Lifestyle

STYLÉCRUZE Magazine Inc : USA’s finest growing fashion magazine

Published

4 years ago

January 10, 2021

About STYLÉCRUZE Magazine

STYLÉCRUZE Magazine is a submissions based fashion magazine focused on promoting the next generation of creatives. Founded by Divyesh Pillarisetty and Jagadeesh Vallabhaneni. STYLÉCRUZE is a collection of beautiful images from around the globe that is constantly updating for regular fashion photography and styling inspiration. The magazine reached international print distribution, and currently thrives in its digital + print format. STYLÉCRUZE is a print fashion magazine, featuring both up-and-coming and established talent in the fashion industry.

WHERE CAN I READ STYLÉCRUZE MAGAZINE?

STYLÉCRUZE Magazine is available to read at Blurb and MagCloud Platforms We are happy to publish digitally so you can read STYLÉCRUZE on the go from anywhere in the world!

WHO IS CURRENTLY WORKING ON STYLÉCRUZE MAGAZINE?

STYLÉCRUZE Magazine is run by Divyesh Pillarisetty, CEO | Editor – in – Chief also works as a Digital Marketing Specialist and Jagadeesh Vallabhaneni, Director and Brand Manager of STYLÉCRUZE.

WHERE ELSE CAN I FIND STYLÉCRUZE MAGAZINE?

We have a strong presence on Instagram, Pinterest, Facebook, and Twitter. Follow along to keep up with our daily fashion photography inspiration.

WHAT IS A SUBMISSIONS BASED FASHION MAGAZINE?

This means STYLÉCRUZE Magazine accepts fashion photography contributors from around the globe based on a common theme. It allows as many people as possible to have the chance to contribute to the magazine, and every issue we are delighted to see new contributors who have new styles and fresh takes on our issue themes.

HOW DID STYLÉCRUZE MAGAZINE GET STARTED?

STYLÉCRUZE Magazine started in 2017 as an idea by Divyesh Pillarisetty while doing his Digital Marketing job. What started as a hobby quickly expanded, with STYLÉCRUZE raising funding to successfully run in print in the UK, United States, Australia and Canada. STYLÉCRUZE now thrives in its digital format, and although Divyesh has a strong appreciation for print magazines, it is likely that STYLÉCRUZE Magazine will remain a print + digital publication.

Along with STYLÉCRUZE the company now runs several other magazines which include:

TÉENCRUZE Magazine (Exclusive for Kid & Teen models) INSTAGRAM: https://www.instagram.com/teencruze/

MÉNCRUZE Magazine ( Exclusive Men’s fashion heaven) INSTAGRAM: https://www.instagram.com/mencruze/

OVER Magazines (Modeling and Fashion taken the extra mile…) INSTAGRAM: https://www.instagram.com/overmagazines/

HOW CAN I CONTRIBUTE?

Head on over to our submissions page to get started on submitting to STYLÉCRUZE Magazine or You can directly submit your submissions via Kavyar.

Official Website: https://stylecruze.com

Instagram Official: https://www.instagram.com/stylecruze/

Facebook Official: https://www.facebook.com/stylecruze

Twitter Official: http://twitter.com/style_cruze

Pinterest Official: https://www.pinterest.com/stylecruze/

Highlights

Featured below celebrities in our magazines:

Marissa Everhart (Model, Real Estate and Yacht broker)

Princess Mae (YouTuber & Instagram Star)

Gabriela Clesca Vallejo (Miss Haiti)

Nabila Tapia (Model, Actress & Miss Turismo Dominicana)

Romain Bonnet (Model, Netflix Superstar – Selling Sunset)

Autumn Miller (Dancer, Instagram Star)

Gabriella Melrose (Actor, Producer, Model & Influencer)

Katya Bakat (Model, Actor)

Karolina Wozniak (Model)

Allee Sutton Hethcoat (Actor, Miss Tennessee USA)

Wendy Starland (American singer, songwriter and music producer from LA)

Michaela Vybohova (Model)

Raquel Riley Thomas (Entrepreneur, Pageant Queen, and Military-Veteran)

Luana Vjollca (Singer, TV Host & Producer)

Gizemsahin (Miss Freedom Of The World 2019)

Mr. Jade (Businessman & Musician)

GET FEATURED IN STYLECRUZE Today!!

Lifestyle

Why Derik Fay Is Becoming a Case Study in Long-Haul Entrepreneurship

Published

1 day ago

July 2, 2025

Michelle Langton

Entrepreneurship today is often framed in extremes — overnight exits or public flameouts. But a small cohort of operators is being studied for something far less viral: consistency. Among them, Derik Fay has quietly surfaced as a long-term figure whose name appears frequently across sectors, interviews, and editorial mentions — yet whose personal visibility remains relatively limited.

Fay’s career spans more than 20 years and includes work in private investment, business operations, and emerging entertainment ventures. Though many of his companies are not household names, the volume and duration of his activity have made him a subject of interest among business media outlets and founders who study entrepreneurial longevity over fame.

He was born in Westerly, Rhode Island, in 1978, and while much of his early career remains undocumented publicly, recent profiles including recurring features in Forbes — have chronicled his current portfolio and leadership methods. These accounts often emphasize his pattern of working behind the scenes, embedding within businesses rather than leading from a distance. His style is often described by peers as “operational first, media last.”

Fay has also become recognizable for his consistency in leadership approach: focus on internal systems, low public profile, and long-term strategy over short-term visibility. At 46 years old, his posture in business remains one of longevity rather than disruption a contrast to many of the more heavily publicized entrepreneurs of the post-2010 era.

While Fay has never publicly confirmed his net worth, independent analysis based on documented real estate holdings, corporate exits, and investment activity suggests a conservative floor of $100 million, with several credible indicators placing the figure at well over $250 million. The exact number may remain private but the scale is increasingly difficult to overlook.

He is also involved in creative sectors, including film and media, and maintains a presence on social platforms, though not at the scale or tone of many personal-brand-driven CEOs. He lives with his long-term partner, Shandra Phillips, and is the father of two daughters — both occasionally referenced in interviews, though rarely centered.

While not an outspoken figure, Fay’s work continues to gain media attention. The reason may lie in the contrast he presents: in a climate of rapid rises and equally rapid burnout, his profile reflects something less dramatic but increasingly valuable — steadiness.

There are no viral speeches. No Twitter threads drawing blueprints. Just a track record that’s building its own momentum over time.

Whether that style becomes the norm for the next wave of founders is unknown. But it does offer something more enduring than buzz: a model of entrepreneurship where attention isn’t the currency — results are.