Entertainment
A Review of Mattress, A 10 Minute Film
Mattress Nominated For Young Artist Award (2016) and Vancouver Joey Awards (2015)
Just as the title says, this movie is about a mattress. While that might not sound great, this short film, which is only ten minutes in length, follows the situation that unfolds when, under cover of darkness, a family dumps an old mattress in a dirty Strathcona alley. What happens next is an all-out suburban war, and the next day, blame passes from neighbor to neighbor with no one willing to take responsibility for the abandoned and illegally dumped mattress.
Dodging rotten eggs and Molotov cocktails, the youngest member of the Lee family, has to do the right thing, and the movie is about how Little Boy Lee has to take responsibility for his actions and clean up the streets.
The Movie ‘Mattress’ was Inspired By True Events
While it might sound unbelievable to you, this short movie was written by Michelle Kee, who said that she had always envisioned Mattress to be an extension of her overly-indulgent imagination during one strange month when a pale blue mattress was dumped on her garage and began a passive-aggressive mini-war between her neighbors, she said: “During that month, the mattress degraded into this disgusting big blue eyesore that had been spat on, peed on and even run over. The mystery of how and when the mattress ended up in the alley and the emotion it sparked between my neighbors fascinated me. We actually filmed this story in the same alley as the original inspiration.”
While only a short film, ‘Mattress’ is in a sense, an epic retelling of this incident from the perspective of the ‘dump and ditchers’ – specifically the youngest member of the family, Little Boy Lee.
Michelle Kee, who has lived in Singapore, the UK, and the USA before laying down roots in Vancouver, Canada, and has directed one short film and two music videos.
Mattress is a Tale Through a Young Boy’s Eyes
Every scene of Mattress is from the perspective of Little Boy Lee, and while it is an entertaining and funny film, at its very core, it’s a story about a little boy coming of age. The film is enjoyable as although only short, it takes you on a ride as the situation in the alley continues to escalate but what is the most important and endearing part of the film is that you get to see Little Boy Lee finding out and learning that a person’s actions can lead to disastrous consequences and that there’s a difference between family and world values.
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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