Entertainment
Lilly Dennis – Making her mark as one of Hollywood and Broadway’s fresh new faces
Recent years have seen the film industry a-buzz with captivating performances from some of the globe’s hottest young stars; from Emma Stone to Margot Robbie, Saiorse Ronan to Awkwafina, and obviously we’d be remiss if we didn’t mention Tom Holland.
And so, it comes as no shock that amongst the budding talent, Tasmania has its own offering to throw in the mix, in the form of Lilly Dennis.
Coming from the lone island of Tasmania, her first roles were starring in some of the most famed productions of all time from the age of 9 such as A Midsummer Nights Dream, The Wizard of OZ and Taming of the Shrew. Starting in theater, going to performing arts school throughout her childhood and then at the young age of 18 eventually being brought to Los Angeles on a full talent scholarship to attend The American Academy of Dramatic Arts, this young talent has taken the entertainment industry by storm. Having appeared in the series Good Job Thanks! Alongside famed comedy legend Sandy Martin, to starring in the Warner Brothers Film Still Here, to starring in the hit Award- Winning Broadway show Chocoholic – Lilly Dennis has indeed done it all.

“I think this is honestly the midst of the most exciting time in the entertainment industry,” Says Dennis, when asked about the new faces stepping into the spotlight and onto red carpets all over Hollywood. “I think it’s long overdue that we are seeing so many news faces step into the lime light and highlighting people of diversity and shattering stereotypes. There is still a long way to go but it’s an honor to be a part of what’s happening right now.”
And this young Australian is indeed a part of that, having worked with some of the biggest names in the industry such as starring in the film Dr. Phlill where she was directed by Nick Conroy who has directed big names such as Idina Menzel and Selena Gomez. To going back to Broadway this year in the biggest solo festival in the world with the play Chocoholic, which won Best Solo Show in the United Solo Awards last year.
It has also just been confirmed that Dennis will be starring in the new comedy series, set to shoot in 2020 called I Can’t Help You. The series is said to be directed by the famed British actor and director Ian Ogilvie. The series has been ordered for three seasons, all which will star the talented actress and will be produced by Halleloo Productions.
“I have played so many therapists at this point that I feel as though I may have found my calling,” laughs Dennis as she explains her upcoming role Felicity in I Can’t Help You on ABC radio. “but in all honesty, I’m so honored to get to work with such an incredible director and on such an amazing story that’s a comedy but also handles the relevant subject of mental health.”
This young actress is making waves in Hollywood and on Broadway and the entertainment industry is expecting to see a lot more of her in the future.
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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