Lifestyle
STYLÉCRUZE Magazine Inc : USA’s finest growing fashion magazine

About STYLÉCRUZE Magazine
STYLÉCRUZE Magazine is a submissions based fashion magazine focused on promoting the next generation of creatives. Founded by Divyesh Pillarisetty and Jagadeesh Vallabhaneni. STYLÉCRUZE is a collection of beautiful images from around the globe that is constantly updating for regular fashion photography and styling inspiration. The magazine reached international print distribution, and currently thrives in its digital + print format. STYLÉCRUZE is a print fashion magazine, featuring both up-and-coming and established talent in the fashion industry.
WHERE CAN I READ STYLÉCRUZE MAGAZINE?
STYLÉCRUZE Magazine is available to read at Blurb and MagCloud Platforms We are happy to publish digitally so you can read STYLÉCRUZE on the go from anywhere in the world!
WHO IS CURRENTLY WORKING ON STYLÉCRUZE MAGAZINE?
STYLÉCRUZE Magazine is run by Divyesh Pillarisetty, CEO | Editor – in – Chief also works as a Digital Marketing Specialist and Jagadeesh Vallabhaneni, Director and Brand Manager of STYLÉCRUZE.
WHERE ELSE CAN I FIND STYLÉCRUZE MAGAZINE?
We have a strong presence on Instagram, Pinterest, Facebook, and Twitter. Follow along to keep up with our daily fashion photography inspiration.
WHAT IS A SUBMISSIONS BASED FASHION MAGAZINE?
This means STYLÉCRUZE Magazine accepts fashion photography contributors from around the globe based on a common theme. It allows as many people as possible to have the chance to contribute to the magazine, and every issue we are delighted to see new contributors who have new styles and fresh takes on our issue themes.
HOW DID STYLÉCRUZE MAGAZINE GET STARTED?
STYLÉCRUZE Magazine started in 2017 as an idea by Divyesh Pillarisetty while doing his Digital Marketing job. What started as a hobby quickly expanded, with STYLÉCRUZE raising funding to successfully run in print in the UK, United States, Australia and Canada. STYLÉCRUZE now thrives in its digital format, and although Divyesh has a strong appreciation for print magazines, it is likely that STYLÉCRUZE Magazine will remain a print + digital publication.
Along with STYLÉCRUZE the company now runs several other magazines which include:
TÉENCRUZE Magazine (Exclusive for Kid & Teen models) INSTAGRAM: https://www.instagram.com/teencruze/
MÉNCRUZE Magazine ( Exclusive Men’s fashion heaven) INSTAGRAM: https://www.instagram.com/mencruze/
OVER Magazines (Modeling and Fashion taken the extra mile…) INSTAGRAM: https://www.instagram.com/overmagazines/
HOW CAN I CONTRIBUTE?
Head on over to our submissions page to get started on submitting to STYLÉCRUZE Magazine or You can directly submit your submissions via Kavyar.
Official Website: https://stylecruze.com
Instagram Official: https://www.instagram.com/stylecruze/
Facebook Official: https://www.facebook.com/stylecruze
Twitter Official: http://twitter.com/style_cruze
Pinterest Official: https://www.pinterest.com/stylecruze/
Highlights
Featured below celebrities in our magazines:
- Marissa Everhart (Model, Real Estate and Yacht broker)
- Princess Mae (YouTuber & Instagram Star)
- Gabriela Clesca Vallejo (Miss Haiti)
- Nabila Tapia (Model, Actress & Miss Turismo Dominicana)
- Romain Bonnet (Model, Netflix Superstar – Selling Sunset)
- Autumn Miller (Dancer, Instagram Star)
- Gabriella Melrose (Actor, Producer, Model & Influencer)
- Katya Bakat (Model, Actor)
- Karolina Wozniak (Model)
- Allee Sutton Hethcoat (Actor, Miss Tennessee USA)
- Wendy Starland (American singer, songwriter and music producer from LA)
- Michaela Vybohova (Model)
- Raquel Riley Thomas (Entrepreneur, Pageant Queen, and Military-Veteran)
- Luana Vjollca (Singer, TV Host & Producer)
- Gizemsahin (Miss Freedom Of The World 2019)
- Mr. Jade (Businessman & Musician)
GET FEATURED IN STYLECRUZE Today!!
Lifestyle
The Future of Social Dancing: How Latin Dance is Adapting to a New Generation

Latin dance thrives on connection. The music, the partner, and the crowd all feed one another.
Today, that connection is shaped by a younger, digitally fluent generation, and few understand the shift better than Damian Guzman, founder of Bachata Sensual America (BSA). From prize-winning festivals to late-night socials, Guzman and BSA show how the scene is evolving without losing its roots.
Streaming steps, viral beats
A decade ago, beginners to Latin dance hunted for grainy DVD tutorials; now they unlock entire combinations on their phones. TikTok loops, YouTube shorts, and Instagram reels have compressed learning into snack-sized bursts.
Many of the artists signed on with Bachata Sensual America meet dancers where they scroll, posting slow-motion breakdowns and “follow-along” drills that rack up thousands of views. This approach addresses two key Gen Z demands: instant access and a clear path from screen to floor.
By allowing newcomers to practice at home before facing a packed room, the online channel lowers the fear barrier while seeding a desire for in-person connection.
Festivals as entry points, not finish lines
Digital discovery is only the first act. For many people, their real baptism happens at multi-day events where practice hours blur into sunrise socials.
BSA’s flagship Houston Bachata Sensual Festival returned on May 2nd, 2025, with a follow-up week slated for Bachata Sensual Festival Chicago, September 4th-9th, 2025. Both weekends pair technique labs with mental-wellness talks and DJs specializing in bachata, mirroring the playlists in dancers’ earbuds.
That balance of skills and community is why independent reviewers named BSA one of the “Top Latin Dance Festivals in the United States” for 2025. Yet, for Damian, awards matter less than the message: a festival can feel world-class without pricing out college students. He keeps passes tiered, encourages volunteer shifts that offset costs, and prepares bootcamps for absolute beginners, ensuring the dance floor reflects the same diversity he sees online.
Teaching culture, not just choreography
Bachata’s recent boom owes much to its European reinvention. Damian experienced that surge firsthand while earning one of the first U.S. instructor certifications in the Bachata Sensual style. He returned determined to give American dancers the same blend of precision and musicality he had experienced abroad.
BSA classes devote equal time to connection cues, body mechanics, and the genre’s Dominican roots. That trifecta resonates with younger students who want authenticity, not just a viral dip.
“In class I tell people, ‘Technique is how you respect your partner; musicality is how you respect the song,’” Guzman said during a recent podcast. The line distills his mission: elevate standards while keeping the dance welcoming.
Building inclusive, mindful spaces
Generation Z brings new expectations around consent, identity, and mental health. BSA’s code of conduct spells out everything from appropriate touch to gender-neutral role selection. Security staff mediate conflicts quickly, and workshop leaders open sessions with grounding exercises to calm nerves. These actions might sound small, yet they remove friction that once pushed many newcomers away.
Damian argues that such policies go beyond ethics; they future-proof the scene. Normalizing role fluidity in Latin dance widens its talent pool and invites richer musical interpretations. By acknowledging anxiety and overstimulation — common concerns for digital natives — events can retain dancers who might otherwise retreat after their first crowded social.
Latin dance has never stood still, and its next evolution is already spinning under disco lights from Houston to Helsinki. With a phone in every pocket and a festival on every calendar, the gap between discovery and mastery keeps shrinking.
Damian Guzman and Bachata Sensual America illustrate what happens when tradition listens, adapts, and leads with purpose. The result is a scene ready for whatever beat the next generation drops — and a future where social dancing feels more connected, inclusive, and alive than ever.
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