Entertainment
Edward Robertson’s new single “Dancin’ Wit tha Devil” was streamed 100k Times in just a Month

Edward Robertson is a hip hop music artist, who was born in 1995. He is also known by the name EdThatsMyCup. Edward was born and raised in Daytona, and he grew up in Port Orange. He did not complete his schooling because he was bullied in school.
So he quit his school and started gravitating towards music. According to an article on The American Reporter, Edward began to get interested in music after his brother played Jay-Z’s “99 Problems” & “Dirt Off Your Shoulders.” These tracks got to him and inspired him to make music.
He dropped out of school when he was in the 10th grade. Ed got into a lot of fights because he tried to defend himself against the bullies. He also shared that when he was young, it was difficult to take criticism. But now he has learned to take criticism constructively.
Last year, in 2019, Edward’s music became insanely popular. He has fans in 77 countries, which is a huge success. Moreover, his singles ‘Heavyweight’, ‘Bitches,’ ‘ATM’ and ‘Ice Cream Man’ has accumulated more than 34k streams in Spotify.
But “Dancin’ Wit tha Devil” remains his masterpiece, because, after its release on February 22nd, the song was streamed 100k times in a month. Dancin wit tha Devil was his first single of 2020. This song was soon followed by ‘Hurt Kobain’ and shortly after his first EP ‘Give ME Space.’
Edward has become successful because he intently focuses on his dreams. Rather than taking stealing music, he creates his own. He stays away from negative influences. Ed always writes his own lyrics and believes that he himself can best project his thoughts, nobody else.
Entertainment
Going Public: The Groundbreaking Series Transforming How Americans Invest

In a media landscape saturated with reality TV and startup showcases, Going Public stands apart, not just as a show but as a movement. Now in its third season, the interactive series invites viewers to do more than just watch entrepreneurs chase success. It gives them the tools and the opportunity to invest in startups in real time, democratizing access to early-stage funding and reshaping how ordinary Americans engage with entrepreneurship and wealth-building.
Launched by Todd M. Goldberg, a former MedTech executive who hit a frustrating wall while preparing his company for a Nasdaq IPO, Going Public was born from a moment of personal disillusionment.
“When I brought a list of interested friends and colleagues to the Chairman of the Board,” Goldberg recalls, “he explained that all the IPO shares were reserved for institutional investors. That was my epiphany. I just knew that was wrong. Regular people should have a chance to invest in IPOs, but it needed to go even further.”
That insight became the foundation for Going Public, a hybrid of entrepreneurial storytelling and financial access that offers retail investors a seat at the table usually reserved for venture capitalists and insiders. The show brings audiences inside the capital-raising journey of startups, often before they go public, and leverages a powerful innovation: its “Click-to-Invest” feature.
“The bottom line with Click-to-Invest is that it’s seamless,” says Goldberg. “Viewers can go from watching the show to literally clicking a button. It feels more like a Shopify or Amazon checkout than a traditional investment process.”
This accessibility is central to the show’s mission: to educate, inspire, and empower everyday people to participate in early-stage investing. Unlike financial news channels that target seasoned traders, Going Public merges entertainment with financial literacy, using real startup stories to highlight the risks, rewards, and realities of entrepreneurship. It’s financial content with emotional stakes, real people, and tangible outcomes.
Season 3 reflects how far the show has come and where it’s going. With more celebrity involvement, including gaming icon Ninja backing the cashew milk startup Nutcase, and a strategic partnership with the social media platform X (formerly Twitter), Going Public has widened its reach while deepening its cultural relevance.
“How do you make this mainstream?” Goldberg says. “The concept was The Apprentice meets Shark Tank meets IPO, but with a twist. Viewers aren’t just spectators, they’re stakeholders.”
The show’s selection of featured companies is another defining element. Startups are chosen not just for their growth potential but also for their mission, relatability, and cultural resonance. In Season 3, that includes everything from disruptive wellness brands to tech-enabled platforms, each paired with guidance from top-tier venture capitalists and Silicon Valley mentors.
This season also introduces a livestream finale, a format innovation designed to create a real-time, high-stakes environment where viewers can watch, decide, and invest together. It adds urgency and community to the investing experience, aligning with the show’s values of transparency and participation.
One of the most surprising and meaningful outcomes has been the personal stories from viewers who never imagined themselves as investors. “We’ve heard from teachers, nurses, and even students who said this was their first time investing and they felt confident doing it because the show made it accessible,” Goldberg shares. “It’s not just about money, it’s about empowerment.”
Looking ahead, Goldberg and his team have ambitious plans. They aim to expand the format to new platforms, explore international adaptations, and build out educational tools so viewers not only invest but understand what they’re investing in. The goal isn’t just more participation. It’s smarter participation.
In a world where capital often feels distant, technical, and exclusionary, Going Public brings the financial journey down to earth and into the hands of the people. It’s not just a show. It’s a redefinition of how business stories are told and how wealth can be created and shared.
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