Business
24-Year-Old Millionaire Entrepreneur Abdelkader Bachr Gives Advice On How To Be A Top Digital Marketer

Abdelkader Bachr is not a typical 24-year-old businessperson. While other young men his age struggle to pay off their student loan debt, Bachr generates more than $100,000 per month in revenue from his digital marketing businesses. These are digital marketing agencies that help small businesses and startup companies to grow and reach more customers.
Starting Out
Bachr started like most entrepreneurs. He grew up in an impoverished community with a family that did not have much money. Everyone around him struggled to survive by scraping a few dollars together doing blue-collar jobs or other miscellaneous jobs. It was not the future that Bachr wanted to have for himself. He had bigger dreams of wealth and prosperity.
Although Bachr didn’t have much money to his name, he still had passion and determination to become successful in business. This determination was what helped him to persevere after several failures and hardships in his entrepreneurial endeavors. The one lesson he learned was that he could not do everything himself. He needed guidance and mentorship to show him the right path.
Words Of Advice
“You must find a mentor with a proven track record of helping newcomers,” Bachr said in an interview. “If you can learn how they became successful, then all you have to do is emulate it into your success.” In other words, Bachr wants to emphasize that success in the business world depends on building relationships with professional people and obtaining referrals and leads. It is not about advertising to consumers 24/7, and that is all.
The biggest problem that small businesses and startup companies have is a lack of reputation. Bachr’s marketing plan for these businesses involves increasing their popularity in their niche by helping them obtain more business relationships. It will allow the companies to build more referrals and attract new customers that they would never have reached before.
This formula works because Bachr made millions of dollars by helping companies attract more business from their targeted audience. Not too many entrepreneurs can say that they became a millionaire at the age of 23, but Bachr can. Now he generates six figures in revenue monthly while securing the trust of his clients. They continue to come back to him again and again to manage their marketing campaigns and strategies.
In Recent Times
Bachr now travels around the world and enjoys his life more. He continues to manage his businesses remotely, so he doesn’t have to be at any particular place to work. He can relax on the beach with his laptop while running his businesses at the same time. It is a life that most people only dream.
“I recommend that every aspiring entrepreneur read the book ‘Rich Dad Poor Dad’ because it gave me the right mindset for business,” Bachr said. “You don’t need to start out with much money to build a lot of revenue. You just need to save money and spend wisely.”
Bachr does not plan to quit anytime soon. Even though he takes time to enjoy his life, he is nowhere close to retirement yet. He plans to continue building his businesses and helping other entrepreneurs meet their financial goals.
Business
Jellyfish Pictures Suspension Reveals Outsourcing Opportunity, Says BruntWork

Jellyfish Pictures, a well-known UK visual effects studio, has temporarily shut down due to financial struggles. The company, recognized for its work on major films and streaming projects, is searching for buyers or investors while halting all ongoing work. This situation has raised concerns across the visual effects industry, which is already dealing with economic pressures, labor disputes, and production changes. BruntWork, one of the top outsourcing companies, sees this as an opportunity for companies to reassess how they operate and how outsourcing can help VFX studios lower costs and stay financially stable.
A Leading Studio Brought to a Standstill
Jellyfish Pictures started as a small operation in 2001 and became a respected name in visual effects. With multiple offices in London and a portfolio of high-profile projects, the studio built a strong reputation. However, rising costs and growing competition from lower-cost studios made it harder to stay profitable. Financial pressure mounted, forcing the company to suspend operations.
Clients relying on Jellyfish Pictures are now left searching for alternative vendors to complete their projects. The suspension has also put hundreds of employees in a difficult position, leaving them uncertain about their future. Company leaders have stated they are looking into all possible options, including selling the business or bringing in outside investors.
Why VFX Studios Are Struggling
Visual effects companies have long worked with tight profit margins. The financial setbacks caused by the COVID-19 pandemic made things even tougher. Many VFX studios kept projects moving remotely but struggled with delayed payments and cancellations. In 2023, the global VFX industry was valued at $11.3 billion, but continued production delays and tighter budgets are making it difficult for companies to grow.
The writers’ and actors’ strikes in 2023 added more complications. With productions on hold, many VFX studios found themselves with fewer projects in the pipeline. A recent industry survey found that 72% of VFX companies faced financial struggles due to the combined effects of the pandemic and the strikes. Mid-sized studios with high fixed costs, like Jellyfish Pictures, have been hit the hardest.
Winston Ong, CEO of BruntWork, believes this situation exposes weaknesses in traditional business models. “Studios operating in expensive cities like London face overwhelming costs that outsourcing could help reduce,” he says.
The Role of Outsourcing in Keeping VFX Studios Afloat
Some experts believe outsourcing can help visual effects companies manage financial risk. According to Ong, studios that rely entirely on in-house teams in high-cost cities struggle to keep expenses under control, while those that blend in-house work with outsourcing can operate more efficiently.
The shift to remote work during the pandemic showed that collaboration across different locations is possible. Data from outsourcing firms suggests that studios using a mix of in-house creative direction and outsourced production can lower expenses by 40-60% without sacrificing quality. Some companies have already moved in this direction, allowing them to stay competitive without driving up costs.
Beyond production outsourcing, some VFX studios are also exploring ways to streamline marketing efforts. Hiring a digital marketing virtual assistant allows companies to manage campaigns, social media, and client outreach more efficiently. This helps studios maintain a strong industry presence without the overhead costs of full-time marketing teams.
Still, outsourcing comes with potential risks. Some industry veterans warn that relying too much on external teams can lead to quality issues and production delays. Studios must find the right balance between saving money and maintaining the level of quality audiences expect from high-end visual effects.
What Comes Next for Visual Effects?
Jellyfish Pictures’ troubles have sparked discussions about how VFX studios can stay in business. More flexible production models, outsourcing, and smarter budgeting could become the standard technique. Advances in technology continue to make remote collaboration smoother, allowing studios to complete projects without keeping all operations in expensive locations.
“This reflects a larger problem across the industry,” says Ong. Studios that adjust their operations and use outsourcing effectively may be better prepared for economic swings. Companies that maintain strong creative leadership while using global production teams seem to have an advantage.
For many, this also extends to marketing. Some of the most successful VFX firms are those that recognize the benefits of outsourcing digital marketing to specialists who can handle branding, social media, and client engagement without the high costs of in-house teams. This allows studios to maintain visibility and credibility even in uncertain market conditions.
Larger firms may continue to acquire struggling studios, but smaller businesses that improve their financial strategies could stay independent. The challenge is finding a way to keep artistic vision intact while managing expenses.
Moving Toward Stability
Jellyfish Pictures’ shutdown is a warning for the visual effects industry. High operating costs and unpredictable changes in production schedules show why studios need flexible business strategies. Some will turn to outsourcing, while others may merge with larger firms or adopt hybrid models to stay competitive.
For mid-sized studios, financial stability must be a priority without sacrificing creativity. The next few years could bring more studio buyouts, with bigger companies taking over smaller ones. However, independent studios that adjust how they work could still succeed by reducing costs without lowering the quality of their output.
“Adaptability is what matters. Studios that adjust their structures and use global talent wisely will be the ones that remain strong in this industry, ” Ong concludes.
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