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Lilly Dennis – Making her mark as one of Hollywood and Broadway’s fresh new faces

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Recent years have seen the film industry a-buzz with captivating performances from some of the globe’s hottest young stars; from Emma Stone to Margot Robbie, Saiorse Ronan to Awkwafina, and obviously we’d be remiss if we didn’t mention Tom Holland.

And so, it comes as no shock that amongst the budding talent, Tasmania has its own offering to throw in the mix, in the form of Lilly Dennis.

Coming from the lone island of Tasmania, her first roles were starring in some of the most famed productions of all time from the age of 9 such as A Midsummer Nights Dream, The Wizard of OZ and Taming of the Shrew.  Starting in theater, going to performing arts school throughout her childhood and then at the young age of 18 eventually being brought to Los Angeles on a full talent scholarship to attend The American Academy of Dramatic Arts, this young talent has taken the entertainment industry by storm.  Having appeared in the series Good Job Thanks! Alongside famed comedy legend Sandy Martin, to starring in the Warner Brothers Film Still Here, to starring in the hit Award- Winning Broadway show Chocoholic – Lilly Dennis has indeed done it all.

“I think this is honestly the midst of the most exciting time in the entertainment industry,” Says Dennis, when asked about the new faces stepping into the spotlight and onto red carpets all over Hollywood. “I think it’s long overdue that we are seeing so many news faces step into the lime light and highlighting people of diversity and shattering stereotypes. There is still a long way to go but it’s an honor to be a part of what’s happening right now.”

And this young Australian is indeed a part of that, having worked with some of the biggest names in the industry such as starring in the film Dr. Phlill where she was directed by Nick Conroy who has directed big names such as Idina Menzel and Selena Gomez. To going back to Broadway this year in the biggest solo festival in the world with the play Chocoholic, which won Best Solo Show in the United Solo Awards last year.

It has also just been confirmed that Dennis will be starring in the new comedy series, set to shoot in 2020 called I Can’t Help You. The series is said to be directed by the famed British actor and director Ian Ogilvie. The series has been ordered for three seasons, all which will star the talented actress and will be produced by Halleloo Productions.

“I have played so many therapists at this point that I feel as though I may have found my calling,” laughs Dennis as she explains her upcoming role Felicity in I Can’t Help You on ABC radio. “but in all honesty, I’m so honored to get to work with such an incredible director and on such an amazing story that’s a comedy but also handles the relevant subject of mental health.”

This young actress is making waves in Hollywood and on Broadway and the entertainment industry is expecting to see a lot more of her in the future.

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

Going Public: The Groundbreaking Series Transforming How Americans Invest

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In a media landscape saturated with reality TV and startup showcases, Going Public stands apart, not just as a show but as a movement. Now in its third season, the interactive series invites viewers to do more than just watch entrepreneurs chase success. It gives them the tools and the opportunity to invest in startups in real time, democratizing access to early-stage funding and reshaping how ordinary Americans engage with entrepreneurship and wealth-building.

Launched by Todd M. Goldberg, a former MedTech executive who hit a frustrating wall while preparing his company for a Nasdaq IPO, Going Public was born from a moment of personal disillusionment.

“When I brought a list of interested friends and colleagues to the Chairman of the Board,” Goldberg recalls, “he explained that all the IPO shares were reserved for institutional investors. That was my epiphany. I just knew that was wrong. Regular people should have a chance to invest in IPOs, but it needed to go even further.”

That insight became the foundation for Going Public, a hybrid of entrepreneurial storytelling and financial access that offers retail investors a seat at the table usually reserved for venture capitalists and insiders. The show brings audiences inside the capital-raising journey of startups, often before they go public, and leverages a powerful innovation: its “Click-to-Invest” feature.

“The bottom line with Click-to-Invest is that it’s seamless,” says Goldberg. “Viewers can go from watching the show to literally clicking a button. It feels more like a Shopify or Amazon checkout than a traditional investment process.”

This accessibility is central to the show’s mission: to educate, inspire, and empower everyday people to participate in early-stage investing. Unlike financial news channels that target seasoned traders, Going Public merges entertainment with financial literacy, using real startup stories to highlight the risks, rewards, and realities of entrepreneurship. It’s financial content with emotional stakes, real people, and tangible outcomes.

Season 3 reflects how far the show has come and where it’s going. With more celebrity involvement, including gaming icon Ninja backing the cashew milk startup Nutcase, and a strategic partnership with the social media platform X (formerly Twitter), Going Public has widened its reach while deepening its cultural relevance.

“How do you make this mainstream?” Goldberg says. “The concept was The Apprentice meets Shark Tank meets IPO, but with a twist. Viewers aren’t just spectators, they’re stakeholders.”

The show’s selection of featured companies is another defining element. Startups are chosen not just for their growth potential but also for their mission, relatability, and cultural resonance. In Season 3, that includes everything from disruptive wellness brands to tech-enabled platforms, each paired with guidance from top-tier venture capitalists and Silicon Valley mentors.

This season also introduces a livestream finale, a format innovation designed to create a real-time, high-stakes environment where viewers can watch, decide, and invest together. It adds urgency and community to the investing experience, aligning with the show’s values of transparency and participation.

One of the most surprising and meaningful outcomes has been the personal stories from viewers who never imagined themselves as investors. “We’ve heard from teachers, nurses, and even students who said this was their first time investing and they felt confident doing it because the show made it accessible,” Goldberg shares. “It’s not just about money, it’s about empowerment.”

Looking ahead, Goldberg and his team have ambitious plans. They aim to expand the format to new platforms, explore international adaptations, and build out educational tools so viewers not only invest but understand what they’re investing in. The goal isn’t just more participation. It’s smarter participation.

In a world where capital often feels distant, technical, and exclusionary, Going Public brings the financial journey down to earth and into the hands of the people. It’s not just a show. It’s a redefinition of how business stories are told and how wealth can be created and shared.

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