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Meet Pietro Pizzorni, The DJ In Pursuit of the Art of a Gentleman

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In the electronic music industry, while DJs are notorious for adopting a lifestyle of partying and monumental world tours, how many DJs would you say are known for their extensive depth and style beyond their stage careers? For Miami-based DJ Pietro Pizzorni, to confine him to the music he makes would be a mistake. As a true jack-of-all-trades, Pietro’s endeavors venture far past the music industry.

Despite his 12 years of experience as a DJ and music producer, these days, the Miami native is also widely known for his aesthetic. Much like that of a true gentleman, everything about Pietro’s image and brand radiates style and class. After adopting this classic James Bond-like style, the DJ turned gentleman established a relationship with Miami retailer Stitched in Brickell City Centre.

“Stitched is the one that started it all,” Pietro says. “People were constantly asking me where I got my suits.”

Now as an ambassador for the brand with the help of his good friend and Stitched’s managing director Tony Merenda, much of Pietro’s wardrobe for photo shoots and modeling gigs consist of gorgeous custom Stitched suits. Thanks to his partnership with the brand, he has been able to fully explore the gentleman’s style, experimenting with double breasted suits, tropical colors, velvet jackets, three, four and five piece suits, waistcoats, sport coats, even denim, and of course tuxedos for DJing shows.

Whether he’s DJing, modeling, or working as the owner of “Pietro’s Bar” on Univision’s primetime dating reality TV show called Enamorándonos, or working as a newly appointed tattoo artist, Pietro’s style remains consistent with the gentleman aesthetic.

But even with the additional ventures, Pietro’s passion for music remains a constant in his life. As he’s spent over a decade developing his music and sound, reinventing the genre all with the aesthetic of a gentleman, he evolves his sound with patterns of electronic music, house and underground. In Miami, Pietro is well known as a resident DJ at three major nightclubs, Wall, Floyd and Treehouse.

At the moment, Pietro is celebrating the release of his single “Axiom” that debuted this month with Go Deeva records. Up next, he looks forward to releasing five more new tracks over the course of 2020. The next single, due out May 29th on Sirup Records is called Elevate and features Adler XCVI. Pietro also anticipates a busy summer as he’s performing first at Tomorrowland, the world’s largest and reputable music festival based in Belgium. Later in the year, as part of the Ultra Music Festival, he will tour with the group’s Resistance tour in October throughout their South American tour. With the Resistance tour, he will take on major cities throughout South America with his tour manager Juan Carlos Dominguez, owner of “Feel the Club,” Pietro’s South American DJ agency. Visiting cities in Europe, Argentina, Chile, Colombia and more, Pietro will perform in uniform— a flawless three-piece suit as part of his gentleman aesthetic.

“Everywhere I perform or work, whether I’m on a show, DJing or tattooing, I wear suits and tuxedos,” Pietro says. “Sometimes they’re more modern styled with my sleeves rolled up and tattoos revealed, but a suit regardless.”

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

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Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.

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