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University Student to A Breakthrough EDM Artist: Not Dillon is Undoubtedly the Next Big Thing in Music

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23-year-old Dillon Shamoun who goes by his stage name Not Dillion from Detroit Michigan is taking on the music world with his EDM-infused samples that have garnered some of the best audience engagements on Spotify and Soundcloud.

Electronic Dance Music or EDM is the newest contemporary vent of musical appropriation and who better than Not Dillion who has incorporated never-before-known degrees of creative deconstructions in his soundscape. A DJ, music producer, and songwriter, his accomplishments at just 23 puts him in the circle of prodigies. Music has always been integral in his life, initially as a silent impetus and later on as a full-time force always compelling him to achieve and present the best in him. He is a self-taught artist that gives him more insight into the various creative latitudes of EDM and his own interpretations of musical consciousness.

Not Dillon’s music career can be officially consolidated into three years to date. By now, he is already sitting at the zenith of Spotify’s curated playlists as he is savouring the sweet audience acknowledgment from his trending scope on Soundcloud. Spotify alone aggregates about 10 million streams of his tracks globally and on the other hand, has reigned the top artist on Soundcloud several times. However, his introduction to music that would later pursue him to take it up professionally crossed his path during his years at Michigan State University as a Kinesiology major. It was actually during one of the music festivals where he met some DJ friends and the connection was instant. Dillon performed with them as he realized that music is where his happy destiny lies. He discontinued as a student to expand his musical creative wisdom and formulate it into an eccentric one. His soundscape is an inspiring tale of his life experiences and relationships that helped him find themes in his music. All in all, a university student who gradually formed his fan base and musical perspective in such a short time is worth all the praise in the world. Not Dillon’s single ‘Back To The Start’ featuring fellow artist Laura Page has also received critical appreciation.

Apart from being an artist himself, he is also associated with the professional field of artist management. As a former employee of Apple working in the sales department, he realized very early on that this life is not what defines him. One of his biggest accomplishments came after his first song as a solo artist was signed to Sony. He is all about performing on stage that boosts his confidence like no other. He performed across the USA and is now getting ready to share his EDM hunch with the world. His remixed samples of songs by The Chainsmokers, LIVVIA, and more add to his career graph like exponential factors. Although he is still young and just starting his professional journey of artistic and musical pursuits, his conviction and passion with never bring him down. A story from the next-door-guy to the next-big-thing, Not Dillon is just getting started with his quirk, mirth, and EDM curations.

 Follow Not Dillon here:

https://www.instagram.com/shamoundillon/

Listen to Not Dillon here:

https://open.spotify.com/artist/1J0ODz1plHzaYwhamPRrA3?si=qsh560YrRJaZR57IKEDr

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

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Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.

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