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Why are Three Major Radio Stations in the DMV Fighting?

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Nobody else but girl group Dorothy Milone could start a battle with three major radio stations in the DMV.  That’s right! WPGC, MIX106 AND 92Q are delivering punches and there’s a video to prove it.

Boss Bitch Fight Challenge – DMV Edition

https://www.youtube.com/watch?v=6_RssiSbmFc

Dorothy Milone took Zoe Bell’s (actress starring in “Once Upon a Time In Hollywood” and “Death Proof”) “Boss Bitch Fight Challenge” to heart.  These girls say don’t sleep on the DMV area, we got much game.  The challenge is short but you get the point.

Zoe created a virtual battle royale with celebrities like Halle Berry, Scarlett Johansson and Margot Robbie.  So, Dorothy Milone enlisted a few badasses from the DMV to accept this challenge.  All hell broke loose when they included Poet (WPGC), Raven Paris (92Q), and Corinna Delgado (MIX106).

Each of the girls got creative and Dorothy Milone stitched together vignettes that are so entertaining you won’t want to miss a second of it. 

This challenge comes at a great time.  Most of Dorothy Milone’s summer performances have been cancelled due to Covid-19.  Although they’ve restarted their “Dear Dorothy” vodcast, this challenge was just the spark they needed to shake things up during this pandemic!

Oh and by the way, the familiar song you hear in the background is Dorothy Milone’s song “Gas You Up”.  And if you’re feeling a little frogish then hop on over and find Dorothy Milone on TikTok.  You can duet and kick a little bootay all day long!!!

Dorothy Milone’s TikTok-   http://vm.tiktok.com/apxu1Y/

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

Going Public: The Groundbreaking Series Transforming How Americans Invest

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In a media landscape saturated with reality TV and startup showcases, Going Public stands apart, not just as a show but as a movement. Now in its third season, the interactive series invites viewers to do more than just watch entrepreneurs chase success. It gives them the tools and the opportunity to invest in startups in real time, democratizing access to early-stage funding and reshaping how ordinary Americans engage with entrepreneurship and wealth-building.

Launched by Todd M. Goldberg, a former MedTech executive who hit a frustrating wall while preparing his company for a Nasdaq IPO, Going Public was born from a moment of personal disillusionment.

“When I brought a list of interested friends and colleagues to the Chairman of the Board,” Goldberg recalls, “he explained that all the IPO shares were reserved for institutional investors. That was my epiphany. I just knew that was wrong. Regular people should have a chance to invest in IPOs, but it needed to go even further.”

That insight became the foundation for Going Public, a hybrid of entrepreneurial storytelling and financial access that offers retail investors a seat at the table usually reserved for venture capitalists and insiders. The show brings audiences inside the capital-raising journey of startups, often before they go public, and leverages a powerful innovation: its “Click-to-Invest” feature.

“The bottom line with Click-to-Invest is that it’s seamless,” says Goldberg. “Viewers can go from watching the show to literally clicking a button. It feels more like a Shopify or Amazon checkout than a traditional investment process.”

This accessibility is central to the show’s mission: to educate, inspire, and empower everyday people to participate in early-stage investing. Unlike financial news channels that target seasoned traders, Going Public merges entertainment with financial literacy, using real startup stories to highlight the risks, rewards, and realities of entrepreneurship. It’s financial content with emotional stakes, real people, and tangible outcomes.

Season 3 reflects how far the show has come and where it’s going. With more celebrity involvement, including gaming icon Ninja backing the cashew milk startup Nutcase, and a strategic partnership with the social media platform X (formerly Twitter), Going Public has widened its reach while deepening its cultural relevance.

“How do you make this mainstream?” Goldberg says. “The concept was The Apprentice meets Shark Tank meets IPO, but with a twist. Viewers aren’t just spectators, they’re stakeholders.”

The show’s selection of featured companies is another defining element. Startups are chosen not just for their growth potential but also for their mission, relatability, and cultural resonance. In Season 3, that includes everything from disruptive wellness brands to tech-enabled platforms, each paired with guidance from top-tier venture capitalists and Silicon Valley mentors.

This season also introduces a livestream finale, a format innovation designed to create a real-time, high-stakes environment where viewers can watch, decide, and invest together. It adds urgency and community to the investing experience, aligning with the show’s values of transparency and participation.

One of the most surprising and meaningful outcomes has been the personal stories from viewers who never imagined themselves as investors. “We’ve heard from teachers, nurses, and even students who said this was their first time investing and they felt confident doing it because the show made it accessible,” Goldberg shares. “It’s not just about money, it’s about empowerment.”

Looking ahead, Goldberg and his team have ambitious plans. They aim to expand the format to new platforms, explore international adaptations, and build out educational tools so viewers not only invest but understand what they’re investing in. The goal isn’t just more participation. It’s smarter participation.

In a world where capital often feels distant, technical, and exclusionary, Going Public brings the financial journey down to earth and into the hands of the people. It’s not just a show. It’s a redefinition of how business stories are told and how wealth can be created and shared.

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