Entertainment
The Artists Behind The Viral Hip Hop Track on Soundcloud, “Reparations” — Meeting khildLike
If you haven’t heard of them already, we’d like to introduce you to khildLike — a hip-hop and R&B group that has recently gone viral online for its hit song, “Reparations”. Since its release, the track has been recognized by several highly regarded names in the music industry, such as American rappers Jim Jones and Master P. And although the track made its original debut in late 2020, the artists behind the hip hop duo have been working toward their dreams in music for over a decade.
Orlando “Khosen” Major, from San Fernando Valley, California, is the lead singer of the hip hop duo. While growing up as the eldest of six, Major was identified as the family ‘superstar’, known for busting out in singing and dancing around the house and at family events. Over the years, he was also heavily involved in his school’s choir and his church’s mass ensemble. But it wasn’t until he led the choir during his senior year of high school that he received an overwhelming response of support which would change his life forever. “After that day, I started having this recurring dream at night. I’d see myself rising to fame and making it big in the music industry,” Khosen said. “It inspired me to go full force. I did all kinds of shows and put in the extra work to try and get discovered, but it was always a letdown. No one else could see the vision I had of myself in that dream. But even while getting ‘no’s’, the dream kept coming back. It hasn’t left me alone in the last twelve years, even when I’ve tried to do literally anything else,” he added. So, naturally, Khosen persisted. He continued to sing covers of songs and upload them to the internet in hopes that, one day, someone would offer him a deal that would jumpstart the musical career he had so longly awaited for. But in the midst of it all, he met Life.
Jerell “Life” Ray was exposed to music through his older brothers, who happened to be rappers and producers within the industry. He grew up in Compton, listening to over a dozen up-and-coming rappers at his brothers’ studio “rapping and feeling the mix” on a day-to-day basis. Needless to say, it was enough for Ray to fall in love with music and the process of creating it, hoping to someday follow in the footsteps of the artists he was lucky to witness. Following the loss of his mother at just 12-years-old, Ray used songwriting as a therapeutic outlet to cope with his grief. Eventually, with the help of his brothers, he learned to properly create tracks from beginning to end by the time he was 13, including the processes of songwriting, producing, and engineering. He recorded his own music and proceeded to use the popular “gorilla style technique” to get people to listen. In other words, he’d create flyers and CDs to promote his music and hand it out locally on nearby streets in his neighborhood. Once he was 18, Ray began to break away from his brothers’ paths and instead started creating his own in hopes to begin pursuing a full-time career in the music industry as a rapper. In 2011, Khosen and Life met through a mutual friend. After learning about one another’s backgrounds in music, they ultimately decided to collaborate on each other’s future tracks. Once they got into the studio and began to create as a unit rather than as solo artists, they realized their talents had the potential to break through the barriers each of them had difficulty overcoming alone. As a result, they decided they’d continue their journey together, and khildLike was born.
The two have been working together endlessly over the last few years in hopes to strike the right deal for their music. Thankfully, it’s beginning to pay off. Just last year, the duo joined other artists in a music-writing workshop named Mic Session, led by Tupac’s old manager, Leila Steinberg. At the seminar, the attendees were assigned to create a song with lyrics based on social injustice. Major and Ray came up with a song named “Reparations”, which would later prove to be the song that would start a remarkable journey for khildLike.
Not long after the track’s release, American rapper and record executive Jim Jones asked the pair to audition for a spot on the mixtape album he was in the process of recording. Thankfully, they managed to impress the renowned rapper and land a collaboration on the album, which releases in May 2021. The humble artists have said that this project has been their biggest one to date, despite having opened up shows for well-known artists like Nipsey Hustle and Eric Bellinger in recent years.
“Now that we’re getting a little exposure and [getting our music] into the ears and eyes of people, it’s been crazy to see the positive response not only on our recent track but on the ones we wrote and recorded years ago,” Khosen shared. “It’s been a long journey to get to where we are, but it’s been worth it. This is only the beginning.”
You can find khildLike’s music on Soundcloud, and you can also find their social profiles on Instagram and Clubhouse. In 2021, they hope to continue creating inspirational music not only for black communities, but for hip hop and R&B listeners on a global scale.
Entertainment
Omar Harfouch’s ‘Concerto for Peace’ to Enchant Paris in an Evening of Musical Unity
Byline: Katreen David
It’s no secret that music holds the power to enchant people. Ears hear the melodies and every fiber of the soul feels them, especially when the message behind the musical notes conveys a call for world peace.
“In times of turmoil, music has always been our refuge, where we find solace and the courage to hope. This is what inspired ‘Concerto for Peace,’” reflects Omar Harfouch, the world-renowned pianist and composer who will bring “Concerto for Peace” to the Théâtre des Champs-Élysées in Paris, France.
When he isn’t busy producing classical melodies with every keystroke of his piano, Harfouch can be found redefining what it means to blend art and activism. His upcoming “Concerto for Peace,” set to premiere on September 18, 2024, promises to be more than just a concert—it’s an evocative call to unity, a symphonic plea for a world yearning to heal.
Just 48 hours after enchanting Paris with the concerto, Omar Harfouch will take the stage at the United Nations in Geneva to deliver the “Concerto for Peace” once more. This remarkable performance is set to be a highlight of the World Music Conference, coinciding with the global observance of World Peace Day on September 20.
A Symphony as a Statement
Omar Harfouch is no stranger to the power of music as a transformative force. With a career that’s as much about melodic innovation as it is about social impact, Harfouch’s latest work, “Concerto for Peace,” encapsulates his belief that music can be both recreational and revolutionary. As 2024 sees the rise of art with a cause, Harfouch’s concert stands out for its musical mastery and bold message.
“This isn’t just about notes on a page,” Harfouch explains. “It’s about creating a space where every listener, regardless of background, can feel part of something larger—a movement toward peace, one note at a time.”
In a world where philanthropy is increasingly woven into the heart of the arts, Omar Harfouch’s “Concerto for Peace” reflects a growing trend where music serves as a catalyst for change. The performance, featuring the Béziers Méditerranée Symphony Orchestra under the skilled direction of Mathieu Bonnin, is set to be a defining moment in this movement.
The Pulse of 2024: Music with Purpose
As we navigate the complexities of 2024, the intersection of art and advocacy has never been more pronounced. The global music industry is seeing an unprecedented convergence with philanthropic efforts. Artists are not just creating for the sake of creation; they are crafting experiences that resonate with the world’s most pressing issues.
Omar Harfouch stands on the frontlines of this shift. “Concerto for Peace” is emblematic of a broader movement where art becomes a form of protest, a medium for messages that words alone can’t convey.
“Music has this incredible ability to reach where words often fail,” Harfouch reflects. “In every melody, there’s a story. In every crescendo, a call to action.”
An Artistic Tribute to Roots and Responsibility
The story behind one of Harfouch’s most famous compositions is a tale from his childhood. This is primarily why the upcoming Paris performance is also deeply personal for Harfouch. Among the pieces featured is “Tripoli,” a composition that serves as a musical homage to his birthplace.
With its intricate blend of cultural motifs and personal history, this piece adds a profound layer of authenticity to the concert. To that effect, it becomes an artistic expression fueled by his personal journey.
“Tripoli is more than just a city to me—it’s a symbol of resilience, of the beauty that can emerge from hardship,” says Harfouch. “Through this piece, I’m sharing a part of myself, my history, and my hope for the future.”
Another key highlight is “Save One Life, You Save Humanity,” a composition that spotlights Harfouch’s belief in the power of individual action. In a world where small acts of kindness can ripple into broader societal change, this piece serves as both a reminder and an inspiration.
A Crescendo of Hope
As the “Concerto for Peace” prepares to echo through the streets of Paris, Omar Harfouch is reflective yet resolute. “We live in a world that’s constantly changing, constantly challenging us,” he says. “But in music, we find a constant—a reminder that beauty, harmony, and peace are always within our reach if only we’re brave enough to listen.”
For Harfouch, this concert is the culmination of months of work and proof of the enduring power of art to reflect the world, comfort the world, and change the world.
The “Concerto for Peace” is bound to leave behind a lasting impact—a reminder that, in the grand symphony of life, every voice matters, and every note counts.
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