Entertainment
TheUmutmusic Explains How He Makes Music
Umut Gundogdu AKA TheUmutmusic produces, sings, mix & masters his own songs in his home in New York City. Umut is a talented and endlessly creative artist whose life experiences took him from Turkey to The Netherlands to New York. After he graduated from high school, listening to Michael Jackson, Notorious BIG and Tupac he was looking for a path for himself and became a member of his brother’s R&B – Rap group. Working with rappers as an R&B singer, was an interesting experience that shaped his early music career. In 2011 he moved to The Netherlands and started to produce and learn more technical aspects of making music.
In 2019, Umut moved to New York City to grow his music career. Umut released 3 music videos within a year. His latest releases are a 4 songs project, and he’s shared online that he is going to release Chapter 2 “In My Zone” in November and Chapter 3 “Poison” in January 2021.
Umut explains how he’s making music in his home studio. He says he has used almost every DAW that exists in the music industry such as Reason, FL Studio, Cubase, Studio One, Ableton, Garage Band, Pro Tools etc. But he feels most comfortable in Logic Pro. When he makes music he doesn’t know where and when motivation can strike, sometimes in the middle of the night at 1AM, sometimes when he just woke up in the morning. A lot of times when he remembers a melody or lyric he just grabs his phone and records the melody and later he makes it in Logic Pro.

Umut says he recorded a lot of melodies or drum doing beatbox on his phone. If he doesn’t have a melody in his mind then he just opens the DAW, checks the sounds and if he has motivation to do something he definitely ends up creating a dope beat to write and sing on. He says he likes to chop samples and create new music from them too. He says he has a lot of beats that he created with his own samples, for those he is looking for dope rappers to collaborate!
When we asked Umut what his style of music is, he says he does modern R&B pop vocals on hip-hop beats. Since he worked with rappers for a long time, he likes to create hip-hop beats. He likes some Trap or beats with 808 bass kick and is open to exploring every genre of music. On his current 4 songs project he uses more 808 bass sounds and the songs have more MJ type of vocals on them. He records his songs by himself. After a lot of self-study and workshops he is now able to mix and master his own songs too.Umut saves his last words for other indie musicians who are struggling to create music, ‘’believe in yourself, you don’t need a million dollar studio and equipment, what matters most is your talent and your trust in yourself. And don’t try to be a perfectionist coz it will delay your career. Just create and publish all the time because one day someone will hear it as you do.’’
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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