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Matt Sequeira’s Journey As A Songwriter

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Matt Sequeira has had a long journey as an independent artist. He was inspired to pursue his music career from an early age after visiting Elvis Presley’s mansion in Graceland, Tennessee. Infected by the visions he saw for himself, Matt knew he wanted to become an entertainer.

Matt’s career as a musician began by making covers of other songs in his bedroom. As a self-taught guitarist and singer, Matt didn’t feel comfortable showing off his talent until he was in high school. During this, he began playing more often and became less afraid to show people his passion. “During school breaks, I would perform to the students around me,” said Matt. Eventually being encouraged to audition for American Idol in 2015, his audition was broadcasted on live TV. Since then, all his goals moving forward have been centered around becoming a musician.

Matt’s career took a big turn when he was invited to work on some records at the famous Capitol Records tower. He tributes his time there as a monumental moment in his career, learning a lot about production. “My greatest achievement as a musician had the opportunity to record several singles in the iconic Capitol Records Tower,” said Matt. “The studio is home to so many number one hit songs and top-charting artists that I truly felt that my career as an artist was not only moving in the right direction but taking huge steps towards success.”

After taking a short break to focus back on his music, Matt got the opportunity to tour the Azores islands of Portugal in 2018. During his time there he played a number of shows and even sold out of merch during his week 1 run. “I lived for 3 months in the Azores islands of Portugal performing many paid shows and sold out on merch within the first week,” said Matt. “It meant a lot to me since it was the first time I felt people connecting to my music.”

In 2019 Matt released a single called “Coming Over” with collaborator Angel Sanchez, making his debut on all major platforms. He didn’t release another track until earlier this past year. “Under The Covers” marked Matt’s first single of 2020, and a turning point in his songwriting style. Stepping away from the electronic pop vibes of “Coming Over” Matt offered up a unique blend of Pop and Punk.

Last month, Matt released his first debut project, a 5 song EP titled “Weirdo”. The extended play lasts about 13 minutes in run time, and offers more PopPunk tunes, showcasing Matt’s growth as a songwriter.

Matt plans to follow up his debut EP with a new PopPunk version of “Deck The Halls” in early December. Check out the links below for more information and to stay posted on Matt’s upcoming releases.

Listen to Matt’s Music here

Follow Matt Sequeira here

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

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Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.

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