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University Student to A Breakthrough EDM Artist: Not Dillon is Undoubtedly the Next Big Thing in Music

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23-year-old Dillon Shamoun who goes by his stage name Not Dillion from Detroit Michigan is taking on the music world with his EDM-infused samples that have garnered some of the best audience engagements on Spotify and Soundcloud.

Electronic Dance Music or EDM is the newest contemporary vent of musical appropriation and who better than Not Dillion who has incorporated never-before-known degrees of creative deconstructions in his soundscape. A DJ, music producer, and songwriter, his accomplishments at just 23 puts him in the circle of prodigies. Music has always been integral in his life, initially as a silent impetus and later on as a full-time force always compelling him to achieve and present the best in him. He is a self-taught artist that gives him more insight into the various creative latitudes of EDM and his own interpretations of musical consciousness.

Not Dillon’s music career can be officially consolidated into three years to date. By now, he is already sitting at the zenith of Spotify’s curated playlists as he is savouring the sweet audience acknowledgment from his trending scope on Soundcloud. Spotify alone aggregates about 10 million streams of his tracks globally and on the other hand, has reigned the top artist on Soundcloud several times. However, his introduction to music that would later pursue him to take it up professionally crossed his path during his years at Michigan State University as a Kinesiology major. It was actually during one of the music festivals where he met some DJ friends and the connection was instant. Dillon performed with them as he realized that music is where his happy destiny lies. He discontinued as a student to expand his musical creative wisdom and formulate it into an eccentric one. His soundscape is an inspiring tale of his life experiences and relationships that helped him find themes in his music. All in all, a university student who gradually formed his fan base and musical perspective in such a short time is worth all the praise in the world. Not Dillon’s single ‘Back To The Start’ featuring fellow artist Laura Page has also received critical appreciation.

Apart from being an artist himself, he is also associated with the professional field of artist management. As a former employee of Apple working in the sales department, he realized very early on that this life is not what defines him. One of his biggest accomplishments came after his first song as a solo artist was signed to Sony. He is all about performing on stage that boosts his confidence like no other. He performed across the USA and is now getting ready to share his EDM hunch with the world. His remixed samples of songs by The Chainsmokers, LIVVIA, and more add to his career graph like exponential factors. Although he is still young and just starting his professional journey of artistic and musical pursuits, his conviction and passion with never bring him down. A story from the next-door-guy to the next-big-thing, Not Dillon is just getting started with his quirk, mirth, and EDM curations.

 Follow Not Dillon here:

https://www.instagram.com/shamoundillon/

Listen to Not Dillon here:

https://open.spotify.com/artist/1J0ODz1plHzaYwhamPRrA3?si=qsh560YrRJaZR57IKEDr

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

When Motherhood Meets the Mic: Stacey Jackson’s Story Sings Its Own Soundtrack

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Stacey Jackson doesn’t take herself too seriously, and that might be the secret to her success. She’s the first to admit that her latest project, How a Gangsta Rapper Made Me a Better Mom (Integrated Musical Edition), began with laughter. “The title came from a moment of total chaos and comedy in my real life, juggling my kids, my career, and all the curveballs in between,” she says. “At the point I found myself working with an actual ‘gangsta rapper’, and the clash of worlds was so surreal, my son blurted out ‘Mom, how about calling the book How A Gangsta Rapper Made Me a Better Mom?’ And it just stuck with me.”

It’s the kind of moment that defines Jackson’s brand of honesty, a combination of humor and heart that turns the chaos of daily life into something both relatable and inspiring. “The phrase may have started as a bit of a joke… but the more I thought about it, the more I realised how true it was. That experience (and the people I met along the way) genuinely changed how I parent, how I view and teach my kids about drive and ambition, and how I navigate life as a woman trying to do it all. So the title is cheeky, yes but it’s also honest.”

That mix of playfulness and sincerity runs through the entire project. How a Gangsta Rapper Made Me a Better Mom isn’t just a memoir  it’s a musical novel, a storytelling format that merges fiction, sound, and emotion. “Honestly? I’ve always seen life like one big music video, scenes, moods, characters  and music has always been the emotional thread that ties it all together for me,” Jackson says. “So when I started writing this story, I couldn’t not hear the songs that went with it. I thought, what if the characters in the book had their own voices  literally  through music? That’s when it hit me: what if a novel could be heard as much as read?”

It’s a question only Jackson could ask  and actually answer. The book allows readers to hear songs as they appear in the story. “For the paperback we’ve included QR codes throughout the story where the song appears (direct links to all music platforms on an e-book) so that readers can instantly listen to the tracks that align with certain scenes or characters,” she explains. “For the audiobook, we took it a step further: the music is actually woven into the narration. The tracks are part of the whole immersive experience much like a film score or a musical.”

Her confidence in crossing genres  from pop to publishing to tech innovation  didn’t come from comfort zones. Jackson credits her past collaborations for teaching her how to take risks. “Working with someone like Snoop was a game-changer,” she says. “It showed me what it meant to blend worlds, to find common ground through music even when you come from totally different backgrounds. That spirit of collaboration and that sense of humour and grit  absolutely influenced the tone of the story. You’ll see it in the character of ‘The Most Famous Rapper in the World’  he’s not based on Snoop, but let’s just say I borrowed some of that larger-than-life charisma.”

Behind the glitz of the project lies a deeply personal truth: Jackson knows what it’s like to be stretched thin, to juggle family, art, and the expectations of the world. “While the plot is fictional, the emotional heart of it is deeply personal,” she says. “Like Stephanie Bloom, I’ve had to juggle a million roles: mom, wife, performer, businesswoman  all while chasing dreams that sometimes felt a bit… delusional. I know what it’s like to be underestimated, to start again, and to fight for your creative voice.”

That battle  fought with humor and resilience  fuels the book’s message. “At its core, it’s about second chances, finding your voice, and refusing to let age, motherhood, or society box you in,” Jackson says. “It’s about stepping into your power, even if it looks messy or unconventional. It’s also about grief, resilience, and the beauty of reinventing yourself  and doing it with humour and heart.”

But make no mistake: this isn’t just an emotional journey. It’s also a technical feat. “Syncing the timing of the book release with the music production was a bit like conducting an orchestra while tap dancing,” she says with a laugh. “Then there were the logistics of making sure QR codes worked… and that the audiobook format allowed music integration without disrupting the listening experience. It was a lot of back-and-forth with engineers, designers, and tech partners. But I had an amazing team, and we just kept pushing boundaries until it all came together.”

Like her heroine, Jackson isn’t content to stay still. She’s already imagining future chapters, sequels, new formats, fresh reinventions. “I really do feel that audiences today want more than just a book or an album; they want experiences,” she says. “We’re already used to streaming, binge-watching, interacting across platforms… So why not apply that to storytelling? For me, this is just the beginning.”

And for someone like Stacey Jackson  whose career has thrived on laughter, chaos, and pure creative courage  it’s easy to believe her story is only growing stronger.

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