Entertainment

Beautiful 9X named “Cao Son Nguyen” likes Vietnamese Music Cover

Published

6 years ago

October 24, 2019

Becoming a phenomenon among young people with Vietnamese piano cover songs, knowing how to play many instruments, the name Cao Son Nguyen (Nguyen Ngoc Cao Son) is being searched a lot on Youtube.

From the age of 13, the passion for music was revealed in this friend. Having been a tutor for 2 years, Cao Son joined the Conservatory and became a Piano student. Since then, until 17 years old to study in high school, Son ended the “career” to learn how to sing but unfortunately, he can’t. Although by that time, there has never been any grand prize in life, the piano has become a passion for Cao Son Nguyen.

9X boy have the name “super strange” specializing in Vietnamese music piano cover

Not only stopping with passion for piano, Cao Son also searched through television, through YouTube, to learn how to play other instruments. Now, the ability to “dance” with Cao Son’s instruments has been added to guitar and ukulele.

According to his friend, learning how to play a variety of musical instruments is not difficult but the most important thing is to carefully review the details, understand the instructions and work hard. That was the way that Cao Son conquered the piano.

“Prince” of Vietnamese music piano cover

Cao Son often spent time searching for piano covers online to listen, because Son was a piano player himself, so he wanted to listen to his favorite songs through piano.

At that time, he noticed one thing: It is easy to find a piano cover of any international music but with Vietnamese music, it is quite rare, if any, it is not as diverse as the foreign market.

And Cao Son came up with the idea of covering Vietnamese music that people often listen to. Grace received many positive comments from the first few articles, which motivated Cao Son to continue his cover work later.

The first recording of Cao Son is the song of 365daband. At first, Cao Son was sent by a friend to link this post because it was quite “hot” at that time. Since he had planned to make a piano cover beforehand, when he heard this song, Cao Son tried to cover it because he felt it fit his criteria.

And the recording that makes Cao Son most memorable is to mention the article is Chac Ai Do Se Ve with two reasons is “fumbling a bit complicated chords” and “a bit long time”, so when filming Cao Son… depressed.

Receiving many positive comments on YouTube channel, up to now, Cao Son has owned more than 100 copies of Vietnamese favorite songs such as: Dau Mua, Gwiyomi, Tonghua, Khi Nguoi Lon Co Don, Em Cua Ngay Hom Qua, etc … With the process of self-recording, self-learning chords, 100 coverings are a respectable number.

Cao Son often visits YouTube every day to read “comments” and answer everyone’s questions. From the “up” of cover songs, Cao Son received a lot of diverse questions, such as instructions on how to play the song, suggestions or a cover request as required …

He feels very happy that her achievements are supported by people, and at the same time he feels pressure when he tells himself to try harder for the next product. But it can be said, everyone’s feelings and encouragement are the motivation for Son to complete the music well.

Wants to become an engineer

Currently, Cao Son is attending his second year, Department of Electrical Engineering, at International University – Ho Chi Minh National University – Vietnam. Since I was in high school, this was Cao Son’s dream.

Electrical Engineering helps Son to have a more open and objective view of confidence, and also helps him to be stronger, more flexible in fixing problems although he is learning as an engineer.

Also thanks to Electrical Engineering, Cao Son’s cover versions are not only technically, but also very powerful, difficult and very colourful just like the subject he is learning, haha!

Kindly Visit His Youtube Channel To Watch Some Great Videos

https://www.youtube.com/channel/UCLosJVMTXARAfNM8YTFnfPA/videos?view=0&sort=p&shelf_id=2

Entertainment

MiG Arogan: The Haitian Powerhouse Behind the Spiritual Anthem “Moon Under Me”

Published

2 months ago

July 12, 2025

Jonathan Grilli

MiG Arogan has firmly established himself as a commanding force in the music industry, bringing the weight and depth of Haitian culture and spirituality into the spotlight with his powerful track “Moon Under Me.” This song is not simply a musical creation; it is a bold spiritual declaration and a vivid expression of ancestral strength rooted in Haitian Vodou tradition.

Hailing from Haiti, MiG Arogan combines contemporary rap energy with rich cultural symbolism, carving a unique space where music meets ritual. “Moon Under Me” stands as a testament to this fusion, drawing deeply from the Vodou pantheon of Lwa (spirits) to convey protection, power, and fearlessness.

The song’s hook centers around the presence of Mama performing the sacred work “with the moon under me,” a metaphor for hidden spiritual forces guiding and empowering the artist. Papa Legba, the revered gatekeeper of the spiritual crossroads, “opens doors I don’t see,” symbolizing MiG’s access to realms and protections invisible to others. This connection to Legba asserts a profound control over paths both physical and metaphysical.

Further spiritual guardians emerge in the lyrics: Kalfou, the fierce spirit of crossroads and chaos, “waiting at the edge with heat,” ready to defend or attack; Baron Samedi and Baron Kriminel, powerful death spirits who “laugh when your blood hit street,” representing MiG’s untouchable status backed by forces of life and death. These spirits signal that crossing MiG Arogan or disrespecting his heritage comes with grave consequences.

The song also invokes Erzuli, embodying love, beauty, and pride, along with Simbi, the wise serpent spirit guiding MiG’s style and movement. Ogou, the warrior spirit, tests and arms him, while Damballa offers calm wisdom and balance. The mention of Granne Brigitte, the fierce protector, and the other spirits completes a powerful spiritual armor surrounding the artist.

“Moon Under Me” goes beyond conventional music; MiG Arogan describes himself as “no rapper, I’m a ritual in boots,” emphasizing the song’s ceremonial and mystical weight. The imagery of candles, chants, incense, and spirits evokes authentic Vodou ceremonies that infuse the track with genuine ancestral energy.

By weaving these sacred names and symbols into his lyrics, MiG Arogan not only asserts his own power but elevates Haitian Vodou from misunderstood superstition to a living, respected tradition. His message is clear: “Play with Haitians — that’s the wrong belief.” It’s a warning and a proclamation — the strength of his roots and spiritual backing make him untouchable, commanding respect from all who hear his voice.

With “Moon Under Me,” MiG Arogan asserts a profound cultural and spiritual identity. His music becomes a vessel for ancestral power, a declaration that the Haitian spirit is fierce, unbreakable, and very much alive in him. This song stands as an anthem for strength, heritage, and the unstoppable force that MiG Arogan represents in today’s music and culture landscape.