Entertainment
Meet Chris Yangello, the teenager behind media promotions of Nicki Minaj & Travis Scott

Much of everything we buy, sell, attend, or interact with has gone digital, and music is no exception. As social media explodes and facilitates word-of-mouth for popular music events, young people are embracing this trend following the digital media promotion of their favorite artists. With a keen eye for content and a deep understanding of digital marketing, Chris Yangello has made a name for himself as one of the top digital marketing promoters in the business at just 17-years-old.
Born in King of Prussia, PA, Chris Yangello runs his promotion company alongside his responsibilities as a student at Devon Preparatory School. His company, called Forever*, is a live-event production and digital music marketing company and is based out of Philadelphia, PA. Previously, signed to Sony Music Entertainment’s REDMusic Label, Chris has been working in music media promotions since 2018 and now actively creates and produces concerts and content for large-scale music festivals under his own company. “From the first time I picked up a camera and started to create, I knew that this was something that I wanted to devote my life too,” says Chris.
Chris has worked with some of the most famous names in music, including Nicki Minaj, Travis Scott, Zedd, Jake Miller, Kendrick Lamar, and countless others. “My love for the hip-hop and music scene as a whole has fueled my passion for my career and everything I do,” states Chris. “Working with and meeting new artists, content creators, and event production teams are an absolute blessing.” Chris’s passion is creating, and his company focuses on digital marketing, live-event production, and social media influence.
His career is off to a great start much earlier than most people’s. At just 17-years-old, he’s accomplished so much in the music industry. He has had the privilege of working with major festivals such as Rolling Loud Miami, Firefly Music Festival, and Coachella. While most teenagers find themselves relaxing or hanging out with friends in their downtime, Chris is burning the midnight oil and building the career of his dreams.
“There’s no career as versatile, competitive, and enjoyable as being involved in the music industry,” explains Chris. “Versatility and competition are what fueled me to get Forever* off the ground.” Leaving no opportunity on the table, not only will Chris be running his company after high school, but he will also be attending Seton Hall University in the fall. Chris Yangello is more than motivated to continue to take on the music scene. Through his hard work and dedication, he is living it every day.
Entertainment
Going Public: The Groundbreaking Series Transforming How Americans Invest

In a media landscape saturated with reality TV and startup showcases, Going Public stands apart, not just as a show but as a movement. Now in its third season, the interactive series invites viewers to do more than just watch entrepreneurs chase success. It gives them the tools and the opportunity to invest in startups in real time, democratizing access to early-stage funding and reshaping how ordinary Americans engage with entrepreneurship and wealth-building.
Launched by Todd M. Goldberg, a former MedTech executive who hit a frustrating wall while preparing his company for a Nasdaq IPO, Going Public was born from a moment of personal disillusionment.
“When I brought a list of interested friends and colleagues to the Chairman of the Board,” Goldberg recalls, “he explained that all the IPO shares were reserved for institutional investors. That was my epiphany. I just knew that was wrong. Regular people should have a chance to invest in IPOs, but it needed to go even further.”
That insight became the foundation for Going Public, a hybrid of entrepreneurial storytelling and financial access that offers retail investors a seat at the table usually reserved for venture capitalists and insiders. The show brings audiences inside the capital-raising journey of startups, often before they go public, and leverages a powerful innovation: its “Click-to-Invest” feature.
“The bottom line with Click-to-Invest is that it’s seamless,” says Goldberg. “Viewers can go from watching the show to literally clicking a button. It feels more like a Shopify or Amazon checkout than a traditional investment process.”
This accessibility is central to the show’s mission: to educate, inspire, and empower everyday people to participate in early-stage investing. Unlike financial news channels that target seasoned traders, Going Public merges entertainment with financial literacy, using real startup stories to highlight the risks, rewards, and realities of entrepreneurship. It’s financial content with emotional stakes, real people, and tangible outcomes.
Season 3 reflects how far the show has come and where it’s going. With more celebrity involvement, including gaming icon Ninja backing the cashew milk startup Nutcase, and a strategic partnership with the social media platform X (formerly Twitter), Going Public has widened its reach while deepening its cultural relevance.
“How do you make this mainstream?” Goldberg says. “The concept was The Apprentice meets Shark Tank meets IPO, but with a twist. Viewers aren’t just spectators, they’re stakeholders.”
The show’s selection of featured companies is another defining element. Startups are chosen not just for their growth potential but also for their mission, relatability, and cultural resonance. In Season 3, that includes everything from disruptive wellness brands to tech-enabled platforms, each paired with guidance from top-tier venture capitalists and Silicon Valley mentors.
This season also introduces a livestream finale, a format innovation designed to create a real-time, high-stakes environment where viewers can watch, decide, and invest together. It adds urgency and community to the investing experience, aligning with the show’s values of transparency and participation.
One of the most surprising and meaningful outcomes has been the personal stories from viewers who never imagined themselves as investors. “We’ve heard from teachers, nurses, and even students who said this was their first time investing and they felt confident doing it because the show made it accessible,” Goldberg shares. “It’s not just about money, it’s about empowerment.”
Looking ahead, Goldberg and his team have ambitious plans. They aim to expand the format to new platforms, explore international adaptations, and build out educational tools so viewers not only invest but understand what they’re investing in. The goal isn’t just more participation. It’s smarter participation.
In a world where capital often feels distant, technical, and exclusionary, Going Public brings the financial journey down to earth and into the hands of the people. It’s not just a show. It’s a redefinition of how business stories are told and how wealth can be created and shared.
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