Business
Aaron B David from 5 million to 50 million

Trump Towers is the home of the elite and it is home to Aaron B David who is one of the youngest residents of the famous building. He achieved success in alcohol exportation as a result of the legislation that championed certain changes to import law and he also benefited from the abolishment of import duties in China. He heavily invested in buying and letting of properties in the housing market, on the outskirts of London, and took advantage of the rising London prices for houses. Aaron B David formulated a business design around providing affordable housing in the areas close to London.
His competitive advantage was a consequence of his willingness to buy less patronized locations or less valued areas. This was when everyone was buying houses in London, England. After he predicted the hike in housing prices in London and the prospect that there will be a mass movement of people out of the city. This venture yielded massive profits as the rapidly increasing property prices catapulted him into the millionaire’s circle.
A millionaire at such a young age in the rapidly growing buy-to-let housing business space, he has earned plaudits because he understands what the customer wants. He is still quite young and already a success with more room left for more achievements. All eyes are on him to see what greater achievements still await this genius.
Aaron B David has good taste in art and is quite knowledgeable. He possessing a drool-worthy stock of some of the greatest art pieces and built a million-pound art collection with some expensive pieces from artists such as Andy Warhol and Jeff Koons, to mention a few. Although Aaron B David has a flair for art, he also invests in art through many people In the art world will frown upon such an act but to him, it is part of the business.
Andy Warhol (1928-1987)
The Dollar Sign, Green
In the Dollar Signs, Andy was quoted stating that “big-time art yields big-time money” and, with this principle, he published the dollar sign representing money as the sign for art. Considering the feral color and striking drawing and design, the Dollar Signs are of artistic essence.
Andy Warhol was an accomplished magazine and ad artist who became renowned as one of the best artists of the 1960s Pop art evolution. He practiced diverse forms of art such as performing arts, filmmaking, video installations, and writing. He caused controversy by breaking the bonds between fine art and mainstream aesthetics.
In 2018, Aaron B David invested in a watch trading group that collects watches and sold to carr watches, whose clients include boxer Anthony Joshua OBE, Carl Froch, and international boxing supporter Eddie Hearn and other celebrities.
Aaron’s investment philosophy focuses on tangible assets. He invests solely in property, art and he collects watches.
What is the cost of a Jeff Koons’ art piece?
November 12, 2013, Jeff Koons’ popular Balloon Dog was purchased for an exorbitant price of about US$58.4 million, which was higher than its $55 million estimates. It is currently the most expensive artwork made by a living artist sold at auction.
Real Estate statistics in Atlanta
In 2019, Aaron B David invested heavily in properties in Atlanta. His big picture is to build modern affordable houses and this was the perfect time to achieve this goal.
Atlanta has a mixture of owner-occupied housing units as well as renter-occupied units. Last month, 1203 homes were sold in Atlanta, Georgia on Redfin.com, a popular national real estate brokerage website. Also, there were about 1572 condos, 892 townhouses, and 79 multi-family house units put up for sale in Atlanta last month. The average listing price is around $299,000. The average sale price of a house in Atlanta was about $300K last month, an upgrade of up to 11.1% since last year. The average sale price per square foot in Atlanta is up to $196, up 7.1% since last year.
According to reports, the Atlanta housing market is relatively competitive. The housing units sell for about 3% lesser than the list price and can go pending for 59 days. A compelling price listing in the market can sell for the listing price and go pending for about 20 days. He’s got the eye for long term business prospects that will yield millions of profit in a matter of years.
Business
Jellyfish Pictures Suspension Reveals Outsourcing Opportunity, Says BruntWork

Jellyfish Pictures, a well-known UK visual effects studio, has temporarily shut down due to financial struggles. The company, recognized for its work on major films and streaming projects, is searching for buyers or investors while halting all ongoing work. This situation has raised concerns across the visual effects industry, which is already dealing with economic pressures, labor disputes, and production changes. BruntWork, one of the top outsourcing companies, sees this as an opportunity for companies to reassess how they operate and how outsourcing can help VFX studios lower costs and stay financially stable.
A Leading Studio Brought to a Standstill
Jellyfish Pictures started as a small operation in 2001 and became a respected name in visual effects. With multiple offices in London and a portfolio of high-profile projects, the studio built a strong reputation. However, rising costs and growing competition from lower-cost studios made it harder to stay profitable. Financial pressure mounted, forcing the company to suspend operations.
Clients relying on Jellyfish Pictures are now left searching for alternative vendors to complete their projects. The suspension has also put hundreds of employees in a difficult position, leaving them uncertain about their future. Company leaders have stated they are looking into all possible options, including selling the business or bringing in outside investors.
Why VFX Studios Are Struggling
Visual effects companies have long worked with tight profit margins. The financial setbacks caused by the COVID-19 pandemic made things even tougher. Many VFX studios kept projects moving remotely but struggled with delayed payments and cancellations. In 2023, the global VFX industry was valued at $11.3 billion, but continued production delays and tighter budgets are making it difficult for companies to grow.
The writers’ and actors’ strikes in 2023 added more complications. With productions on hold, many VFX studios found themselves with fewer projects in the pipeline. A recent industry survey found that 72% of VFX companies faced financial struggles due to the combined effects of the pandemic and the strikes. Mid-sized studios with high fixed costs, like Jellyfish Pictures, have been hit the hardest.
Winston Ong, CEO of BruntWork, believes this situation exposes weaknesses in traditional business models. “Studios operating in expensive cities like London face overwhelming costs that outsourcing could help reduce,” he says.
The Role of Outsourcing in Keeping VFX Studios Afloat
Some experts believe outsourcing can help visual effects companies manage financial risk. According to Ong, studios that rely entirely on in-house teams in high-cost cities struggle to keep expenses under control, while those that blend in-house work with outsourcing can operate more efficiently.
The shift to remote work during the pandemic showed that collaboration across different locations is possible. Data from outsourcing firms suggests that studios using a mix of in-house creative direction and outsourced production can lower expenses by 40-60% without sacrificing quality. Some companies have already moved in this direction, allowing them to stay competitive without driving up costs.
Beyond production outsourcing, some VFX studios are also exploring ways to streamline marketing efforts. Hiring a digital marketing virtual assistant allows companies to manage campaigns, social media, and client outreach more efficiently. This helps studios maintain a strong industry presence without the overhead costs of full-time marketing teams.
Still, outsourcing comes with potential risks. Some industry veterans warn that relying too much on external teams can lead to quality issues and production delays. Studios must find the right balance between saving money and maintaining the level of quality audiences expect from high-end visual effects.
What Comes Next for Visual Effects?
Jellyfish Pictures’ troubles have sparked discussions about how VFX studios can stay in business. More flexible production models, outsourcing, and smarter budgeting could become the standard technique. Advances in technology continue to make remote collaboration smoother, allowing studios to complete projects without keeping all operations in expensive locations.
“This reflects a larger problem across the industry,” says Ong. Studios that adjust their operations and use outsourcing effectively may be better prepared for economic swings. Companies that maintain strong creative leadership while using global production teams seem to have an advantage.
For many, this also extends to marketing. Some of the most successful VFX firms are those that recognize the benefits of outsourcing digital marketing to specialists who can handle branding, social media, and client engagement without the high costs of in-house teams. This allows studios to maintain visibility and credibility even in uncertain market conditions.
Larger firms may continue to acquire struggling studios, but smaller businesses that improve their financial strategies could stay independent. The challenge is finding a way to keep artistic vision intact while managing expenses.
Moving Toward Stability
Jellyfish Pictures’ shutdown is a warning for the visual effects industry. High operating costs and unpredictable changes in production schedules show why studios need flexible business strategies. Some will turn to outsourcing, while others may merge with larger firms or adopt hybrid models to stay competitive.
For mid-sized studios, financial stability must be a priority without sacrificing creativity. The next few years could bring more studio buyouts, with bigger companies taking over smaller ones. However, independent studios that adjust how they work could still succeed by reducing costs without lowering the quality of their output.
“Adaptability is what matters. Studios that adjust their structures and use global talent wisely will be the ones that remain strong in this industry, ” Ong concludes.
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