Entertainment
Five Years North – Kellie Rastegar supports incredible new documentary

American Real Estate Power Couple Kellie and Ari Rastegar have recently signed on as executive producers for a feature documentary that explores the dreams and struggles of an undocumented boy in modern New York City. The film, Five Years North, will premiere in April at Full Frame Festival in Durham, North Carolina.
Five Years North follows a boy named Luis as he works, studies, and lives life in New York City — all while evading Judy, a Cuban-American ICE agent who patrols his neighborhood. Besides staying one step ahead of ICE, Luis also struggles with mounting debt and the needs of his impoverished family back in Guatemala. The film offers viewers a rare and powerful portrait of immigration in America.
“I’m so proud to be a part of this project,” says Kellie. “Luis’s lived experience in Five Years North is heartbreaking and uplifting all at once. Documentary filmmaking gives us such a powerful tool to dissect society and the human condition.”
The documentary was made by Optimist, a non-profit film studio whose documentaries have helped raise $91 million for poverty alleviation and refugee education. Optimist’s films and series have been viewed over 35 million times across digital platforms, building a dedicated following and sparking positive social change.
Kellie, now a successful entrepreneur and co-founder of real estate investment firm Rastegar Property Company, started her business career in the film industry. She served as Johnny Depp’s personal assistant during the filming of Pirates of the Caribbean and The Tourist, and she played a small acting role in the latter film. Kellie’s mother is Guatemalan, so the lives and events depicted in Five Years North are particularly poignant to her.
Ari, Kellie’s husband and CEO of Rastegar Property Company, has earned a reputation as a thought leader in real estate with his innovative, technology-driven investment strategies. The recent success of Rastegar Property Company has enabled Ari to pursue a longtime passion and acquire an independent film studio.
With the studio and other Rastegar brands, Kellie and Ari strive to empower the communities that supported them as children, young professionals, and now prominent entrepreneurs.
After the Full Frame Festival, Five Years North will go on a nationwide festival tour with a schedule that includes prestigious documentary fests like Mountainfilm in Telluride and DocLands in the San Francisco Bay Area. The film will be distributed on major digital platforms following the tour. Part of the proceeds will help fund an impact campaign to support undocumented minors like Luis.
Entertainment
Going Public: The Groundbreaking Series Transforming How Americans Invest

In a media landscape saturated with reality TV and startup showcases, Going Public stands apart, not just as a show but as a movement. Now in its third season, the interactive series invites viewers to do more than just watch entrepreneurs chase success. It gives them the tools and the opportunity to invest in startups in real time, democratizing access to early-stage funding and reshaping how ordinary Americans engage with entrepreneurship and wealth-building.
Launched by Todd M. Goldberg, a former MedTech executive who hit a frustrating wall while preparing his company for a Nasdaq IPO, Going Public was born from a moment of personal disillusionment.
“When I brought a list of interested friends and colleagues to the Chairman of the Board,” Goldberg recalls, “he explained that all the IPO shares were reserved for institutional investors. That was my epiphany. I just knew that was wrong. Regular people should have a chance to invest in IPOs, but it needed to go even further.”
That insight became the foundation for Going Public, a hybrid of entrepreneurial storytelling and financial access that offers retail investors a seat at the table usually reserved for venture capitalists and insiders. The show brings audiences inside the capital-raising journey of startups, often before they go public, and leverages a powerful innovation: its “Click-to-Invest” feature.
“The bottom line with Click-to-Invest is that it’s seamless,” says Goldberg. “Viewers can go from watching the show to literally clicking a button. It feels more like a Shopify or Amazon checkout than a traditional investment process.”
This accessibility is central to the show’s mission: to educate, inspire, and empower everyday people to participate in early-stage investing. Unlike financial news channels that target seasoned traders, Going Public merges entertainment with financial literacy, using real startup stories to highlight the risks, rewards, and realities of entrepreneurship. It’s financial content with emotional stakes, real people, and tangible outcomes.
Season 3 reflects how far the show has come and where it’s going. With more celebrity involvement, including gaming icon Ninja backing the cashew milk startup Nutcase, and a strategic partnership with the social media platform X (formerly Twitter), Going Public has widened its reach while deepening its cultural relevance.
“How do you make this mainstream?” Goldberg says. “The concept was The Apprentice meets Shark Tank meets IPO, but with a twist. Viewers aren’t just spectators, they’re stakeholders.”
The show’s selection of featured companies is another defining element. Startups are chosen not just for their growth potential but also for their mission, relatability, and cultural resonance. In Season 3, that includes everything from disruptive wellness brands to tech-enabled platforms, each paired with guidance from top-tier venture capitalists and Silicon Valley mentors.
This season also introduces a livestream finale, a format innovation designed to create a real-time, high-stakes environment where viewers can watch, decide, and invest together. It adds urgency and community to the investing experience, aligning with the show’s values of transparency and participation.
One of the most surprising and meaningful outcomes has been the personal stories from viewers who never imagined themselves as investors. “We’ve heard from teachers, nurses, and even students who said this was their first time investing and they felt confident doing it because the show made it accessible,” Goldberg shares. “It’s not just about money, it’s about empowerment.”
Looking ahead, Goldberg and his team have ambitious plans. They aim to expand the format to new platforms, explore international adaptations, and build out educational tools so viewers not only invest but understand what they’re investing in. The goal isn’t just more participation. It’s smarter participation.
In a world where capital often feels distant, technical, and exclusionary, Going Public brings the financial journey down to earth and into the hands of the people. It’s not just a show. It’s a redefinition of how business stories are told and how wealth can be created and shared.
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