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Pokemon Creators Receive Backlash from Fans for Being Lazy

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Recently, the creators of Pokemon Sword and shield received a lot of backlash for not including previous generations of pocket monsters in the new game Pokedex.

Many fans accused the creators and developers of Game Freak for being lazy. And fans also accused them for using 3D models from previous games in order to cut down on production costs.

But the company’s representative and the producer of Pokemon Sword and Shield, Junichi Masuda, and the director Shigeru Ohmori denied the accusations of in an interview with Famitsu.

They defended the company and creators and said that they created new models from scratch. And they also provided with reasons on why they cut features from Pokemon Sword and Shield and did not include all old generations of pocket monsters.

It is difficult to import hundreds of previous Pokemons from a 3DS title to the Switch’s improved 3D graphics. Ohmori said – “This decision is personally sad. Of course, I wanted to be able to bring all Pokemon if I could do it, but it was also a decision that I had to make some day. In the end, I had no choice but to choose the quality.”

Other reasons also include features like Gigantamax, and Dynamax versions of Pokemon.

Despite all the backlash, Pokemon Sword and Shield is due to release later this year. And its trailer received a positive feedback.

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

MiG Arogan: The Haitian Powerhouse Behind the Spiritual Anthem “Moon Under Me”

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MiG Arogan has firmly established himself as a commanding force in the music industry, bringing the weight and depth of Haitian culture and spirituality into the spotlight with his powerful track “Moon Under Me.” This song is not simply a musical creation; it is a bold spiritual declaration and a vivid expression of ancestral strength rooted in Haitian Vodou tradition.

Hailing from Haiti, MiG Arogan combines contemporary rap energy with rich cultural symbolism, carving a unique space where music meets ritual. “Moon Under Me” stands as a testament to this fusion, drawing deeply from the Vodou pantheon of Lwa (spirits) to convey protection, power, and fearlessness.

The song’s hook centers around the presence of Mama performing the sacred work “with the moon under me,” a metaphor for hidden spiritual forces guiding and empowering the artist. Papa Legba, the revered gatekeeper of the spiritual crossroads, “opens doors I don’t see,” symbolizing MiG’s access to realms and protections invisible to others. This connection to Legba asserts a profound control over paths both physical and metaphysical.

Further spiritual guardians emerge in the lyrics: Kalfou, the fierce spirit of crossroads and chaos, “waiting at the edge with heat,” ready to defend or attack; Baron Samedi and Baron Kriminel, powerful death spirits who “laugh when your blood hit street,” representing MiG’s untouchable status backed by forces of life and death. These spirits signal that crossing MiG Arogan or disrespecting his heritage comes with grave consequences.

The song also invokes Erzuli, embodying love, beauty, and pride, along with Simbi, the wise serpent spirit guiding MiG’s style and movement. Ogou, the warrior spirit, tests and arms him, while Damballa offers calm wisdom and balance. The mention of Granne Brigitte, the fierce protector, and the other spirits completes a powerful spiritual armor surrounding the artist.

“Moon Under Me” goes beyond conventional music; MiG Arogan describes himself as “no rapper, I’m a ritual in boots,” emphasizing the song’s ceremonial and mystical weight. The imagery of candles, chants, incense, and spirits evokes authentic Vodou ceremonies that infuse the track with genuine ancestral energy.

By weaving these sacred names and symbols into his lyrics, MiG Arogan not only asserts his own power but elevates Haitian Vodou from misunderstood superstition to a living, respected tradition. His message is clear: “Play with Haitians — that’s the wrong belief.” It’s a warning and a proclamation — the strength of his roots and spiritual backing make him untouchable, commanding respect from all who hear his voice.

With “Moon Under Me,” MiG Arogan asserts a profound cultural and spiritual identity. His music becomes a vessel for ancestral power, a declaration that the Haitian spirit is fierce, unbreakable, and very much alive in him. This song stands as an anthem for strength, heritage, and the unstoppable force that MiG Arogan represents in today’s music and culture landscape.

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