Entertainment

Beirut Blast Documentary Wins International Awards: Fadia Ahmad’s “Beirut, the Aftermath” Continues International Festival Run

Published

3 years ago

October 30, 2021

Lebanese Spanish photographer and director Fadia Ahmad continues an ongoing search for home in her latest film, “Beirut, the Aftermath”. A long standing member of the Lebanese art scene, recently through World Art Collector, where she participated as a judge for the organization’s Incubator initiative, Ahmad’s latest project draws inspiration from her city and its many recent struggles. Raised across the sea from her native Lebanon, Ahmad longed as a child to return to the country that had pushed her and her family away. In 2003, she did exactly that, returning to begin her most widely recognized series “Beyrouth | Beirut” as a means to answer a critical question that followed her: Where do I belong?

Shot along her daily walk through the historic Mar Mikhael and Gemmayze neighborhoods towards the Downtown and Ain Mreisse districts of Beirut, “Beyrouth | Beirut” chronicles what it really means to rediscover one’s own home. While inadvertently reconciling with a missing piece of her own identity, one lost to exile and war, Ahmad captures a dynamic portrait of a city beset with both tremendous beauty and unfading scars.

This very same corner of the city became the epicenter of unspeakable tragedy last year in August, when a warehouse explosion in the Port of Beirut sent shockwaves into the city, killing hundreds, wounding thousands, and leveling many of the historic facades Ahmad had come to know on her daily path. The questions that brought her to produce her first breakaway series “Beyrouth | Beirut” led her to pick up her camera once again, this time to create her first ever film “Beirut, the Aftermath”. A testimony to both the strength of the survivors as well as the continued injustice suffered at the hands of the corrupt regime responsible, the short documentary film stands out for taking an unwavering stand to resist erasure. First time director Ahmad masterfully captures the ethos of a city routinely threatened with destruction, yet somehow never ceasing to find new ways to rebuild and heal.

“Beirut, the Aftermath” has already received recognition at a number of International Film Festivals this season, including the recent Lebanese Film Festival in Canada- Montreal, where the film won 2nd place in the short films category. Earlier this year, Ahmad received recognition from the Argenteuil Film Festival in France, winning best feature documentary during the July edition. The Argenteuil Film Festival announces official selections and awards every month, with the prizewinners convening each year for the festival’s annual ceremony to compete once more for higher honors. This season’s annual ceremony will take place on May 22nd, 2022.

In August “Beirut, the Aftermath” was awarded Best Half-Length Film at the Five Continents International Film Festival. Ahmad herself won Best Female Director for a feature film. In addition to these awards, the film won Best Poster for Wafic Dabbous’s design and received special mention for Feature Film Production.

Still ahead lies a number of other high profile festivals, including the Rabat International Author Film Festival in Morocco, with its 26th edition currently scheduled for December 15th-23rd. Organizers for the event believe the festival allows cinema to function as “another country on the map”, presenting cinema as an effective ‘nonplace’ wherein all people can be imagined as citizens, while simultaneously inviting audiences to expand both their awareness and imagination. This expressed purpose makes Ahmad’s film the perfect addition to the festival’s ethos. “Beirut, the Aftermath” will compete in the Short Film category this December.

Additionally, the film will be presented from November 30th to January 9th at the Peoria Riverfront Museum and Scottish Rite theater as part of a benefit supporting recovery efforts through the Lebanese American University Medical Centers. There will also be a concert at the event by accomplished pianist Dr. Tony Karam. In tandem with the showing, the Peoria Museum will feature a solo exhibit showcasing a photography series by Ahmad released as a companion to “Beirut, the Aftermath”, highlighting through pictures the major themes of her documentary.

In an era of profound change, Ahmad’s life spent in exile, her pursuit of meaningful return, and her reconciliation with complicated roots prove relevant to a global audience. A must see feature for anyone interested in universal themes of heritage, loss, and remembrance, Fadia Ahmad’s “Beirut, the Aftermath” continues to win well earned recognition as the festival season carries on.

Entertainment

Omar Harfouch’s ‘Concerto for Peace’ to Enchant Paris in an Evening of Musical Unity

Published

2 days ago

September 5, 2024

Jonathan Grilli

Photo Credit: Daniel Topic

Byline: Katreen David

It’s no secret that music holds the power to enchant people. Ears hear the melodies and every fiber of the soul feels them, especially when the message behind the musical notes conveys a call for world peace.

“In times of turmoil, music has always been our refuge, where we find solace and the courage to hope. This is what inspired ‘Concerto for Peace,’” reflects Omar Harfouch, the world-renowned pianist and composer who will bring “Concerto for Peace” to the Théâtre des Champs-Élysées in Paris, France.

When he isn’t busy producing classical melodies with every keystroke of his piano, Harfouch can be found redefining what it means to blend art and activism. His upcoming “Concerto for Peace,” set to premiere on September 18, 2024, promises to be more than just a concert—it’s an evocative call to unity, a symphonic plea for a world yearning to heal.

Just 48 hours after enchanting Paris with the concerto, Omar Harfouch will take the stage at the United Nations in Geneva to deliver the “Concerto for Peace” once more. This remarkable performance is set to be a highlight of the World Music Conference, coinciding with the global observance of World Peace Day on September 20.

A Symphony as a Statement

Omar Harfouch is no stranger to the power of music as a transformative force. With a career that’s as much about melodic innovation as it is about social impact, Harfouch’s latest work, “Concerto for Peace,” encapsulates his belief that music can be both recreational and revolutionary. As 2024 sees the rise of art with a cause, Harfouch’s concert stands out for its musical mastery and bold message.

“This isn’t just about notes on a page,” Harfouch explains. “It’s about creating a space where every listener, regardless of background, can feel part of something larger—a movement toward peace, one note at a time.”

In a world where philanthropy is increasingly woven into the heart of the arts, Omar Harfouch’s “Concerto for Peace” reflects a growing trend where music serves as a catalyst for change. The performance, featuring the Béziers Méditerranée Symphony Orchestra under the skilled direction of Mathieu Bonnin, is set to be a defining moment in this movement.

The Pulse of 2024: Music with Purpose

As we navigate the complexities of 2024, the intersection of art and advocacy has never been more pronounced. The global music industry is seeing an unprecedented convergence with philanthropic efforts. Artists are not just creating for the sake of creation; they are crafting experiences that resonate with the world’s most pressing issues.

Omar Harfouch stands on the frontlines of this shift. “Concerto for Peace” is emblematic of a broader movement where art becomes a form of protest, a medium for messages that words alone can’t convey.

“Music has this incredible ability to reach where words often fail,” Harfouch reflects. “In every melody, there’s a story. In every crescendo, a call to action.”

An Artistic Tribute to Roots and Responsibility

The story behind one of Harfouch’s most famous compositions is a tale from his childhood. This is primarily why the upcoming Paris performance is also deeply personal for Harfouch. Among the pieces featured is “Tripoli,” a composition that serves as a musical homage to his birthplace.

With its intricate blend of cultural motifs and personal history, this piece adds a profound layer of authenticity to the concert. To that effect, it becomes an artistic expression fueled by his personal journey.

“Tripoli is more than just a city to me—it’s a symbol of resilience, of the beauty that can emerge from hardship,” says Harfouch. “Through this piece, I’m sharing a part of myself, my history, and my hope for the future.”

Another key highlight is “Save One Life, You Save Humanity,” a composition that spotlights Harfouch’s belief in the power of individual action. In a world where small acts of kindness can ripple into broader societal change, this piece serves as both a reminder and an inspiration.

A Crescendo of Hope

As the “Concerto for Peace” prepares to echo through the streets of Paris, Omar Harfouch is reflective yet resolute. “We live in a world that’s constantly changing, constantly challenging us,” he says. “But in music, we find a constant—a reminder that beauty, harmony, and peace are always within our reach if only we’re brave enough to listen.”

For Harfouch, this concert is the culmination of months of work and proof of the enduring power of art to reflect the world, comfort the world, and change the world.

The “Concerto for Peace” is bound to leave behind a lasting impact—a reminder that, in the grand symphony of life, every voice matters, and every note counts.