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In conversation With Bestselling Author Lloyd Pilling Tosoff

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Lloyd Pilling Tosoff books have been a huge hit with readers setting off shockwaves on social media streams, which is not surprise since each and every one is a phenomenal work of literary art. “Children of Pleiades, Rise of the Henge” is a must read this season, and we believe it will hit the bestseller list very soon given the level of excitement it continues to generate.

“Children of Pleiades, Rise of the Henge” is the first book in this two book series, taking readers deep into a fascinating world, one where the children of a sacred bloodline are haunted by a murder perpetrated by an ancestor. The struggle between good and evil plays a very real role in this epic story, which is very much a human drama but it is also teeming with superstition and folklore, including an otherworld of pixies, faeries, angels, and legends of visitations from star men.

Pilling Tosoff takes readers on an epic journey, and recently we caught up with him to learn more about this talented writer, his work and when his next book is coming out.

“Children of Pleiades, Rise of the Henge” is a two-part series, which is quite brilliant, what was it like for you to write a series? What was your biggest challenge, and conversely what was the most fun aspect for you? 

The truth is, it was not intended to be a series. The project started to take shape in 2012 as a historical fiction novel influenced by my writing hero, Ken Follett. After writing several highly descriptive passages such as the following: “Blue shadows cast by trees that lined the beaten dirt path kept a chill in the early morning air as the foliage on low hanging branches lit up golden from the first rays of the rising sun that spilled onto the forest floor. The reddish tint of the treefall carpeted the ground between massive trunks of ancient oak trees and filled his nostrils with a pleasing musty smell. Tiny bluebells perfumed the air with a delicate fragrance, hanging their curved tepals as if bowing in reverence to the sun. The glory of the morning made Gwain’s heart soar with the joy of being alive.” I soon realized that there is only one Ken Follett, and I was going down a rabbit hole that would lead to nowhere. I retained the idea of an ancient historical theme but decided to make it a human story of murder, lust, jealousy, envy, and the gamut of earthly emotions set against the background of superstition, folklore and legend that stirred the hearts of the people of Briton at the time. Over a period of several years, while writing a few other novels, the project became very lengthy, so I decided to cut it in half and make it a two-novel series. The biggest challenge was researching the history of henges, belief in an Otherworld, religious practices of the day, and ensuring the historical aspects of the story were accurate. I am not sure I would label the writing process as “fun” and would rather say I love to write because I know how to get inside the heads and hearts of my characters.

You have written eight epic books, which have caused a stir in the literary world. I know this is a bit like asking you which of your children you love the most, but I am going to ask anyway – do you have a favorite book you have written? And why is it your favorite? 

“Escape from Konigsberg” received a flattering Kirkus review and wonderful response from my readers. Based on a true story, it follows a young Prussian boy, Walter Heinrich as he watches his beloved home of Königsberg, East Prussia fall into communist hands during the last days of WWII. Faced with unspeakable tragedy, the scholarly 16-year-old bravely escapes, along with his two young sisters on what may have been the last coal train to Berlin where Walter begins a quest that changes his life forever.  A coming-of-age war novel that touches the heart and evokes deeply felt emotion tells of the terrible atrocities that befell the German people in the wake of a brutal war. Kirkus described it as a realistic rendering of a horrific period in German history, and “beautifully depicted” in its portrayal of a romantic affair in the midst of the destruction of the 700-hundred-year-old mediaeval city at the hands of the Red Army and the Allied bombing campaign. It is my favorite novel because of its real-life depth, in a story of love, loss, and hope.

Covid has been challenging for most people, what has it been like for you to keep your creativity flowing during this time?

My wife/editor and I live on a secluded acreage in the heart of the west coast Canadian rain forest. I am a lone wolf for the most part, so the lack of social contact during this pandemic has not been particularly mind altering as I have spent the last decade producing a large body of artistic work. I would say that I have not been affected artistically by Covid 19. We miss our children and other family members but hopefully things will begin to normalize as the pandemic is mitigated by the soon to be available vaccines.

You are both an author and a songwriter, telling stories in different ways. What inspired you to start writing books, and do these two modalities have things in common that you find compelling?

In short, they both use words. As a writer, musician, and painter, however, I can tell you that all art forms are inspired and emerge from the same creative place. My daughter Amanda is a prominent jazz composer and recording artist and we often talk about the creative process as the expression of artistic language. As a writer I love words, but I also recognize that at a prima facie level, they are at best symbols somewhat removed from the primal level of subtext and emotion. The language of all art forms can be simply stated in my view as the persuasive and articulate use of light, space, form, color, movement, and sound. Words, whether in a song or in a novel, must connect the reader or listener to an emotional experience through the use of the aforementioned aspects that are at the ground of all artistic expression.  

I am now a huge fan of your work. Is there another book in the works?

Part two of the Children of Pleiades series, “The Curse of Nordumaal” will follow “Rise of the Henge”, likely in June of 2021. After that, I have a Canadian Crime Thriller, “Black Diamond Conspiracy”.  Thirty-one-year-old former airline baggage handler, Jason Black miraculously survives the crash of his light aircraft near the town of Canmore in the Canadian Rockies. After lifesaving brain surgery, he awakens from a coma with no memory of who he was before the crash. Black is helped to uncover his past by the young woman who discovers the severely injured pilot as he lay slumped over the controls of his downed plane. The recollection casts a shadow over his second chance at life when he finds out that he was involved in a diamond smuggling ring. Forced into finding diamonds missing from the crash site, he faces the wrath of the mob boss and pursuit by a rogue cop for a double murder he did not commit.

You can find out more about Lloyd Pilling Tosoff and his work on his website. https://lloydtosoff.com

Michelle has been a part of the journey ever since Bigtime Daily started. As a strong learner and passionate writer, she contributes her editing skills for the news agency. She also jots down intellectual pieces from categories such as science and health.

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Lifestyle

The Future of Social Dancing: How Latin Dance is Adapting to a New Generation

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Latin dance thrives on connection. The music, the partner, and the crowd all feed one another. 

Today, that connection is shaped by a younger, digitally fluent generation, and few understand the shift better than Damian Guzman, founder of Bachata Sensual America (BSA). From prize-winning festivals to late-night socials, Guzman and BSA show how the scene is evolving without losing its roots. 

Streaming steps, viral beats

A decade ago, beginners to Latin dance hunted for grainy DVD tutorials; now they unlock entire combinations on their phones. TikTok loops, YouTube shorts, and Instagram reels have compressed learning into snack-sized bursts. 

Many of the artists signed on with Bachata Sensual America meet dancers where they scroll, posting slow-motion breakdowns and “follow-along” drills that rack up thousands of views. This approach addresses two key Gen Z demands: instant access and a clear path from screen to floor. 

By allowing newcomers to practice at home before facing a packed room, the online channel lowers the fear barrier while seeding a desire for in-person connection. 

Festivals as entry points, not finish lines

Digital discovery is only the first act. For many people, their real baptism happens at multi-day events where practice hours blur into sunrise socials. 

BSA’s flagship Houston Bachata Sensual Festival returned on May 2nd, 2025, with a follow-up week slated for Bachata Sensual Festival Chicago, September 4th-9th, 2025. Both weekends pair technique labs with mental-wellness talks and DJs specializing in bachata, mirroring the playlists in dancers’ earbuds. 

That balance of skills and community is why independent reviewers named BSA one of the “Top Latin Dance Festivals in the United States” for 2025. Yet, for Damian, awards matter less than the message: a festival can feel world-class without pricing out college students. He keeps passes tiered, encourages volunteer shifts that offset costs, and prepares bootcamps for absolute beginners, ensuring the dance floor reflects the same diversity he sees online.

Teaching culture, not just choreography

Bachata’s recent boom owes much to its European reinvention. Damian experienced that surge firsthand while earning one of the first U.S. instructor certifications in the Bachata Sensual style. He returned determined to give American dancers the same blend of precision and musicality he had experienced abroad. 

BSA classes devote equal time to connection cues, body mechanics, and the genre’s Dominican roots. That trifecta resonates with younger students who want authenticity, not just a viral dip.

“In class I tell people, ‘Technique is how you respect your partner; musicality is how you respect the song,’” Guzman said during a recent podcast. The line distills his mission: elevate standards while keeping the dance welcoming.

Building inclusive, mindful spaces

Generation Z brings new expectations around consent, identity, and mental health. BSA’s code of conduct spells out everything from appropriate touch to gender-neutral role selection. Security staff mediate conflicts quickly, and workshop leaders open sessions with grounding exercises to calm nerves. These actions might sound small, yet they remove friction that once pushed many newcomers away.

Damian argues that such policies go beyond ethics; they future-proof the scene. Normalizing role fluidity in Latin dance widens its talent pool and invites richer musical interpretations. By acknowledging anxiety and overstimulation — common concerns for digital natives — events can retain dancers who might otherwise retreat after their first crowded social.

Latin dance has never stood still, and its next evolution is already spinning under disco lights from Houston to Helsinki. With a phone in every pocket and a festival on every calendar, the gap between discovery and mastery keeps shrinking. 

Damian Guzman and Bachata Sensual America illustrate what happens when tradition listens, adapts, and leads with purpose. The result is a scene ready for whatever beat the next generation drops — and a future where social dancing feels more connected, inclusive, and alive than ever.

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