Entertainment
Bahadır Ünlü talks about his experience of working in cross country movies
Many films are shot on location in various exciting locales. Some movies have you travel across different countries or even continents to film different parts of the story. Turkish actor Bahadır Ünlü has worked on several international projects that have broadened his views and helped him reinvent himself as an actor.
Ünlü’s first film project was called Aquarium. It was a joint project between Iran and Turkey, so he shot in both countries. Bahadir added, “I was excited to get such an interesting role early in my career. I love traveling, so getting to meet new people and learn new things while also filming a great movie was a huge plus.”
Since then, he’s worked on many Turkish, English, and German film projects, including Fetih 1453, Iki Kafadar: Chinese Connection, and Hep Yek. “I always get nervous when traveling somewhere new to shoot,” said Ünlü. “But mostly, I’m excited. I have the opportunity to show a whole new culture my acting abilities. I want to make them feel something through my performance.”
Bahadir is an actor who takes his craft very seriously. He explained, “I’m never afraid to take a role because it seems too challenging,” said Bahadır. “I don’t mind if it’s in a different country or a different language. I’m always willing to entertain people and discover more parts of my craft.”
Bahadır Ünlü hasn’t only acted in films. He’s performed in television shows like Şefkat Tepe, The Hill, 20 Minutes, The Pit, and Paramparça. Also, he’s done commercial advertisements for companies like Coca-Cola, Adidas, Haribo, and Letgo. “I don’t buy the idea that film is the only worthy visual medium,” Ünlü said. “I love working on television shows and in TV spots. Every acting opportunity is an open door to something new, and I’m always willing to try something different.”
Bahadir has had extensive experience as an actor and is now a leading actor in the middle-east. He added, “I wouldn’t change anything about my career if I could,” said Bahadır. “I’ve had so many fantastic international experiences. I wouldn’t want to only act in one country, because I would miss out on so much. I love the diversity in my acting portfolio.” Bahadır Ünlü is well-known in many countries around the world. With several projects lined up, Bahadir is all set to raise the bar even higher.
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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