Entertainment
LeftRight Music Group is a Platform Aiding the Success of Musicians from Third-World

Luxury. Technology. Advancement. Opportunities. Growth. Comfort. Peace of Mind. Strong Economy. Stable Jobs.
These are the terms associated with countries, including the United States, Western European countries, New Zealand, Canada, Australia, and Japan. People living here spend luxurious lives and enjoy peace of mind. They are exposed to fantastic opportunities and have many chances to succeed in life. The citizens of these countries have access to stable markets and have a stable lifestyle.
Despair. Struggle. Lack of Opportunities. Crime. Failures. Weak Economy. Unstable Lifestyles. Discomfort.
These are the terms that perfectly describe the life of people in third-world countries. The people who reside in these parts of the world are mostly on a ‘survival’ mode. They do not have access to opportunities, and they have to fight to get their fundamental rights. These lands give birth to some amazingly talented individuals. However, due to lack of opportunities, exposure, and resources kill their dreams, and the world loses pure talent.
Whether it is politics, corporate world, industrial sector, or field of arts, the citizens of weak nations and communities have to face many more adversities than a person living an economically-stable country. While music is one of those sectors in the world, where factors like ethnicities, religion, nationality, and backgrounds do not matter, but underprivileged yet talented people have to fight their way into this industry.
There was no proper medium through which such musicians could show the world their potential until LeftRight Music Group came into the picture. It is a music and entertainment company based in Manhattan, New York, which has been established to represent artists in the United States from all across the globe. It is one of those record labels that has come into the industry to specifically provide the musicians from the third-world a chance to make a name for themselves in this industry.
Founded by Hans Tondereau, a record producer, this company is currently representing a Spanish-Haitian musician, Merlin Zapravo. He was a musician who was struggling to survive in the music industry in the United States, but after being signed by LeftRight Music Group (LRMG), he came close to success. With this artist, the company has signed a 50/50 recording contract. The catalog of LRMG comprises of one EP and seven singles with Merlin Zapravo.
Hans Tondereau is planning to expand LRMG further and has partnered with several notable companies, including Jade Skye Music, Hat Label Publishing, a FIVONI. Adding to the company’s credibility is its partnership with brands such as LRMGx, THE BOXKC, and Berlin Motion.
A Platform for True Talent, A Hope for Strugglers
Just like Merlin Zapravo, the company expects to sign other musicians too. Even though it is not only restricted to promoting third-world musicians, but its goal is to represent the ones who do not get a chance to succeed in this world. Hans Tondereau wanted to ‘inspire independent artists with little to no budget or knowledge to support their visions.’ LRMG is doing exactly that. It signed Merlin Zapravo in 2017, and an EP, “Certified Baller,” was released in 2018. It was then followed by the release of eight singles. These included two 2018 releases of “I’ll Be There” and “Dance With Me,” three 2019 releases including “Be Yourself, “ “Din Din,” and “Malandren,” and two recent releases in 2020, including “The Deal” and “Money.”
Hans became the first self-published artist to invest in other musicians while focusing on his own. Just like the Spanish-Haitian musician, he hopes to sign other artists who are packed with talent and energy but are unable to get a satisfying opportunity.
To cover all aspects of signing an artist, as well as promotion that generates money, LeftRight Music Group moves on from a leaf to a multiplied Rights Agreement. The agreement includes the income from recordings, live performance, publishing and expense, rights for recording, distribution, and touring.
LeftRight Music Group Corporation with LRMG X, Hiilands Music, Rapso Records as its subsidiaries, first came into the picture on May 18, 2017, and it signed its first artist. The music entertainment company acquired its present subsidiaries in 2018 and was officially launched on July 29, 2019. By offering music production, music distribution, and artist services, LRMG is playing a pivotal role in supporting and promoting the creative and financial vitality of independent artists of all music genres. The platform has its exclusive focus on artists from the third-world and is working to help such artists reach their potential and connect with their audiences globally.
Entertainment
Going Public: The Groundbreaking Series Transforming How Americans Invest

In a media landscape saturated with reality TV and startup showcases, Going Public stands apart, not just as a show but as a movement. Now in its third season, the interactive series invites viewers to do more than just watch entrepreneurs chase success. It gives them the tools and the opportunity to invest in startups in real time, democratizing access to early-stage funding and reshaping how ordinary Americans engage with entrepreneurship and wealth-building.
Launched by Todd M. Goldberg, a former MedTech executive who hit a frustrating wall while preparing his company for a Nasdaq IPO, Going Public was born from a moment of personal disillusionment.
“When I brought a list of interested friends and colleagues to the Chairman of the Board,” Goldberg recalls, “he explained that all the IPO shares were reserved for institutional investors. That was my epiphany. I just knew that was wrong. Regular people should have a chance to invest in IPOs, but it needed to go even further.”
That insight became the foundation for Going Public, a hybrid of entrepreneurial storytelling and financial access that offers retail investors a seat at the table usually reserved for venture capitalists and insiders. The show brings audiences inside the capital-raising journey of startups, often before they go public, and leverages a powerful innovation: its “Click-to-Invest” feature.
“The bottom line with Click-to-Invest is that it’s seamless,” says Goldberg. “Viewers can go from watching the show to literally clicking a button. It feels more like a Shopify or Amazon checkout than a traditional investment process.”
This accessibility is central to the show’s mission: to educate, inspire, and empower everyday people to participate in early-stage investing. Unlike financial news channels that target seasoned traders, Going Public merges entertainment with financial literacy, using real startup stories to highlight the risks, rewards, and realities of entrepreneurship. It’s financial content with emotional stakes, real people, and tangible outcomes.
Season 3 reflects how far the show has come and where it’s going. With more celebrity involvement, including gaming icon Ninja backing the cashew milk startup Nutcase, and a strategic partnership with the social media platform X (formerly Twitter), Going Public has widened its reach while deepening its cultural relevance.
“How do you make this mainstream?” Goldberg says. “The concept was The Apprentice meets Shark Tank meets IPO, but with a twist. Viewers aren’t just spectators, they’re stakeholders.”
The show’s selection of featured companies is another defining element. Startups are chosen not just for their growth potential but also for their mission, relatability, and cultural resonance. In Season 3, that includes everything from disruptive wellness brands to tech-enabled platforms, each paired with guidance from top-tier venture capitalists and Silicon Valley mentors.
This season also introduces a livestream finale, a format innovation designed to create a real-time, high-stakes environment where viewers can watch, decide, and invest together. It adds urgency and community to the investing experience, aligning with the show’s values of transparency and participation.
One of the most surprising and meaningful outcomes has been the personal stories from viewers who never imagined themselves as investors. “We’ve heard from teachers, nurses, and even students who said this was their first time investing and they felt confident doing it because the show made it accessible,” Goldberg shares. “It’s not just about money, it’s about empowerment.”
Looking ahead, Goldberg and his team have ambitious plans. They aim to expand the format to new platforms, explore international adaptations, and build out educational tools so viewers not only invest but understand what they’re investing in. The goal isn’t just more participation. It’s smarter participation.
In a world where capital often feels distant, technical, and exclusionary, Going Public brings the financial journey down to earth and into the hands of the people. It’s not just a show. It’s a redefinition of how business stories are told and how wealth can be created and shared.
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