Entertainment
The Modeling Industry’s Next Brazilian Star, Paula Weckerle on Her Career Path
Paula Weckerle, who is with the prestigious The Industry agency in New York, is a true all-around model on the rise. From her diversified portfolio to her natural appeal, she stands out against a largely filter-and-filler saturated fashion world. The Brazilian beauty took some time to chat with us about her career goals and path.
Q: What do you love most about modeling and the fashion industry?
A: I like that I am able to make new connections, that so often become friends, and of course the traveling! I also love that I get to be versatile and creative; I do more fashion work and runway in the beginning of the year, and then in the second half I switch to more commercial projects, and even fitness modeling. I love being a chameleon.
Q: Who are some of your role models? Whose career do you admire in the industry, and who inspires you?
A: Cindy Crawford—I think she had an amazing career. And she was also a chameleon, doing everything from fashion to hosting. I think she’s the full package and I really admire her. I also love that she was authentic and a natural real woman, which is how models used to be, with curves and no plastic surgery, which I resonate with and find empowering for younger girls.
Q: What do you see as your highest achievement so far in your modeling career?
A: Honestly, I’ve had so many incredible clients and jobs that it’s hard to choose one. But in the beginning of my career, I got to work with a huge Brazilian designer, Arthur Caliman and it was my first big job that I still cherish because I learned so much from it. Also, being in New York Fashion Week has been incredible because it was a dream of mine when I first got into modeling.
Q: Landing which job or client would make you feel like you ‘made it’ in the industry?
A: Working with high-end fashion designers like Dior, D&G. Haute Couture brands like Zuhair Murad would be a dream come true, and for beauty, a campaign with Chanel is like the ‘top.’ And of course, being in the pages of Vogue would feel like I’ve made it.
Q: What is the main thing you want to achieve either in the business or through it, later? Is there a post-modeling goal?
A: I like to stay focused on the present; that’s my way of living. I want to do as much as I can and work as much as I can in the industry today. Instead of looking too much into the future I work on improving myself now and being fully present on my current clients and shoots. But as far as post-modeling, it would be incredible to eventually work with one the top designers I mentioned in a communications capacity or writing, as I really enjoy that.
Q: How are you responding to the pause in the industry due to the pandemic? How are you responding to the situation, and do you have any coping advice for others?
A: It’s been hard because I do not have my usual routine of working out, going to castings, and working on shoots and jobs. But I am hopeful that things will turn around soon. I’ve shifted my workout to at-home fitness, and I am finding that it is healthier to spend less time on my phone and on news outlets during this time. Instead I focus on reading, baking and working out to keep calm. I am focusing on what I can control, and that’s my advice for others too.
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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