Entertainment
Beirut Blast Documentary Wins International Awards: Fadia Ahmad’s “Beirut, the Aftermath” Continues International Festival Run
Lebanese Spanish photographer and director Fadia Ahmad continues an ongoing search for home in her latest film, “Beirut, the Aftermath”. A long standing member of the Lebanese art scene, recently through World Art Collector, where she participated as a judge for the organization’s Incubator initiative, Ahmad’s latest project draws inspiration from her city and its many recent struggles. Raised across the sea from her native Lebanon, Ahmad longed as a child to return to the country that had pushed her and her family away. In 2003, she did exactly that, returning to begin her most widely recognized series “Beyrouth | Beirut” as a means to answer a critical question that followed her: Where do I belong?
Shot along her daily walk through the historic Mar Mikhael and Gemmayze neighborhoods towards the Downtown and Ain Mreisse districts of Beirut, “Beyrouth | Beirut” chronicles what it really means to rediscover one’s own home. While inadvertently reconciling with a missing piece of her own identity, one lost to exile and war, Ahmad captures a dynamic portrait of a city beset with both tremendous beauty and unfading scars.
This very same corner of the city became the epicenter of unspeakable tragedy last year in August, when a warehouse explosion in the Port of Beirut sent shockwaves into the city, killing hundreds, wounding thousands, and leveling many of the historic facades Ahmad had come to know on her daily path. The questions that brought her to produce her first breakaway series “Beyrouth | Beirut” led her to pick up her camera once again, this time to create her first ever film “Beirut, the Aftermath”. A testimony to both the strength of the survivors as well as the continued injustice suffered at the hands of the corrupt regime responsible, the short documentary film stands out for taking an unwavering stand to resist erasure. First time director Ahmad masterfully captures the ethos of a city routinely threatened with destruction, yet somehow never ceasing to find new ways to rebuild and heal.

“Beirut, the Aftermath” has already received recognition at a number of International Film Festivals this season, including the recent Lebanese Film Festival in Canada- Montreal, where the film won 2nd place in the short films category. Earlier this year, Ahmad received recognition from the Argenteuil Film Festival in France, winning best feature documentary during the July edition. The Argenteuil Film Festival announces official selections and awards every month, with the prizewinners convening each year for the festival’s annual ceremony to compete once more for higher honors. This season’s annual ceremony will take place on May 22nd, 2022.
In August “Beirut, the Aftermath” was awarded Best Half-Length Film at the Five Continents International Film Festival. Ahmad herself won Best Female Director for a feature film. In addition to these awards, the film won Best Poster for Wafic Dabbous’s design and received special mention for Feature Film Production.
Still ahead lies a number of other high profile festivals, including the Rabat International Author Film Festival in Morocco, with its 26th edition currently scheduled for December 15th-23rd. Organizers for the event believe the festival allows cinema to function as “another country on the map”, presenting cinema as an effective ‘nonplace’ wherein all people can be imagined as citizens, while simultaneously inviting audiences to expand both their awareness and imagination. This expressed purpose makes Ahmad’s film the perfect addition to the festival’s ethos. “Beirut, the Aftermath” will compete in the Short Film category this December.
Additionally, the film will be presented from November 30th to January 9th at the Peoria Riverfront Museum and Scottish Rite theater as part of a benefit supporting recovery efforts through the Lebanese American University Medical Centers. There will also be a concert at the event by accomplished pianist Dr. Tony Karam. In tandem with the showing, the Peoria Museum will feature a solo exhibit showcasing a photography series by Ahmad released as a companion to “Beirut, the Aftermath”, highlighting through pictures the major themes of her documentary.
In an era of profound change, Ahmad’s life spent in exile, her pursuit of meaningful return, and her reconciliation with complicated roots prove relevant to a global audience. A must see feature for anyone interested in universal themes of heritage, loss, and remembrance, Fadia Ahmad’s “Beirut, the Aftermath” continues to win well earned recognition as the festival season carries on.
Entertainment
When Motherhood Meets the Mic: Stacey Jackson’s Story Sings Its Own Soundtrack
Stacey Jackson doesn’t take herself too seriously, and that might be the secret to her success. She’s the first to admit that her latest project, How a Gangsta Rapper Made Me a Better Mom (Integrated Musical Edition), began with laughter. “The title came from a moment of total chaos and comedy in my real life, juggling my kids, my career, and all the curveballs in between,” she says. “At the point I found myself working with an actual ‘gangsta rapper’, and the clash of worlds was so surreal, my son blurted out ‘Mom, how about calling the book How A Gangsta Rapper Made Me a Better Mom?’ And it just stuck with me.”
It’s the kind of moment that defines Jackson’s brand of honesty, a combination of humor and heart that turns the chaos of daily life into something both relatable and inspiring. “The phrase may have started as a bit of a joke… but the more I thought about it, the more I realised how true it was. That experience (and the people I met along the way) genuinely changed how I parent, how I view and teach my kids about drive and ambition, and how I navigate life as a woman trying to do it all. So the title is cheeky, yes but it’s also honest.”
That mix of playfulness and sincerity runs through the entire project. How a Gangsta Rapper Made Me a Better Mom isn’t just a memoir it’s a musical novel, a storytelling format that merges fiction, sound, and emotion. “Honestly? I’ve always seen life like one big music video, scenes, moods, characters and music has always been the emotional thread that ties it all together for me,” Jackson says. “So when I started writing this story, I couldn’t not hear the songs that went with it. I thought, what if the characters in the book had their own voices literally through music? That’s when it hit me: what if a novel could be heard as much as read?”

It’s a question only Jackson could ask and actually answer. The book allows readers to hear songs as they appear in the story. “For the paperback we’ve included QR codes throughout the story where the song appears (direct links to all music platforms on an e-book) so that readers can instantly listen to the tracks that align with certain scenes or characters,” she explains. “For the audiobook, we took it a step further: the music is actually woven into the narration. The tracks are part of the whole immersive experience much like a film score or a musical.”
Her confidence in crossing genres from pop to publishing to tech innovation didn’t come from comfort zones. Jackson credits her past collaborations for teaching her how to take risks. “Working with someone like Snoop was a game-changer,” she says. “It showed me what it meant to blend worlds, to find common ground through music even when you come from totally different backgrounds. That spirit of collaboration and that sense of humour and grit absolutely influenced the tone of the story. You’ll see it in the character of ‘The Most Famous Rapper in the World’ he’s not based on Snoop, but let’s just say I borrowed some of that larger-than-life charisma.”
Behind the glitz of the project lies a deeply personal truth: Jackson knows what it’s like to be stretched thin, to juggle family, art, and the expectations of the world. “While the plot is fictional, the emotional heart of it is deeply personal,” she says. “Like Stephanie Bloom, I’ve had to juggle a million roles: mom, wife, performer, businesswoman all while chasing dreams that sometimes felt a bit… delusional. I know what it’s like to be underestimated, to start again, and to fight for your creative voice.”

That battle fought with humor and resilience fuels the book’s message. “At its core, it’s about second chances, finding your voice, and refusing to let age, motherhood, or society box you in,” Jackson says. “It’s about stepping into your power, even if it looks messy or unconventional. It’s also about grief, resilience, and the beauty of reinventing yourself and doing it with humour and heart.”
But make no mistake: this isn’t just an emotional journey. It’s also a technical feat. “Syncing the timing of the book release with the music production was a bit like conducting an orchestra while tap dancing,” she says with a laugh. “Then there were the logistics of making sure QR codes worked… and that the audiobook format allowed music integration without disrupting the listening experience. It was a lot of back-and-forth with engineers, designers, and tech partners. But I had an amazing team, and we just kept pushing boundaries until it all came together.”
Like her heroine, Jackson isn’t content to stay still. She’s already imagining future chapters, sequels, new formats, fresh reinventions. “I really do feel that audiences today want more than just a book or an album; they want experiences,” she says. “We’re already used to streaming, binge-watching, interacting across platforms… So why not apply that to storytelling? For me, this is just the beginning.”

And for someone like Stacey Jackson whose career has thrived on laughter, chaos, and pure creative courage it’s easy to believe her story is only growing stronger.
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