Entertainment
Meet Gilmas, a french music producer in the heart of New York City

It’s an understatement to say that music has been challenging in these pandemic times, but Gilmas didn’t take it lying down! In his Williamsburg digital studio, jus by the East River, he kept on producing many tracks as different reflections on this strange period, such as Alone In New York, where he describes himself wandering in the ‘Sleeping City’. In this troubled time, we were looking for inspirational people who made their name with their talent. Gilmas’ journey attracted us the most because his passion for Music forced him to change his field. Once upon a time, Gilmas was a philosophy professor in Paris-La Sorbonne but his love for Music forced him to turn his life around. As we say, where there is a will, there is the way. He listened to his heart and started his journey in Music; his E.P Starting Over, released in 2019, explores the emotional rollercoasters of change, with melancholic and yet energetic songs such as You Crazy You and Gone With My Youth.
Today his name comes in topmost music producer a self-made music producer who started Piano playing at 12 and then tried singing-writing and now producing songs and albums from the ground up with his own label, Get Started Music.
For his Music love, he went from Paris to New York: ‘I feel New York is a better Paris’, says Gilmas, ‘The vibe here is more conducive for artists and entrepreneurs.’
Gilmas has also updated a lot in a musical career. Yes from simple music instruments to a new era of technological gadgets which help musicians produce some stunning tracks in just one fingertip.
He uses samples and loops, program beats but also plays and records live instruments such as bass, Piano, guitar, ukulele, mandolin, percussion, etc. Digital Music is a dream come true for control freaks like him.
Gilmas’ journey started as a singer-songwriter, accompanying the Piano. He did two albums in France the old-school way, in professional studios with session musicians but however satisfactory was the result, He always felt frustrated not to have total mastery of every part of the process.
As a musician, his dreams were high from the starting; he kept that hunger alive and decided to work on skills and make it big on his foot, not with others’ help. He developed all the significant expertise and became a package which was lethal than most in the market.
2020 has been the worst year of our time; we look for people who can inspire us from our home. So come up with the inspirational short story of a musician Gilmas. People like him we feel can inspire young talent who are losing hope in their life. We wish Gilmas all the best for his upcoming projects, and we hope he inspires more people with his musical journey.
https://open.spotify.com/artist/5QMLpnDQMFPs5k1Zc5zynv?si=15YPOwDeQV69m-NJm4YsJQ
Entertainment
Going Public: The Groundbreaking Series Transforming How Americans Invest

In a media landscape saturated with reality TV and startup showcases, Going Public stands apart, not just as a show but as a movement. Now in its third season, the interactive series invites viewers to do more than just watch entrepreneurs chase success. It gives them the tools and the opportunity to invest in startups in real time, democratizing access to early-stage funding and reshaping how ordinary Americans engage with entrepreneurship and wealth-building.
Launched by Todd M. Goldberg, a former MedTech executive who hit a frustrating wall while preparing his company for a Nasdaq IPO, Going Public was born from a moment of personal disillusionment.
“When I brought a list of interested friends and colleagues to the Chairman of the Board,” Goldberg recalls, “he explained that all the IPO shares were reserved for institutional investors. That was my epiphany. I just knew that was wrong. Regular people should have a chance to invest in IPOs, but it needed to go even further.”
That insight became the foundation for Going Public, a hybrid of entrepreneurial storytelling and financial access that offers retail investors a seat at the table usually reserved for venture capitalists and insiders. The show brings audiences inside the capital-raising journey of startups, often before they go public, and leverages a powerful innovation: its “Click-to-Invest” feature.
“The bottom line with Click-to-Invest is that it’s seamless,” says Goldberg. “Viewers can go from watching the show to literally clicking a button. It feels more like a Shopify or Amazon checkout than a traditional investment process.”
This accessibility is central to the show’s mission: to educate, inspire, and empower everyday people to participate in early-stage investing. Unlike financial news channels that target seasoned traders, Going Public merges entertainment with financial literacy, using real startup stories to highlight the risks, rewards, and realities of entrepreneurship. It’s financial content with emotional stakes, real people, and tangible outcomes.
Season 3 reflects how far the show has come and where it’s going. With more celebrity involvement, including gaming icon Ninja backing the cashew milk startup Nutcase, and a strategic partnership with the social media platform X (formerly Twitter), Going Public has widened its reach while deepening its cultural relevance.
“How do you make this mainstream?” Goldberg says. “The concept was The Apprentice meets Shark Tank meets IPO, but with a twist. Viewers aren’t just spectators, they’re stakeholders.”
The show’s selection of featured companies is another defining element. Startups are chosen not just for their growth potential but also for their mission, relatability, and cultural resonance. In Season 3, that includes everything from disruptive wellness brands to tech-enabled platforms, each paired with guidance from top-tier venture capitalists and Silicon Valley mentors.
This season also introduces a livestream finale, a format innovation designed to create a real-time, high-stakes environment where viewers can watch, decide, and invest together. It adds urgency and community to the investing experience, aligning with the show’s values of transparency and participation.
One of the most surprising and meaningful outcomes has been the personal stories from viewers who never imagined themselves as investors. “We’ve heard from teachers, nurses, and even students who said this was their first time investing and they felt confident doing it because the show made it accessible,” Goldberg shares. “It’s not just about money, it’s about empowerment.”
Looking ahead, Goldberg and his team have ambitious plans. They aim to expand the format to new platforms, explore international adaptations, and build out educational tools so viewers not only invest but understand what they’re investing in. The goal isn’t just more participation. It’s smarter participation.
In a world where capital often feels distant, technical, and exclusionary, Going Public brings the financial journey down to earth and into the hands of the people. It’s not just a show. It’s a redefinition of how business stories are told and how wealth can be created and shared.
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