Entertainment
Paving the way for other artists one song at a time, Youngbrainzz style
Exciting people with his fresh tunes, Youngbrainzz is an up-and-coming name in the music industry. The musician believes that his most unique quality is that he knows how to layer music; more importantly, he knows what he wants when he starts creating.
Very close to his grandmother, the underground artist has grown up listening to 1930’s old-school music. Hence, he was surrounded by tunes from childhood and learned early on how different music was back then. This is also his favorite aspect of the creative process —learning how music has evolved over the years!
The artist says that when creating new music, he doesn’t ascribe to a particular genre but freestyles “to the top of his head”. This ensures that his music has a distinctive appeal to it instead of easily being labeled as one genre or the other.
The Pop singer also likes playing instruments. He learned how to play the piccolo and the flute from his first music teacher, Ms. Farmer. She taught him keynotes in music and their importance. Now extremely fond of playing the piano, the singer also loves going to the shooting range to shoot and build guns.
Living his life with the motto of always creating new things, Youngbrainzz says that it is his dream to perform for the first time at The Cynthia Woods Mitchell Pavilion, Texas. When asked what would be his strategy if he made a mistake during a performance, he is quick to respond that he would keep going without faltering because it is all about chasing his dream. His ideal scenario would be to smoke a whole pack of Backwoods before the show with his audience so that he is calm and his listeners can truly connect with him. He also shares that if his audience ever looked bored during his performance, he would probably start playing an unreleased song to capture their interest, and if that failed too, throwing money into the crowd is an all-time charmer that never fails!
The Hip-Hop singer says that he is learning slowly that not everything elicits a reaction. He is working hard on recognizing what is important enough for his attention. “Staying true to myself and my homies” is his mantra for being a good artist. He says being able to grow together and standing up for the things you believe in would always matter the most to him.
Youngbrainzz has co-signed another singer called Austin Skinner who he calls his brother. A big fan of Future and Kid Cudi, the artist wants to collaborate with the American rapper, Yung Bans, in the near future.
The rapper is currently working on making his voice sound even better. When asked where he says himself in the next five years, he says that he can envision himself as a solid artist with a lot of following and at least 20 million dollars in his bank account!
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Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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