Lifestyle
In conversation With Bestselling Author Lloyd Pilling Tosoff
Lloyd Pilling Tosoff books have been a huge hit with readers setting off shockwaves on social media streams, which is not surprise since each and every one is a phenomenal work of literary art. “Children of Pleiades, Rise of the Henge” is a must read this season, and we believe it will hit the bestseller list very soon given the level of excitement it continues to generate.
“Children of Pleiades, Rise of the Henge” is the first book in this two book series, taking readers deep into a fascinating world, one where the children of a sacred bloodline are haunted by a murder perpetrated by an ancestor. The struggle between good and evil plays a very real role in this epic story, which is very much a human drama but it is also teeming with superstition and folklore, including an otherworld of pixies, faeries, angels, and legends of visitations from star men.
Pilling Tosoff takes readers on an epic journey, and recently we caught up with him to learn more about this talented writer, his work and when his next book is coming out.
“Children of Pleiades, Rise of the Henge” is a two-part series, which is quite brilliant, what was it like for you to write a series? What was your biggest challenge, and conversely what was the most fun aspect for you?
The truth is, it was not intended to be a series. The project started to take shape in 2012 as a historical fiction novel influenced by my writing hero, Ken Follett. After writing several highly descriptive passages such as the following: “Blue shadows cast by trees that lined the beaten dirt path kept a chill in the early morning air as the foliage on low hanging branches lit up golden from the first rays of the rising sun that spilled onto the forest floor. The reddish tint of the treefall carpeted the ground between massive trunks of ancient oak trees and filled his nostrils with a pleasing musty smell. Tiny bluebells perfumed the air with a delicate fragrance, hanging their curved tepals as if bowing in reverence to the sun. The glory of the morning made Gwain’s heart soar with the joy of being alive.” I soon realized that there is only one Ken Follett, and I was going down a rabbit hole that would lead to nowhere. I retained the idea of an ancient historical theme but decided to make it a human story of murder, lust, jealousy, envy, and the gamut of earthly emotions set against the background of superstition, folklore and legend that stirred the hearts of the people of Briton at the time. Over a period of several years, while writing a few other novels, the project became very lengthy, so I decided to cut it in half and make it a two-novel series. The biggest challenge was researching the history of henges, belief in an Otherworld, religious practices of the day, and ensuring the historical aspects of the story were accurate. I am not sure I would label the writing process as “fun” and would rather say I love to write because I know how to get inside the heads and hearts of my characters.
You have written eight epic books, which have caused a stir in the literary world. I know this is a bit like asking you which of your children you love the most, but I am going to ask anyway – do you have a favorite book you have written? And why is it your favorite?
“Escape from Konigsberg” received a flattering Kirkus review and wonderful response from my readers. Based on a true story, it follows a young Prussian boy, Walter Heinrich as he watches his beloved home of Königsberg, East Prussia fall into communist hands during the last days of WWII. Faced with unspeakable tragedy, the scholarly 16-year-old bravely escapes, along with his two young sisters on what may have been the last coal train to Berlin where Walter begins a quest that changes his life forever. A coming-of-age war novel that touches the heart and evokes deeply felt emotion tells of the terrible atrocities that befell the German people in the wake of a brutal war. Kirkus described it as a realistic rendering of a horrific period in German history, and “beautifully depicted” in its portrayal of a romantic affair in the midst of the destruction of the 700-hundred-year-old mediaeval city at the hands of the Red Army and the Allied bombing campaign. It is my favorite novel because of its real-life depth, in a story of love, loss, and hope.
Covid has been challenging for most people, what has it been like for you to keep your creativity flowing during this time?
My wife/editor and I live on a secluded acreage in the heart of the west coast Canadian rain forest. I am a lone wolf for the most part, so the lack of social contact during this pandemic has not been particularly mind altering as I have spent the last decade producing a large body of artistic work. I would say that I have not been affected artistically by Covid 19. We miss our children and other family members but hopefully things will begin to normalize as the pandemic is mitigated by the soon to be available vaccines.
You are both an author and a songwriter, telling stories in different ways. What inspired you to start writing books, and do these two modalities have things in common that you find compelling?
In short, they both use words. As a writer, musician, and painter, however, I can tell you that all art forms are inspired and emerge from the same creative place. My daughter Amanda is a prominent jazz composer and recording artist and we often talk about the creative process as the expression of artistic language. As a writer I love words, but I also recognize that at a prima facie level, they are at best symbols somewhat removed from the primal level of subtext and emotion. The language of all art forms can be simply stated in my view as the persuasive and articulate use of light, space, form, color, movement, and sound. Words, whether in a song or in a novel, must connect the reader or listener to an emotional experience through the use of the aforementioned aspects that are at the ground of all artistic expression.
I am now a huge fan of your work. Is there another book in the works?
Part two of the Children of Pleiades series, “The Curse of Nordumaal” will follow “Rise of the Henge”, likely in June of 2021. After that, I have a Canadian Crime Thriller, “Black Diamond Conspiracy”. Thirty-one-year-old former airline baggage handler, Jason Black miraculously survives the crash of his light aircraft near the town of Canmore in the Canadian Rockies. After lifesaving brain surgery, he awakens from a coma with no memory of who he was before the crash. Black is helped to uncover his past by the young woman who discovers the severely injured pilot as he lay slumped over the controls of his downed plane. The recollection casts a shadow over his second chance at life when he finds out that he was involved in a diamond smuggling ring. Forced into finding diamonds missing from the crash site, he faces the wrath of the mob boss and pursuit by a rogue cop for a double murder he did not commit.
You can find out more about Lloyd Pilling Tosoff and his work on his website. https://lloydtosoff.com
Lifestyle
Confronting Propaganda: Street Smart Documents Honest Reactions to Gaza Indoctrination Footage
Byline: Michelle Langton
In a recent project, the Street Smart team gathered 20 strangers and presented them with propaganda footage from Gaza that has circulated widely online but remains largely unfamiliar to many audiences. The aim wasn’t to provoke outrage or test media literacy in a classroom setting. It was to capture raw, unfiltered emotional reactions to material that reveals how narratives are formed at the source. The resulting video offers a candid look at how people process shocking content and how their perceptions shift when they see what is rarely shown on mainstream platforms.
The Structure of the Experiment
The format was simple. Participants were seated and shown a series of clips from Gaza, including children’s programming and broadcasts containing intense ideological messaging. No background information was provided, and viewers were not instructed on how to interpret what they were seeing. After watching, they were asked for immediate reactions.
The footage elicited a wide range of emotions. Some viewers were stunned by the content, admitting they had never seen anything like it before. Others expressed disbelief, questioning why this kind of material isn’t more widely discussed. A few were visibly shaken, saying the experience fundamentally altered their understanding of the situation.
By presenting the footage without narration or added commentary, Street Smart allowed participants’ genuine responses to emerge. The experiment revealed how propaganda can affect an entire generation. It can shock, unsettle, and force people to reconsider their assumptions.
Why This Project Matters
Sage Fox and Dorani aligned the purpose of this experiment with Street Smart’s broader mission of challenging prevailing narratives and encouraging critical thought among younger audiences. In an environment where footage spreads rapidly across digital platforms, propaganda can shape public opinion long before context catches up.
By showing the Gaza Indoctrination footage in a controlled setting and recording uncoached responses, the team aimed to expose the emotional and cognitive impact of this type of content.
“The first reaction is often the most revealing, because it shows how powerful images can be without context.”
The Range of Reactions
While each participant brought their own perspective, several themes emerged. Some expressed sympathy with the imagery itself, saying it was emotionally powerful.
One participant said, “It makes me question what I see online every day. How much of it is shaped this way?”
Their comments highlight how propaganda resonates differently depending on prior knowledge and exposure. Many viewers have simply never encountered such footage directly.
Street Smart’s Approach
This project continues a pattern established by Sage Fox & Dorani’s earlier videos. Rather than relying on experts or lengthy analysis, Street Smart focuses on real people and their honest reactions. The approach is simple but effective. Present potent material, listen to what people say, and share those moments with a wider audience.
The Gaza Indoctrination footage experiment fits this model. It doesn’t attempt to draw final conclusions or offer political commentary. Instead, it documents how people respond when they’re exposed to narratives that are usually filtered through intermediaries.
Implications for Media Literacy
Beyond its viral potential, the video raises broader questions about how people interact with powerful imagery online. Propaganda operates on emotional reflexes. As this experiment shows, those reflexes are often unexamined until they’re brought to the surface.
Sage Fox & Dorani hope that projects like this push audiences to think more critically about what they see and share.
“The purpose is not to tell people what to believe. It is to remind them that every image comes from somewhere, and that source matters,” they said.
Next Steps for Street Smart
As Street Smart’s platform grows, Sage Fox & Dorani plan to conduct similar experiments in different contexts. They intend to use their direct, street-level approach to highlight how people react when presented with challenging material.
The Gaza footage project is one piece of a larger mission. The team uses simple methods to shed light on complex issues. By focusing on authentic reactions, they continue to build a unique space in online media that blends cultural investigation with raw human response.
A Window into Unfiltered Thought
“We showed 20 strangers real propaganda footage from Gaza — and filmed their unfiltered reactions” is not a dramatic exposé or academic study. It is a clear, unmediated record of how individuals respond when confronted with material designed to persuade. In that restraint lies its strength.
By documenting these moments, Street Smart shows how awareness can begin with a pause. A brief space between seeing and believing.
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