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An inside look at Underdog Music with The Ingenious King Wizard

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King Wizard is a prominent musician, producer/artist and melody maker. Often referred to as a genius by both press and collaborators, he has cheekily adopted this often repeated description by including it in his catchy beat tag ‘The Ingenious King Wizard!’

Alongside his partners Big Papa Harvey and Alderman he launched Underdog Music, a growing production company poised to not only take the industry by storm but also aid independent artists in their journey. Underdog music have been signing new producers and A&Rs as well as working alongside tons of Multi-Platinum producers and artists.

King Wizard draws on many of his talents in his work at Underdog Music. From being a talented producer, working on tracks with major labels, to working with upcoming artists and producers and helping them to develop. King Wizard is doing his part to help shape the future of the music industry. Underdog music recently signed two upcoming producers, Parallax and Southpaw who both came through their producer development programme. Discovering new talent is a major part of the music business, we look forward to seeing what Underdog’s new signings can do.

King Wizard explains the Underdog philosophy well. ‘We really don’t care if a producer has platinum plaques and hundreds of millions of streams, or if they’re working on headphones in their bedroom. All we care about is the music. All the fans care about is the music. It’s the music industry – music first, industry second’.

We love Wizards art-above-business attitude. Has this egalitarian attitude dented Underdog’s bottom line? ‘Not at all’ Wizard deflects, ‘we are more successful than ever. Financially successful, artistically successful, even spiritually successful. There are many ways to measure success, but they all stem from the same thing. If you create something that is of value and improves people’s experience of their lives, then you’re onto a winner. That could be something practical, something fun, or something that gives people’s lives fulfilment and meaning. Music is all three of those things. It’s a practical mood shifting medicine, a feel good fun activity whether listening or creating, and an activity that tends to give more fulfilment than any other pursuit I know.’

We love this analysis and wholeheartedly agree! In the music world, the music should always come first. It’s refreshing to see Wizard succeeding in such spectacular fashion whilst keeping these ‘music first’ values front and centre.
@iamkingwizard

http://www.kingwizard.guru

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians

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Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.

Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.

Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.

Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.

For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.

Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.

This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.

Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.

Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.

Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.

Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.

If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.

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