Entertainment
The Story of Gabriel Caro, Artillery Music’s Executive Producer
It is hard to come from a humble background and make something big happen. But hard work and perseverance make it possible to be successful. Gabriel Caro is an Argentinian Producer who comes from a humble background, but he has worked his way to the top.
Gabriel Caro was born in 1982 in Piedra Buena neighborhood in Buenos Aires, Argentina. In 2009, he co-founded Artillery Music along with three globally recognized producers: Nelly “El Arma Secreta,” Haze and Tainy. Artillery Music went ahead and became one of the best-positioned companies in the art industry.
The Artillery Music has worked with artists worldwide, like DL Daddy Yankee, Bad Bunny, Anuel, Mariah, Arcangel, Ñengo Flow, J. Alvarez, Cosculluela, Kendo Kaponi, among others. They mostly deal with artists from Latin America and want to help the upcoming artists.
Gabriel and his team believe that one person alone can’t be successful; they need a loyal team to back them up. As they say, teamwork makes the dream work. There is also another saying which Gabriel and the Artillery Music follow; it is “Your Net worth is your network.” In this industry, it is all about making contacts. One alone can’t be successful; you got to make contacts, and co-exist.
In this age of social media, many artists and influencers do not use their platforms to spread positive messages. But Artillery Music motivates young people with life lessons and how to become successful.
Gabriel also hugely believes in giving back to the community. As a successful person, he believes that he has to give back to society; that’s why he takes on social endeavors. He is a man who has proven that a person’s background does not determine his fate. It’s hard work and dedication that can take him to new heights.
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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