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Bahadır Ünlü talks about his experience of working in cross country movies

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Many films are shot on location in various exciting locales. Some movies have you travel across different countries or even continents to film different parts of the story. Turkish actor Bahadır Ünlü has worked on several international projects that have broadened his views and helped him reinvent himself as an actor.

Ünlü’s first film project was called Aquarium. It was a joint project between Iran and Turkey, so he shot in both countries. Bahadir added, “I was excited to get such an interesting role early in my career. I love traveling, so getting to meet new people and learn new things while also filming a great movie was a huge plus.”

Since then, he’s worked on many Turkish, English, and German film projects, including Fetih 1453Iki Kafadar: Chinese Connection, and Hep Yek. “I always get nervous when traveling somewhere new to shoot,” said Ünlü. “But mostly, I’m excited. I have the opportunity to show a whole new culture my acting abilities. I want to make them feel something through my performance.”

Bahadir is an actor who takes his craft very seriously. He explained, “I’m never afraid to take a role because it seems too challenging,” said Bahadır. “I don’t mind if it’s in a different country or a different language. I’m always willing to entertain people and discover more parts of my craft.”

Bahadır Ünlü hasn’t only acted in films. He’s performed in television shows like Şefkat Tepe, The Hill20 Minutes, The Pit, and Paramparça. Also, he’s done commercial advertisements for companies like Coca-Cola, Adidas, Haribo, and Letgo. “I don’t buy the idea that film is the only worthy visual medium,” Ünlü said. “I love working on television shows and in TV spots. Every acting opportunity is an open door to something new, and I’m always willing to try something different.”

Bahadir has had extensive experience as an actor and is now a leading actor in the middle-east. He added, “I wouldn’t change anything about my career if I could,” said Bahadır. “I’ve had so many fantastic international experiences. I wouldn’t want to only act in one country, because I would miss out on so much. I love the diversity in my acting portfolio.” Bahadır Ünlü is well-known in many countries around the world. With several projects lined up, Bahadir is all set to raise the bar even higher.

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

MiG Arogan: The Haitian Powerhouse Behind the Spiritual Anthem “Moon Under Me”

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MiG Arogan has firmly established himself as a commanding force in the music industry, bringing the weight and depth of Haitian culture and spirituality into the spotlight with his powerful track “Moon Under Me.” This song is not simply a musical creation; it is a bold spiritual declaration and a vivid expression of ancestral strength rooted in Haitian Vodou tradition.

Hailing from Haiti, MiG Arogan combines contemporary rap energy with rich cultural symbolism, carving a unique space where music meets ritual. “Moon Under Me” stands as a testament to this fusion, drawing deeply from the Vodou pantheon of Lwa (spirits) to convey protection, power, and fearlessness.

The song’s hook centers around the presence of Mama performing the sacred work “with the moon under me,” a metaphor for hidden spiritual forces guiding and empowering the artist. Papa Legba, the revered gatekeeper of the spiritual crossroads, “opens doors I don’t see,” symbolizing MiG’s access to realms and protections invisible to others. This connection to Legba asserts a profound control over paths both physical and metaphysical.

Further spiritual guardians emerge in the lyrics: Kalfou, the fierce spirit of crossroads and chaos, “waiting at the edge with heat,” ready to defend or attack; Baron Samedi and Baron Kriminel, powerful death spirits who “laugh when your blood hit street,” representing MiG’s untouchable status backed by forces of life and death. These spirits signal that crossing MiG Arogan or disrespecting his heritage comes with grave consequences.

The song also invokes Erzuli, embodying love, beauty, and pride, along with Simbi, the wise serpent spirit guiding MiG’s style and movement. Ogou, the warrior spirit, tests and arms him, while Damballa offers calm wisdom and balance. The mention of Granne Brigitte, the fierce protector, and the other spirits completes a powerful spiritual armor surrounding the artist.

“Moon Under Me” goes beyond conventional music; MiG Arogan describes himself as “no rapper, I’m a ritual in boots,” emphasizing the song’s ceremonial and mystical weight. The imagery of candles, chants, incense, and spirits evokes authentic Vodou ceremonies that infuse the track with genuine ancestral energy.

By weaving these sacred names and symbols into his lyrics, MiG Arogan not only asserts his own power but elevates Haitian Vodou from misunderstood superstition to a living, respected tradition. His message is clear: “Play with Haitians — that’s the wrong belief.” It’s a warning and a proclamation — the strength of his roots and spiritual backing make him untouchable, commanding respect from all who hear his voice.

With “Moon Under Me,” MiG Arogan asserts a profound cultural and spiritual identity. His music becomes a vessel for ancestral power, a declaration that the Haitian spirit is fierce, unbreakable, and very much alive in him. This song stands as an anthem for strength, heritage, and the unstoppable force that MiG Arogan represents in today’s music and culture landscape.

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