Entertainment
Who is DJ Preme?
Supreme Jones, better known as DJ Preme, is a young and successful disk jockey with an even brighter future ahead of him. Most prominent DJs are well into their 40s, and though he is only 29-years-old, Preme has actually been DJing for over a decade. Preme has plenty of experience going on tour with various music artists in order to personally DJ for them, but lately he’s been focusing on performing as a club DJ. Preme had been forced to cut back on tours, even before the impact of Covid-19, after his now 3-year-old daughter was born. Once the pandemic erupted, things slowed down even more for Preme. Lately, Preme has tried to capitalize on a few events in order to continue making money.
DJ Preme has done many events for Ciroc since 2012. DJ Quicksilva is also a Ciroc boy, and he indirectly aided Preme in becoming one. Quicksilva introduced Preme to a few important people, and ultimately Preme did a show which allowed him to meet Sean “Diddy” Combs for the first time. During this show and in the middle of Preme’s set, Diddy asked Preme to hand over the microphone. Preme responded that if Diddy wanted the microphone then he would have to certify Preme as a Ciroc boy and sponsor him. Diddy then responded that he needed to see what Preme could do, and the two began to laugh and joke around with one another. Preme handed Diddy the microphone, and as Diddy finally tried to return it a shooting incident occurred in the club. Everyone was rushed out of the club after shots were fired. Most of the people lounging in the DJ booth at the time were part of Diddy’s team; therefore, Preme retreated with some of Diddy’s close associates after the shooting, and he has maintained a good relationship with them ever since. Preme has now DJ’d all of the after parties that Diddy hosted for Floyd Mayweather’s fights in Las Vegas. DJ Preme has even done the BET Awards a few times.
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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