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Art Under Occupation: Palestinian-Canadian artist Hanny Khoury talks art, identity, and belonging

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Palestinian-Canadian artist Hanny Khoury has spent years thoughtfully exploring his identity, trying to establish his understanding of what it means to be Palestinian.Art has always been his lifeline, an outlet where he channels frustrations and emotions, seeking a means of representing his past in a way that empathizes with an international audience. From Palestine to Canada, his journey has been difficult and encouraging, a true redemption arc that’s far from over.

Khoury grew up in a small village in historical Palestine-one of six children-under the Israeli occupation. As far back as he can remember, his identity, and the identities of his family and neighbors, were conflated with the information being spread by the occupation. “You are a Palestinian, a minority living under occupation. The environment is weird, nothing is clear.You can’t identify yourself and you don’t grow up with a clear identity that’s solid,” says Khoury.“From school to the media, the occupation is basically programming your brain, to make you forget your identity.”

Art was the one thing that could ground Khoury to something tangible. It was a means of coping with the instability of his daily life and allowed him to express his confusion. As he describes, it was a means of creating an entirely new world: “It’s like I was creating my own environment, my own life, the way I wanted it to be. With time, art became a healing process for me. It became the one thing through which I rebuild the relationship with everything around me and make peace with it. Heal it. That’s how art spoke to me. Art became like food for me, or water.”Even when his parents struggled to afford necessities, his mother would use soil and flowers to make natural pigments he could paint with. Walls, doors, broken pieces of wood-anything could serve as a canvas in Khoury’s eyes.

Eventually, after years of tension, both internally and with his environment, he made his way to Canada. This fresh start opened his mind, and he finally found the space and time to focus on his practice. It was during this period that he began to consider the parameters of being a Palestinian artist in a contemporary context. As a child, Khoury’s sources of artistic inspiration were limited to what was acceptable under the occupation. Names from Western art history, like Salvador Dali and Pablo Picasso, were tolerable, but examples of Palestinian art were scarce. “Back then, I didn’t have anything that made me a Palestinian artist. I got this sense of belonging later in life, through my own research. I developedan awareness about our existence as Palestinians and then my art started to belong to the history and the story of Palestine. Before that, I didn’t have the opportunity to learn that information,” says Khoury.

Through his studies and careful research, Khoury began to form his own idea about the critical difference between being a Palestinian artist and producing Palestine art. “I think the Palestinian story of identity loss, it had its own time,” he explains.“Silman Mansour, Nabil Anani, Ismail Shammout-those artists had to do it because they had to construct their identity and the identity of the Palestinian people.  For us, as the young generation in or from Palestine, we must do something different. We have to work with an international language, while still belonging to the Palestinian identity.” Khoury’s search for identity is also a search for expression, finding a way to leverage Palestinian form to resonate on an international, even universal, level.

Currently represented by Mark Hachem Gallery, Khoury’s work is set to make an impression on audiences around the world. He has already made great strides with his ability to translate his own experiences into a visual, emotionallanguage that anyone can connect with. “What I have suffered in my life, the experiences, the journey I had in Palestine-this is what developed my international language of art. This is where it came from. The figures, the colors, the balance. Everything that makes up my work is Palestinian, but the figures themselves aren’t necessarily Palestinian,” he explains. “Art is translating the time period that we live in, visually.The modern world of art is not translating specific moments, it’s translating specific emotions. We talk about our conflicts, our difficulties, our pain, the system. That’s what we talk about as artists. So, when we look at art, it should deliver emotion. It doesn’t necessarily have to do with belonging to the physical world. It can be connected to the emotional world, or faith.” Confident and passionate, Khoury is forging ahead with a new vision of what Palestinian art could be, offering the next generation of young artists what he was denied growing up: an inspirational figure.

Michelle has been a part of the journey ever since Bigtime Daily started. As a strong learner and passionate writer, she contributes her editing skills for the news agency. She also jots down intellectual pieces from categories such as science and health.

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Lifestyle

The Missing Piece in Self-Help? Why This Book is Changing the Wellness Game

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Self-help shelves are full of advice — some of it helpful, some of it recycled, and most of it focused on “mindset.” But Rebecca Kase, LCSW and founder of the Trauma Therapist Institute, is offering something different: a science-backed, body-first approach that explains why so many people feel struck, overwhelmed, or burned out — and what they can actually do about it.

A seasoned therapist and business leader, Kase has spent nearly two decades teaching others how to navigate life through the lens of the nervous system. Her newest book, “The Polyvagal Solution,” set to release in May 2025, aims to shake up the wellness space by shifting the focus away from willpower and onto biology. If success has felt out of reach — or if healing has always seemed like a vague concept — this book may be the missing link.

A new way to understand stress and healing

At the heart of Kase’s approach is polyvagal theory, a neuroscience-based framework that helps explain how our bodies respond to safety and threat. Developed by Dr. Stephen Porges, polyvagal theory has transformed the way many therapists understand trauma, but Kase is bringing this knowledge to a much wider audience.

“The body always tells the truth,” Kase says. “If you’re anxious, exhausted, or always in overdrive, your nervous system is asking for support, not more discipline.”

“The Polyvagal Solution” makes this complex theory digestible and actionable. Instead of promising quick fixes, Kase offers strategies for regulating the nervous system over time, including breathwork, movement, boundaries, and daily practices that better align with how the human body functions. It’s less about pushing through discomfort and more about learning to tune in to what the body needs.

From clinical expertise to business insight

What sets Kase apart isn’t just her deep understanding of trauma but how she blends that knowledge with real-world experience as a business owner and leader. As the founder of the Trauma Therapist Institute, she scaled her work into a thriving company, all while staying rooted in the values she teaches.

Kase has coached therapists, executives, and entrepreneurs who struggle with burnout, anxiety, or feeling disconnected from their work. Regardless of who she works with, though, her message remains consistent: the problem isn’t always mindset — it’s often regulation.

“Success that drains you isn’t success. It’s survival mode in disguise,” Kase explains. Her coaching programs go beyond traditional leadership training by teaching high achievers how to calm their nervous systems, enabling them to lead from a grounded place, not just grit.

Making the science personal

For all her clinical knowledge, Kase keeps things human. Her work doesn’t sound like a lecture but rather like a conversation with someone who gets it. That’s because she’s been through it herself: the long hours as a therapist, the emotional toll of supporting others, the realities of building a business while managing her own well-being.

That lived experience informs everything she does. Whether she’s speaking on stage, running a retreat, or sharing an anecdote on her podcast, Kase has a way of weaving humor and honesty into even the heaviest topics. Her ability to balance evidence-based practice with practical advice is part of what makes her voice so compelling.

Kase’s previous book, “Polyvagal-Informed EMDR,” earned respect from clinicians across the country. But “The Polyvagal Solution” reaches beyond the therapy community to anyone ready to understand how their body is shaping their behavior and how to create real, sustainable change.

Why this message matters

We’re in a moment where burnout is common and overwhelm feels normal. People are looking for answers, but many of the tools out there don’t address the deeper cause of those feelings.

That’s where Kase’s work lands differently. Instead of telling people to “think positive” or “try harder,” she teaches them how to regulate their own biology. And in doing so, she opens the door for deeper connection, better decision-making, and more energy for the things that matter.

As more workplaces begin to embrace trauma-informed leadership, more individuals are seeking solutions that go beyond talk therapy and motivational content. Kase meets that need with clarity, compassion, and a toolkit rooted in both science and humanity.

A grounded approach to lasting change

What makes “The Polyvagal Solution” stand out is its realism. It doesn’t ask readers to overhaul their lives but instead asks them to listen — to pay attention to how their bodies feel, how their stress patterns manifest, and how even small shifts in awareness can lead to significant results over time. Whether you’re a therapist, a team leader, or someone trying to feel more at ease in your own skin, this book offers a way forward that feels both grounded and achievable.

Rebecca Kase isn’t just adding another title to the self-help genre. She’s redefining it by reminding us that we don’t have to muscle our way through life. We just have to learn how to work with, not against, ourselves.

And maybe that’s the real game-changer we’ve been waiting for.

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