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Funny Brothers Season one streaming on TubiTV, Amazon, Mometu, Lookhu, ONEHUBTV, Nuclear Home Video, Roku TV. Written By: Shalom Kolontarov

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Shalom Kolontarov came a long way from writing his own projects. Shalom Kolontarov created a magical show for young audience a very funny comedy show along side with his brothers Yakov Kolontarov and Lior Kolontarov. Fans can not wait for season two to come out already. Shalom Kolontarov already writing the next season.

Funny Brothers is about three brothers. One of them is lost in a mystical and magical Hell. The two brothers are in a journey to find him. A new kind of fantasy comedy about real brothers. Do they ever find the real brother???

Lets talk about few episodes

Episode one- Funny Brothers is about two brothers who fall in love with a beautiful women which leads them to fight for her.

Episode Two- Funny Brothers is about two brothers who fall in love with twins which leads them to fight for her. One Love, two crazy twins, one poison and two brothers who don’t stand each other. A new kind of comedy about real brothers.

Episode Three- Funny Brothers is about two brothers who fall in love with Melina. So one brother Yakov decides to move on from her only to find out that Melina get jealous from this. One revenge, one jealousy, one heartless person and two brothers who don’t stand each other. A new kind of horror comedy about real brothers.

This are some of the spoilers for the Funny Brothers show . There is ten episodes so far. Season two will below the audience mind once they watch it will be a new world and new characters.

Rosario is from New York and has worked with leading companies like Microsoft as a copy-writer in the past. Now he spends his time writing for readers of BigtimeDaily.com

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Entertainment

Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

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Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.

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