starr, visit his Instagram, www.instagram.com/drenstarr or his official website www.drenstarr.com
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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