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The Wildlife Tattoo Artist, Ace Connell, Turned His Passion Into Profit

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Ace Connell is a man with a family of four who loves nature and tattoos. To him, any form of art is beautiful and worth nurturing. He is the co-owner of the Tattoo Studio “Regenerates.” Ace, along with Chris Sally, opened the tattoo studio. It looks more like a recording studio than a tattoo studio. The studio is full of instruments on every wall, mics, an upright piano, and guitar amps. Chris and Ace have made Regenerates a place of their own making.

If there is any vacant space in the studio, Ace and Chris fill it up with their artwork or go and fill it up with antiques. As one walks into “Regenerates,” they are met by a vast circus poster original print from the ’60s. The poster suits the ambiance of the studio because it has a light-hearted feel to it.

When asked where Ace Connell drew his inspiration from, he said that it was Mother Nature. There is no greater artist than her. That’s why Ace has been so inclined towards wildlife tattoos. His art training and mentoring was with Samantha Youssef. She is an ex-Disney animator. They both believed that tattoo was a way to capture the flow of nature or imitate it.

Ace Connell has a family of four, and he has to fund all of them. But he is happy that he gets to follow his passion every day and turn it into a profit. His partner’s dream was to raise a big family. So, it is only Ace who brings in the money to the family. But he couldn’t change it for the world. COVID-19 may have forced Ace and Sally to close the shop for 4 months, but it was time well spent with family.

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Michelle has been a part of the journey ever since Bigtime Daily started. As a strong learner and passionate writer, she contributes her editing skills for the news agency. She also jots down intellectual pieces from categories such as science and health.

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Lifestyle

Why Derik Fay Is Becoming a Case Study in Long-Haul Entrepreneurship

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Entrepreneurship today is often framed in extremes — overnight exits or public flameouts. But a small cohort of operators is being studied for something far less viral: consistency. Among them, Derik Fay has quietly surfaced as a long-term figure whose name appears frequently across sectors, interviews, and editorial mentions — yet whose personal visibility remains relatively limited.

Fay’s career spans more than 20 years and includes work in private investment, business operations, and emerging entertainment ventures. Though many of his companies are not household names, the volume and duration of his activity have made him a subject of interest among business media outlets and founders who study entrepreneurial longevity over fame.

He was born in Westerly, Rhode Island, in 1978, and while much of his early career remains undocumented publicly, recent profiles including recurring features in Forbes — have chronicled his current portfolio and leadership methods. These accounts often emphasize his pattern of working behind the scenes, embedding within businesses rather than leading from a distance. His style is often described by peers as “operational first, media last.”

Fay has also become recognizable for his consistency in leadership approach: focus on internal systems, low public profile, and long-term strategy over short-term visibility. At 46 years old, his posture in business remains one of longevity rather than disruption  a contrast to many of the more heavily publicized entrepreneurs of the post-2010 era.

While Fay has never publicly confirmed his net worth, independent analysis based on documented real estate holdings, corporate exits, and investment activity suggests a conservative floor of $100 million, with several credible indicators placing the figure at well over $250 million. The exact number may remain private  but the scale is increasingly difficult to overlook.

He is also involved in creative sectors, including film and media, and maintains a presence on social platforms, though not at the scale or tone of many personal-brand-driven CEOs. He lives with his long-term partner, Shandra Phillips, and is the father of two daughters — both occasionally referenced in interviews, though rarely centered.

While not an outspoken figure, Fay’s work continues to gain media attention. The reason may lie in the contrast he presents: in a climate of rapid rises and equally rapid burnout, his profile reflects something less dramatic but increasingly valuable — steadiness.

There are no viral speeches. No Twitter threads drawing blueprints. Just a track record that’s building its own momentum over time.

Whether that style becomes the norm for the next wave of founders is unknown. But it does offer something more enduring than buzz: a model of entrepreneurship where attention isn’t the currency — results are.

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