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Why are Three Major Radio Stations in the DMV Fighting?

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Nobody else but girl group Dorothy Milone could start a battle with three major radio stations in the DMV.  That’s right! WPGC, MIX106 AND 92Q are delivering punches and there’s a video to prove it.

Boss Bitch Fight Challenge – DMV Edition

https://www.youtube.com/watch?v=6_RssiSbmFc

Dorothy Milone took Zoe Bell’s (actress starring in “Once Upon a Time In Hollywood” and “Death Proof”) “Boss Bitch Fight Challenge” to heart.  These girls say don’t sleep on the DMV area, we got much game.  The challenge is short but you get the point.

Zoe created a virtual battle royale with celebrities like Halle Berry, Scarlett Johansson and Margot Robbie.  So, Dorothy Milone enlisted a few badasses from the DMV to accept this challenge.  All hell broke loose when they included Poet (WPGC), Raven Paris (92Q), and Corinna Delgado (MIX106).

Each of the girls got creative and Dorothy Milone stitched together vignettes that are so entertaining you won’t want to miss a second of it. 

This challenge comes at a great time.  Most of Dorothy Milone’s summer performances have been cancelled due to Covid-19.  Although they’ve restarted their “Dear Dorothy” vodcast, this challenge was just the spark they needed to shake things up during this pandemic!

Oh and by the way, the familiar song you hear in the background is Dorothy Milone’s song “Gas You Up”.  And if you’re feeling a little frogish then hop on over and find Dorothy Milone on TikTok.  You can duet and kick a little bootay all day long!!!

Dorothy Milone’s TikTok-   http://vm.tiktok.com/apxu1Y/

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

MiG Arogan: The Haitian Powerhouse Behind the Spiritual Anthem “Moon Under Me”

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MiG Arogan has firmly established himself as a commanding force in the music industry, bringing the weight and depth of Haitian culture and spirituality into the spotlight with his powerful track “Moon Under Me.” This song is not simply a musical creation; it is a bold spiritual declaration and a vivid expression of ancestral strength rooted in Haitian Vodou tradition.

Hailing from Haiti, MiG Arogan combines contemporary rap energy with rich cultural symbolism, carving a unique space where music meets ritual. “Moon Under Me” stands as a testament to this fusion, drawing deeply from the Vodou pantheon of Lwa (spirits) to convey protection, power, and fearlessness.

The song’s hook centers around the presence of Mama performing the sacred work “with the moon under me,” a metaphor for hidden spiritual forces guiding and empowering the artist. Papa Legba, the revered gatekeeper of the spiritual crossroads, “opens doors I don’t see,” symbolizing MiG’s access to realms and protections invisible to others. This connection to Legba asserts a profound control over paths both physical and metaphysical.

Further spiritual guardians emerge in the lyrics: Kalfou, the fierce spirit of crossroads and chaos, “waiting at the edge with heat,” ready to defend or attack; Baron Samedi and Baron Kriminel, powerful death spirits who “laugh when your blood hit street,” representing MiG’s untouchable status backed by forces of life and death. These spirits signal that crossing MiG Arogan or disrespecting his heritage comes with grave consequences.

The song also invokes Erzuli, embodying love, beauty, and pride, along with Simbi, the wise serpent spirit guiding MiG’s style and movement. Ogou, the warrior spirit, tests and arms him, while Damballa offers calm wisdom and balance. The mention of Granne Brigitte, the fierce protector, and the other spirits completes a powerful spiritual armor surrounding the artist.

“Moon Under Me” goes beyond conventional music; MiG Arogan describes himself as “no rapper, I’m a ritual in boots,” emphasizing the song’s ceremonial and mystical weight. The imagery of candles, chants, incense, and spirits evokes authentic Vodou ceremonies that infuse the track with genuine ancestral energy.

By weaving these sacred names and symbols into his lyrics, MiG Arogan not only asserts his own power but elevates Haitian Vodou from misunderstood superstition to a living, respected tradition. His message is clear: “Play with Haitians — that’s the wrong belief.” It’s a warning and a proclamation — the strength of his roots and spiritual backing make him untouchable, commanding respect from all who hear his voice.

With “Moon Under Me,” MiG Arogan asserts a profound cultural and spiritual identity. His music becomes a vessel for ancestral power, a declaration that the Haitian spirit is fierce, unbreakable, and very much alive in him. This song stands as an anthem for strength, heritage, and the unstoppable force that MiG Arogan represents in today’s music and culture landscape.

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