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Bahadır Ünlü talks about his experience of working in cross country movies

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Many films are shot on location in various exciting locales. Some movies have you travel across different countries or even continents to film different parts of the story. Turkish actor Bahadır Ünlü has worked on several international projects that have broadened his views and helped him reinvent himself as an actor.

Ünlü’s first film project was called Aquarium. It was a joint project between Iran and Turkey, so he shot in both countries. Bahadir added, “I was excited to get such an interesting role early in my career. I love traveling, so getting to meet new people and learn new things while also filming a great movie was a huge plus.”

Since then, he’s worked on many Turkish, English, and German film projects, including Fetih 1453Iki Kafadar: Chinese Connection, and Hep Yek. “I always get nervous when traveling somewhere new to shoot,” said Ünlü. “But mostly, I’m excited. I have the opportunity to show a whole new culture my acting abilities. I want to make them feel something through my performance.”

Bahadir is an actor who takes his craft very seriously. He explained, “I’m never afraid to take a role because it seems too challenging,” said Bahadır. “I don’t mind if it’s in a different country or a different language. I’m always willing to entertain people and discover more parts of my craft.”

Bahadır Ünlü hasn’t only acted in films. He’s performed in television shows like Şefkat Tepe, The Hill20 Minutes, The Pit, and Paramparça. Also, he’s done commercial advertisements for companies like Coca-Cola, Adidas, Haribo, and Letgo. “I don’t buy the idea that film is the only worthy visual medium,” Ünlü said. “I love working on television shows and in TV spots. Every acting opportunity is an open door to something new, and I’m always willing to try something different.”

Bahadir has had extensive experience as an actor and is now a leading actor in the middle-east. He added, “I wouldn’t change anything about my career if I could,” said Bahadır. “I’ve had so many fantastic international experiences. I wouldn’t want to only act in one country, because I would miss out on so much. I love the diversity in my acting portfolio.” Bahadır Ünlü is well-known in many countries around the world. With several projects lined up, Bahadir is all set to raise the bar even higher.

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

When Motherhood Meets the Mic: Stacey Jackson’s Story Sings Its Own Soundtrack

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Stacey Jackson doesn’t take herself too seriously, and that might be the secret to her success. She’s the first to admit that her latest project, How a Gangsta Rapper Made Me a Better Mom (Integrated Musical Edition), began with laughter. “The title came from a moment of total chaos and comedy in my real life, juggling my kids, my career, and all the curveballs in between,” she says. “At the point I found myself working with an actual ‘gangsta rapper’, and the clash of worlds was so surreal, my son blurted out ‘Mom, how about calling the book How A Gangsta Rapper Made Me a Better Mom?’ And it just stuck with me.”

It’s the kind of moment that defines Jackson’s brand of honesty, a combination of humor and heart that turns the chaos of daily life into something both relatable and inspiring. “The phrase may have started as a bit of a joke… but the more I thought about it, the more I realised how true it was. That experience (and the people I met along the way) genuinely changed how I parent, how I view and teach my kids about drive and ambition, and how I navigate life as a woman trying to do it all. So the title is cheeky, yes but it’s also honest.”

That mix of playfulness and sincerity runs through the entire project. How a Gangsta Rapper Made Me a Better Mom isn’t just a memoir  it’s a musical novel, a storytelling format that merges fiction, sound, and emotion. “Honestly? I’ve always seen life like one big music video, scenes, moods, characters  and music has always been the emotional thread that ties it all together for me,” Jackson says. “So when I started writing this story, I couldn’t not hear the songs that went with it. I thought, what if the characters in the book had their own voices  literally  through music? That’s when it hit me: what if a novel could be heard as much as read?”

It’s a question only Jackson could ask  and actually answer. The book allows readers to hear songs as they appear in the story. “For the paperback we’ve included QR codes throughout the story where the song appears (direct links to all music platforms on an e-book) so that readers can instantly listen to the tracks that align with certain scenes or characters,” she explains. “For the audiobook, we took it a step further: the music is actually woven into the narration. The tracks are part of the whole immersive experience much like a film score or a musical.”

Her confidence in crossing genres  from pop to publishing to tech innovation  didn’t come from comfort zones. Jackson credits her past collaborations for teaching her how to take risks. “Working with someone like Snoop was a game-changer,” she says. “It showed me what it meant to blend worlds, to find common ground through music even when you come from totally different backgrounds. That spirit of collaboration and that sense of humour and grit  absolutely influenced the tone of the story. You’ll see it in the character of ‘The Most Famous Rapper in the World’  he’s not based on Snoop, but let’s just say I borrowed some of that larger-than-life charisma.”

Behind the glitz of the project lies a deeply personal truth: Jackson knows what it’s like to be stretched thin, to juggle family, art, and the expectations of the world. “While the plot is fictional, the emotional heart of it is deeply personal,” she says. “Like Stephanie Bloom, I’ve had to juggle a million roles: mom, wife, performer, businesswoman  all while chasing dreams that sometimes felt a bit… delusional. I know what it’s like to be underestimated, to start again, and to fight for your creative voice.”

That battle  fought with humor and resilience  fuels the book’s message. “At its core, it’s about second chances, finding your voice, and refusing to let age, motherhood, or society box you in,” Jackson says. “It’s about stepping into your power, even if it looks messy or unconventional. It’s also about grief, resilience, and the beauty of reinventing yourself  and doing it with humour and heart.”

But make no mistake: this isn’t just an emotional journey. It’s also a technical feat. “Syncing the timing of the book release with the music production was a bit like conducting an orchestra while tap dancing,” she says with a laugh. “Then there were the logistics of making sure QR codes worked… and that the audiobook format allowed music integration without disrupting the listening experience. It was a lot of back-and-forth with engineers, designers, and tech partners. But I had an amazing team, and we just kept pushing boundaries until it all came together.”

Like her heroine, Jackson isn’t content to stay still. She’s already imagining future chapters, sequels, new formats, fresh reinventions. “I really do feel that audiences today want more than just a book or an album; they want experiences,” she says. “We’re already used to streaming, binge-watching, interacting across platforms… So why not apply that to storytelling? For me, this is just the beginning.”

And for someone like Stacey Jackson  whose career has thrived on laughter, chaos, and pure creative courage  it’s easy to believe her story is only growing stronger.

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