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The Artists Behind The Viral Hip Hop Track on Soundcloud, “Reparations” — Meeting khildLike

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If you haven’t heard of them already, we’d like to introduce you to khildLike — a hip-hop and R&B group that has recently gone viral online for its hit song, “Reparations”. Since its release, the track has been recognized by several highly regarded names in the music industry, such as American rappers Jim Jones and Master P. And although the track made its original debut in late 2020, the artists behind the hip hop duo have been working toward their dreams in music for over a decade.

Orlando “Khosen” Major, from San Fernando Valley, California, is the lead singer of the hip hop duo. While growing up as the eldest of six, Major was identified as the family ‘superstar’, known for busting out in singing and dancing around the house and at family events. Over the years, he was also heavily involved in his school’s choir and his church’s mass ensemble. But it wasn’t until he led the choir during his senior year of high school that he received an overwhelming response of support which would change his life forever. “After that day, I started having this recurring dream at night. I’d see myself rising to fame and making it big in the music industry,” Khosen said. “It inspired me to go full force. I did all kinds of shows and put in the extra work to try and get discovered, but it was always a letdown. No one else could see the vision I had of myself in that dream. But even while getting ‘no’s’, the dream kept coming back. It hasn’t left me alone in the last twelve years, even when I’ve tried to do literally anything else,” he added. So, naturally, Khosen persisted. He continued to sing covers of songs and upload them to the internet in hopes that, one day, someone would offer him a deal that would jumpstart the musical career he had so longly awaited for. But in the midst of it all, he met Life.

Jerell “Life” Ray was exposed to music through his older brothers, who happened to be rappers and producers within the industry. He grew up in Compton, listening to over a dozen up-and-coming rappers at his brothers’ studio “rapping and feeling the mix” on a day-to-day basis. Needless to say, it was enough for Ray to fall in love with music and the process of creating it, hoping to someday follow in the footsteps of the artists he was lucky to witness. Following the loss of his mother at just 12-years-old, Ray used songwriting as a therapeutic outlet to cope with his grief. Eventually, with the help of his brothers, he learned to properly create tracks from beginning to end by the time he was 13, including the processes of songwriting, producing, and engineering. He recorded his own music and proceeded to use the popular “gorilla style technique” to get people to listen. In other words, he’d create flyers and CDs to promote his music and hand it out locally on nearby streets in his neighborhood. Once he was 18, Ray began to break away from his brothers’ paths and instead started creating his own in hopes to begin pursuing a full-time career in the music industry as a rapper. In 2011, Khosen and Life met through a mutual friend. After learning about one another’s backgrounds in music, they ultimately decided to collaborate on each other’s future tracks. Once they got into the studio and began to create as a unit rather than as solo artists, they realized their talents had the potential to break through the barriers each of them had difficulty overcoming alone. As a result, they decided they’d continue their journey together, and khildLike was born.

The two have been working together endlessly over the last few years in hopes to strike the right deal for their music. Thankfully, it’s beginning to pay off. Just last year, the duo joined other artists in a music-writing workshop named Mic Session, led by Tupac’s old manager, Leila Steinberg. At the seminar, the attendees were assigned to create a song with lyrics based on social injustice. Major and Ray came up with a song named “Reparations”, which would later prove to be the song that would start a remarkable journey for khildLike.

Not long after the track’s release, American rapper and record executive Jim Jones asked the pair to audition for a spot on the mixtape album he was in the process of recording. Thankfully, they managed to impress the renowned rapper and land a collaboration on the album, which releases in May 2021. The humble artists have said that this project has been their biggest one to date, despite having opened up shows for well-known artists like Nipsey Hustle and Eric Bellinger in recent years.

“Now that we’re getting a little exposure and [getting our music] into the ears and eyes of people, it’s been crazy to see the positive response not only on our recent track but on the ones we wrote and recorded years ago,” Khosen shared. “It’s been a long journey to get to where we are, but it’s been worth it. This is only the beginning.”

You can find khildLike’s music on Soundcloud, and you can also find their social profiles on Instagram and Clubhouse. In 2021, they hope to continue creating inspirational music not only for black communities, but for hip hop and R&B listeners on a global scale.

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

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Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.

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