Entertainment
Edward Robertson’s new single “Dancin’ Wit tha Devil” was streamed 100k Times in just a Month

Edward Robertson is a hip hop music artist, who was born in 1995. He is also known by the name EdThatsMyCup. Edward was born and raised in Daytona, and he grew up in Port Orange. He did not complete his schooling because he was bullied in school.
So he quit his school and started gravitating towards music. According to an article on The American Reporter, Edward began to get interested in music after his brother played Jay-Z’s “99 Problems” & “Dirt Off Your Shoulders.” These tracks got to him and inspired him to make music.
He dropped out of school when he was in the 10th grade. Ed got into a lot of fights because he tried to defend himself against the bullies. He also shared that when he was young, it was difficult to take criticism. But now he has learned to take criticism constructively.
Last year, in 2019, Edward’s music became insanely popular. He has fans in 77 countries, which is a huge success. Moreover, his singles ‘Heavyweight’, ‘Bitches,’ ‘ATM’ and ‘Ice Cream Man’ has accumulated more than 34k streams in Spotify.
But “Dancin’ Wit tha Devil” remains his masterpiece, because, after its release on February 22nd, the song was streamed 100k times in a month. Dancin wit tha Devil was his first single of 2020. This song was soon followed by ‘Hurt Kobain’ and shortly after his first EP ‘Give ME Space.’
Edward has become successful because he intently focuses on his dreams. Rather than taking stealing music, he creates his own. He stays away from negative influences. Ed always writes his own lyrics and believes that he himself can best project his thoughts, nobody else.
Entertainment
MiG Arogan: The Haitian Powerhouse Behind the Spiritual Anthem “Moon Under Me”

MiG Arogan has firmly established himself as a commanding force in the music industry, bringing the weight and depth of Haitian culture and spirituality into the spotlight with his powerful track “Moon Under Me.” This song is not simply a musical creation; it is a bold spiritual declaration and a vivid expression of ancestral strength rooted in Haitian Vodou tradition.
Hailing from Haiti, MiG Arogan combines contemporary rap energy with rich cultural symbolism, carving a unique space where music meets ritual. “Moon Under Me” stands as a testament to this fusion, drawing deeply from the Vodou pantheon of Lwa (spirits) to convey protection, power, and fearlessness.
The song’s hook centers around the presence of Mama performing the sacred work “with the moon under me,” a metaphor for hidden spiritual forces guiding and empowering the artist. Papa Legba, the revered gatekeeper of the spiritual crossroads, “opens doors I don’t see,” symbolizing MiG’s access to realms and protections invisible to others. This connection to Legba asserts a profound control over paths both physical and metaphysical.
Further spiritual guardians emerge in the lyrics: Kalfou, the fierce spirit of crossroads and chaos, “waiting at the edge with heat,” ready to defend or attack; Baron Samedi and Baron Kriminel, powerful death spirits who “laugh when your blood hit street,” representing MiG’s untouchable status backed by forces of life and death. These spirits signal that crossing MiG Arogan or disrespecting his heritage comes with grave consequences.
The song also invokes Erzuli, embodying love, beauty, and pride, along with Simbi, the wise serpent spirit guiding MiG’s style and movement. Ogou, the warrior spirit, tests and arms him, while Damballa offers calm wisdom and balance. The mention of Granne Brigitte, the fierce protector, and the other spirits completes a powerful spiritual armor surrounding the artist.
“Moon Under Me” goes beyond conventional music; MiG Arogan describes himself as “no rapper, I’m a ritual in boots,” emphasizing the song’s ceremonial and mystical weight. The imagery of candles, chants, incense, and spirits evokes authentic Vodou ceremonies that infuse the track with genuine ancestral energy.
By weaving these sacred names and symbols into his lyrics, MiG Arogan not only asserts his own power but elevates Haitian Vodou from misunderstood superstition to a living, respected tradition. His message is clear: “Play with Haitians — that’s the wrong belief.” It’s a warning and a proclamation — the strength of his roots and spiritual backing make him untouchable, commanding respect from all who hear his voice.
With “Moon Under Me,” MiG Arogan asserts a profound cultural and spiritual identity. His music becomes a vessel for ancestral power, a declaration that the Haitian spirit is fierce, unbreakable, and very much alive in him. This song stands as an anthem for strength, heritage, and the unstoppable force that MiG Arogan represents in today’s music and culture landscape.
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