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Lilly Dennis – Making her mark as one of Hollywood and Broadway’s fresh new faces

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Recent years have seen the film industry a-buzz with captivating performances from some of the globe’s hottest young stars; from Emma Stone to Margot Robbie, Saiorse Ronan to Awkwafina, and obviously we’d be remiss if we didn’t mention Tom Holland.

And so, it comes as no shock that amongst the budding talent, Tasmania has its own offering to throw in the mix, in the form of Lilly Dennis.

Coming from the lone island of Tasmania, her first roles were starring in some of the most famed productions of all time from the age of 9 such as A Midsummer Nights Dream, The Wizard of OZ and Taming of the Shrew.  Starting in theater, going to performing arts school throughout her childhood and then at the young age of 18 eventually being brought to Los Angeles on a full talent scholarship to attend The American Academy of Dramatic Arts, this young talent has taken the entertainment industry by storm.  Having appeared in the series Good Job Thanks! Alongside famed comedy legend Sandy Martin, to starring in the Warner Brothers Film Still Here, to starring in the hit Award- Winning Broadway show Chocoholic – Lilly Dennis has indeed done it all.

“I think this is honestly the midst of the most exciting time in the entertainment industry,” Says Dennis, when asked about the new faces stepping into the spotlight and onto red carpets all over Hollywood. “I think it’s long overdue that we are seeing so many news faces step into the lime light and highlighting people of diversity and shattering stereotypes. There is still a long way to go but it’s an honor to be a part of what’s happening right now.”

And this young Australian is indeed a part of that, having worked with some of the biggest names in the industry such as starring in the film Dr. Phlill where she was directed by Nick Conroy who has directed big names such as Idina Menzel and Selena Gomez. To going back to Broadway this year in the biggest solo festival in the world with the play Chocoholic, which won Best Solo Show in the United Solo Awards last year.

It has also just been confirmed that Dennis will be starring in the new comedy series, set to shoot in 2020 called I Can’t Help You. The series is said to be directed by the famed British actor and director Ian Ogilvie. The series has been ordered for three seasons, all which will star the talented actress and will be produced by Halleloo Productions.

“I have played so many therapists at this point that I feel as though I may have found my calling,” laughs Dennis as she explains her upcoming role Felicity in I Can’t Help You on ABC radio. “but in all honesty, I’m so honored to get to work with such an incredible director and on such an amazing story that’s a comedy but also handles the relevant subject of mental health.”

This young actress is making waves in Hollywood and on Broadway and the entertainment industry is expecting to see a lot more of her in the future.

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

MiG Arogan: The Haitian Powerhouse Behind the Spiritual Anthem “Moon Under Me”

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MiG Arogan has firmly established himself as a commanding force in the music industry, bringing the weight and depth of Haitian culture and spirituality into the spotlight with his powerful track “Moon Under Me.” This song is not simply a musical creation; it is a bold spiritual declaration and a vivid expression of ancestral strength rooted in Haitian Vodou tradition.

Hailing from Haiti, MiG Arogan combines contemporary rap energy with rich cultural symbolism, carving a unique space where music meets ritual. “Moon Under Me” stands as a testament to this fusion, drawing deeply from the Vodou pantheon of Lwa (spirits) to convey protection, power, and fearlessness.

The song’s hook centers around the presence of Mama performing the sacred work “with the moon under me,” a metaphor for hidden spiritual forces guiding and empowering the artist. Papa Legba, the revered gatekeeper of the spiritual crossroads, “opens doors I don’t see,” symbolizing MiG’s access to realms and protections invisible to others. This connection to Legba asserts a profound control over paths both physical and metaphysical.

Further spiritual guardians emerge in the lyrics: Kalfou, the fierce spirit of crossroads and chaos, “waiting at the edge with heat,” ready to defend or attack; Baron Samedi and Baron Kriminel, powerful death spirits who “laugh when your blood hit street,” representing MiG’s untouchable status backed by forces of life and death. These spirits signal that crossing MiG Arogan or disrespecting his heritage comes with grave consequences.

The song also invokes Erzuli, embodying love, beauty, and pride, along with Simbi, the wise serpent spirit guiding MiG’s style and movement. Ogou, the warrior spirit, tests and arms him, while Damballa offers calm wisdom and balance. The mention of Granne Brigitte, the fierce protector, and the other spirits completes a powerful spiritual armor surrounding the artist.

“Moon Under Me” goes beyond conventional music; MiG Arogan describes himself as “no rapper, I’m a ritual in boots,” emphasizing the song’s ceremonial and mystical weight. The imagery of candles, chants, incense, and spirits evokes authentic Vodou ceremonies that infuse the track with genuine ancestral energy.

By weaving these sacred names and symbols into his lyrics, MiG Arogan not only asserts his own power but elevates Haitian Vodou from misunderstood superstition to a living, respected tradition. His message is clear: “Play with Haitians — that’s the wrong belief.” It’s a warning and a proclamation — the strength of his roots and spiritual backing make him untouchable, commanding respect from all who hear his voice.

With “Moon Under Me,” MiG Arogan asserts a profound cultural and spiritual identity. His music becomes a vessel for ancestral power, a declaration that the Haitian spirit is fierce, unbreakable, and very much alive in him. This song stands as an anthem for strength, heritage, and the unstoppable force that MiG Arogan represents in today’s music and culture landscape.

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