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Popular Artist Mac Glitzy Is Taking A Stand in The Music Industry

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“Never fitting in has never felt so good.” – Mac Glitzy

Meet Mac Glitzy the non-binary, emo-trap recording artist and social media star (pronouns: they/them/theirs/dude) making music and content with a gothic flair while defying gender norms.

Born Mackenzie Roberts February 27, 1997 in the small rural community of New Martinsville W.V. to family of Italian American decent.

Glitzy’s content has gained a dedicated queer & emo following thanks to their spin on mixing pop-punk vocals, with metal-trap beats along with visual satire of colliding the worlds of glam and grunge together.     

Glitzy’s first mixtape “Devil Baby” released on Soundcloud in 2019 featured many emo – soundcloud heavy weights, such as Attack on the Coast & Doc Hellish and gained attention of many underground music bloggers in the SoCal emo/trap community as well as radio interviews at Dash Radio & Casting Frontier.

Mac’s debut EP “Emo Trash Princess” released in Spring of 2020 on all music streaming platforms accompanied by music video visuals through production company NoFacefilms & Hollywood Gothic Productions for songs such as Teach You Right, Brain Freeze, E-girl Anthem, & M.O.N.E.Y. featuring Emo Flytrap & Foreign Hype.

Mac Glitzy identifies as non-binary (expressing characteristics not entirely male nor female. They/them/theirs) and hopes to be an advocate for LGBQT youth as well as shed light on mental health awareness with their own personal opticals overcoming anxiety disorder and depression.

Glitzy’s latest single & music video Bottom of the Ocean, released Feb. 19. 2021 directed by CherryWave on Youtube & all music streaming services explores coping with mental health issues such as depression and anxiety in a deep-sea, alternative fashion, emo dreamscape.

Bottom of the Ocean marries wavy hip-hop beats with Glitzy’s poppy moody lyrics are an unlikely mix but definitely quenches the thirst for something strongly needed in a growing overly saturated Soundcloud market. Bottom of the Ocean is a visually stunning emo-trap love story.

Follow Mac Glitzy: @Mac_Glitzy

Spotify: Mac Glitzy

Soundcloud: Mac Glitzy

YouTube: Mac Glitzy

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

MiG Arogan: The Haitian Powerhouse Behind the Spiritual Anthem “Moon Under Me”

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MiG Arogan has firmly established himself as a commanding force in the music industry, bringing the weight and depth of Haitian culture and spirituality into the spotlight with his powerful track “Moon Under Me.” This song is not simply a musical creation; it is a bold spiritual declaration and a vivid expression of ancestral strength rooted in Haitian Vodou tradition.

Hailing from Haiti, MiG Arogan combines contemporary rap energy with rich cultural symbolism, carving a unique space where music meets ritual. “Moon Under Me” stands as a testament to this fusion, drawing deeply from the Vodou pantheon of Lwa (spirits) to convey protection, power, and fearlessness.

The song’s hook centers around the presence of Mama performing the sacred work “with the moon under me,” a metaphor for hidden spiritual forces guiding and empowering the artist. Papa Legba, the revered gatekeeper of the spiritual crossroads, “opens doors I don’t see,” symbolizing MiG’s access to realms and protections invisible to others. This connection to Legba asserts a profound control over paths both physical and metaphysical.

Further spiritual guardians emerge in the lyrics: Kalfou, the fierce spirit of crossroads and chaos, “waiting at the edge with heat,” ready to defend or attack; Baron Samedi and Baron Kriminel, powerful death spirits who “laugh when your blood hit street,” representing MiG’s untouchable status backed by forces of life and death. These spirits signal that crossing MiG Arogan or disrespecting his heritage comes with grave consequences.

The song also invokes Erzuli, embodying love, beauty, and pride, along with Simbi, the wise serpent spirit guiding MiG’s style and movement. Ogou, the warrior spirit, tests and arms him, while Damballa offers calm wisdom and balance. The mention of Granne Brigitte, the fierce protector, and the other spirits completes a powerful spiritual armor surrounding the artist.

“Moon Under Me” goes beyond conventional music; MiG Arogan describes himself as “no rapper, I’m a ritual in boots,” emphasizing the song’s ceremonial and mystical weight. The imagery of candles, chants, incense, and spirits evokes authentic Vodou ceremonies that infuse the track with genuine ancestral energy.

By weaving these sacred names and symbols into his lyrics, MiG Arogan not only asserts his own power but elevates Haitian Vodou from misunderstood superstition to a living, respected tradition. His message is clear: “Play with Haitians — that’s the wrong belief.” It’s a warning and a proclamation — the strength of his roots and spiritual backing make him untouchable, commanding respect from all who hear his voice.

With “Moon Under Me,” MiG Arogan asserts a profound cultural and spiritual identity. His music becomes a vessel for ancestral power, a declaration that the Haitian spirit is fierce, unbreakable, and very much alive in him. This song stands as an anthem for strength, heritage, and the unstoppable force that MiG Arogan represents in today’s music and culture landscape.

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