Entertainment
Meghan Markle and Prince Harry’s Wedding Venue Secrets Revealed

Meghan Markle and Prince Harry were married last year on May 19. Their wedding venue was St. George’s Chapel in Windsor. They were not the first couple who choose St. Geroge’s Chapel as a Wedding venue. It has a history of royal weddings since 1863. The venue holds a secret spot that is revealed now after more than a year of Meghan Markle and Prince Harry’s wedding. This secret spot was used by past Queens to view the proceedings from a safe distance. The secret spot is a remarkable oriel window that has a fascinating history of its own and is a place of several royal weddings.
This oriel window in Chapel is in a form of the bay window that is on the main wall of a building. This spot has housed the royalty since it was made to the north side of the altar in 1510. Henry VIII made the Edward IV Chantry into a royal pew for the use of his first Queen, Catherine of Aragon. She watched Garter ceremonies from here. For that reason, the window was named ‘Catherine of Aragon’s Closet‘ or ‘Queen Catherine’s Closet’ Later the window was also named ‘Closet for the Ladies’ or ‘Royal Closet’.
The last queen which used the window as a viewing perch was Queen Victoria, three centuries later of its making. She often used the window to attend services at Windsor. In 1863, she also used the window to observe the wedding of the Prince of Wales and Princess Alexandra of Denmark. St. Geroge’s Chapel was used as a wedding venue at that time. Queen Victoria had her own entrance to the closet. Her entrance through the covered walk from the Deanery still exists in the real form.
Apart from the viewing window, nowadays, the closet is also used as a viewing platform for broadcasters during royal weddings. After Meghan and Harry’s wedding, the place became the wedding venue of other royal weddings too. Princess Eugenie and Jack Brooksbank married in the Chapel in October of last year and recently Lady Gabriella married to Thomas Kingston in the same chapel in 2019.
Entertainment
MiG Arogan: The Haitian Powerhouse Behind the Spiritual Anthem “Moon Under Me”

MiG Arogan has firmly established himself as a commanding force in the music industry, bringing the weight and depth of Haitian culture and spirituality into the spotlight with his powerful track “Moon Under Me.” This song is not simply a musical creation; it is a bold spiritual declaration and a vivid expression of ancestral strength rooted in Haitian Vodou tradition.
Hailing from Haiti, MiG Arogan combines contemporary rap energy with rich cultural symbolism, carving a unique space where music meets ritual. “Moon Under Me” stands as a testament to this fusion, drawing deeply from the Vodou pantheon of Lwa (spirits) to convey protection, power, and fearlessness.
The song’s hook centers around the presence of Mama performing the sacred work “with the moon under me,” a metaphor for hidden spiritual forces guiding and empowering the artist. Papa Legba, the revered gatekeeper of the spiritual crossroads, “opens doors I don’t see,” symbolizing MiG’s access to realms and protections invisible to others. This connection to Legba asserts a profound control over paths both physical and metaphysical.
Further spiritual guardians emerge in the lyrics: Kalfou, the fierce spirit of crossroads and chaos, “waiting at the edge with heat,” ready to defend or attack; Baron Samedi and Baron Kriminel, powerful death spirits who “laugh when your blood hit street,” representing MiG’s untouchable status backed by forces of life and death. These spirits signal that crossing MiG Arogan or disrespecting his heritage comes with grave consequences.
The song also invokes Erzuli, embodying love, beauty, and pride, along with Simbi, the wise serpent spirit guiding MiG’s style and movement. Ogou, the warrior spirit, tests and arms him, while Damballa offers calm wisdom and balance. The mention of Granne Brigitte, the fierce protector, and the other spirits completes a powerful spiritual armor surrounding the artist.
“Moon Under Me” goes beyond conventional music; MiG Arogan describes himself as “no rapper, I’m a ritual in boots,” emphasizing the song’s ceremonial and mystical weight. The imagery of candles, chants, incense, and spirits evokes authentic Vodou ceremonies that infuse the track with genuine ancestral energy.
By weaving these sacred names and symbols into his lyrics, MiG Arogan not only asserts his own power but elevates Haitian Vodou from misunderstood superstition to a living, respected tradition. His message is clear: “Play with Haitians — that’s the wrong belief.” It’s a warning and a proclamation — the strength of his roots and spiritual backing make him untouchable, commanding respect from all who hear his voice.
With “Moon Under Me,” MiG Arogan asserts a profound cultural and spiritual identity. His music becomes a vessel for ancestral power, a declaration that the Haitian spirit is fierce, unbreakable, and very much alive in him. This song stands as an anthem for strength, heritage, and the unstoppable force that MiG Arogan represents in today’s music and culture landscape.
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