Entertainment
Lilly Dennis – Making her mark as one of Hollywood and Broadway’s fresh new faces
Recent years have seen the film industry a-buzz with captivating performances from some of the globe’s hottest young stars; from Emma Stone to Margot Robbie, Saiorse Ronan to Awkwafina, and obviously we’d be remiss if we didn’t mention Tom Holland.
And so, it comes as no shock that amongst the budding talent, Tasmania has its own offering to throw in the mix, in the form of Lilly Dennis.
Coming from the lone island of Tasmania, her first roles were starring in some of the most famed productions of all time from the age of 9 such as A Midsummer Nights Dream, The Wizard of OZ and Taming of the Shrew. Starting in theater, going to performing arts school throughout her childhood and then at the young age of 18 eventually being brought to Los Angeles on a full talent scholarship to attend The American Academy of Dramatic Arts, this young talent has taken the entertainment industry by storm. Having appeared in the series Good Job Thanks! Alongside famed comedy legend Sandy Martin, to starring in the Warner Brothers Film Still Here, to starring in the hit Award- Winning Broadway show Chocoholic – Lilly Dennis has indeed done it all.

“I think this is honestly the midst of the most exciting time in the entertainment industry,” Says Dennis, when asked about the new faces stepping into the spotlight and onto red carpets all over Hollywood. “I think it’s long overdue that we are seeing so many news faces step into the lime light and highlighting people of diversity and shattering stereotypes. There is still a long way to go but it’s an honor to be a part of what’s happening right now.”
And this young Australian is indeed a part of that, having worked with some of the biggest names in the industry such as starring in the film Dr. Phlill where she was directed by Nick Conroy who has directed big names such as Idina Menzel and Selena Gomez. To going back to Broadway this year in the biggest solo festival in the world with the play Chocoholic, which won Best Solo Show in the United Solo Awards last year.
It has also just been confirmed that Dennis will be starring in the new comedy series, set to shoot in 2020 called I Can’t Help You. The series is said to be directed by the famed British actor and director Ian Ogilvie. The series has been ordered for three seasons, all which will star the talented actress and will be produced by Halleloo Productions.
“I have played so many therapists at this point that I feel as though I may have found my calling,” laughs Dennis as she explains her upcoming role Felicity in I Can’t Help You on ABC radio. “but in all honesty, I’m so honored to get to work with such an incredible director and on such an amazing story that’s a comedy but also handles the relevant subject of mental health.”
This young actress is making waves in Hollywood and on Broadway and the entertainment industry is expecting to see a lot more of her in the future.
Entertainment
When Motherhood Meets the Mic: Stacey Jackson’s Story Sings Its Own Soundtrack
Stacey Jackson doesn’t take herself too seriously, and that might be the secret to her success. She’s the first to admit that her latest project, How a Gangsta Rapper Made Me a Better Mom (Integrated Musical Edition), began with laughter. “The title came from a moment of total chaos and comedy in my real life, juggling my kids, my career, and all the curveballs in between,” she says. “At the point I found myself working with an actual ‘gangsta rapper’, and the clash of worlds was so surreal, my son blurted out ‘Mom, how about calling the book How A Gangsta Rapper Made Me a Better Mom?’ And it just stuck with me.”
It’s the kind of moment that defines Jackson’s brand of honesty, a combination of humor and heart that turns the chaos of daily life into something both relatable and inspiring. “The phrase may have started as a bit of a joke… but the more I thought about it, the more I realised how true it was. That experience (and the people I met along the way) genuinely changed how I parent, how I view and teach my kids about drive and ambition, and how I navigate life as a woman trying to do it all. So the title is cheeky, yes but it’s also honest.”
That mix of playfulness and sincerity runs through the entire project. How a Gangsta Rapper Made Me a Better Mom isn’t just a memoir it’s a musical novel, a storytelling format that merges fiction, sound, and emotion. “Honestly? I’ve always seen life like one big music video, scenes, moods, characters and music has always been the emotional thread that ties it all together for me,” Jackson says. “So when I started writing this story, I couldn’t not hear the songs that went with it. I thought, what if the characters in the book had their own voices literally through music? That’s when it hit me: what if a novel could be heard as much as read?”

It’s a question only Jackson could ask and actually answer. The book allows readers to hear songs as they appear in the story. “For the paperback we’ve included QR codes throughout the story where the song appears (direct links to all music platforms on an e-book) so that readers can instantly listen to the tracks that align with certain scenes or characters,” she explains. “For the audiobook, we took it a step further: the music is actually woven into the narration. The tracks are part of the whole immersive experience much like a film score or a musical.”
Her confidence in crossing genres from pop to publishing to tech innovation didn’t come from comfort zones. Jackson credits her past collaborations for teaching her how to take risks. “Working with someone like Snoop was a game-changer,” she says. “It showed me what it meant to blend worlds, to find common ground through music even when you come from totally different backgrounds. That spirit of collaboration and that sense of humour and grit absolutely influenced the tone of the story. You’ll see it in the character of ‘The Most Famous Rapper in the World’ he’s not based on Snoop, but let’s just say I borrowed some of that larger-than-life charisma.”
Behind the glitz of the project lies a deeply personal truth: Jackson knows what it’s like to be stretched thin, to juggle family, art, and the expectations of the world. “While the plot is fictional, the emotional heart of it is deeply personal,” she says. “Like Stephanie Bloom, I’ve had to juggle a million roles: mom, wife, performer, businesswoman all while chasing dreams that sometimes felt a bit… delusional. I know what it’s like to be underestimated, to start again, and to fight for your creative voice.”

That battle fought with humor and resilience fuels the book’s message. “At its core, it’s about second chances, finding your voice, and refusing to let age, motherhood, or society box you in,” Jackson says. “It’s about stepping into your power, even if it looks messy or unconventional. It’s also about grief, resilience, and the beauty of reinventing yourself and doing it with humour and heart.”
But make no mistake: this isn’t just an emotional journey. It’s also a technical feat. “Syncing the timing of the book release with the music production was a bit like conducting an orchestra while tap dancing,” she says with a laugh. “Then there were the logistics of making sure QR codes worked… and that the audiobook format allowed music integration without disrupting the listening experience. It was a lot of back-and-forth with engineers, designers, and tech partners. But I had an amazing team, and we just kept pushing boundaries until it all came together.”
Like her heroine, Jackson isn’t content to stay still. She’s already imagining future chapters, sequels, new formats, fresh reinventions. “I really do feel that audiences today want more than just a book or an album; they want experiences,” she says. “We’re already used to streaming, binge-watching, interacting across platforms… So why not apply that to storytelling? For me, this is just the beginning.”

And for someone like Stacey Jackson whose career has thrived on laughter, chaos, and pure creative courage it’s easy to believe her story is only growing stronger.
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