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Next-Gen Sounds Are Being Created By the American Record Producer, Luis Bordeaux

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Luis Bordeaux and Non Native are best known for producing  Lil Tjay & 6lack’s “Callin My Phone”. Bordeaux was born to an immigrant couple in the Bronx, NY. Today he has used different cultural influences to create his work and is a self taught American record producer working in collaboration with Non Native.

Bordeaux is 24, and Union City’s Non Native is 20, together they are responsible for giving the world of music some infectious new Drill sound. They have together created 2020 superstars Fivio Foreign, Lil Tjay and the late-Pop Smoke. The duo has also been credited for one of the biggest singles in rap like Lil Tjay’s “Zoo York” and Meek Mill & Fivio Foreign’s “Demons & Goblins”. Even the chart-bursting H.E.R.‘s Saturday Night Live new single, “Hold” has been backed by the duo’s vision.

The self taught music producer, Luis Bordeaux says that his parents were first generation immigrants in America thus for him music became a way of making friends. Music bought all together and he got to learn a lot about different cultures through the music he listened to. All of it influenced his work.

For the dynamic duo, The Neptunes, are the biggest influences in their lives combined with their love for electronic music. All these influences have been a big part of their careers to create their own unique style of music. The works inspired them to create unique, delicate and soulful work.

Their working style is different from other producers. The duo likes to be in the same room when an artist is creating to be in the process completely. Non Native says both of them are in sync with what output they are looking for. He says, “We can flip flop seats at any time in a session and we both know exactly what to do and how to carry the session on.” They are looking at creating impactful work and have the same ambitions making them experiment in all areas of music.

From television to the internet platform, Jonathan switched his journey in digital media with Bigtime Daily. He served as a journalist for popular news channels and currently contributes his experience for Bigtime Daily by writing about the tech domain.

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Entertainment

Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

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Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.

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