Entertainment
Billie Lee Quits Vanderpump Rules saying I’m Sick of Working with Bullies!
The ongoing series of Vanderpump Rules has entered its eighth season. The show has reached to a stage where mostly reality shows starts to show signs of age. Producers are trying to combat this phenomenon by experimenting with new cast members. Alas, the new additions haven’t fared well so far. To add on to it recently hostess Billie Lee has refrained from continuing further and officially bitten the dust.
It was reported in Radar Online that SUR hostess Billie Lee has taken a firm decision to leave the show immediately after just two seasons on VPR. An insider informed Radar that Billie has stopped filming for the upcoming season 8 last week onwards.
Billie Lee from Vanderpump Rules explains that she was having a really hard time with the disrespect and negative thoughts overall from the show and also from some of her co-stars. Apparently she is sick of all the bullies and the backlash that she is continuously receiving on social media.”
The insider also informed that Lisa did try to convince Billie to stay on the show and keep growing with them but could not succeed in it. “Lee is always welcome back on Vanderpump Rules” says Lisa.
According to the insider, with this call-off, Lee is hoping that it would be the beginning of a new stage in her career. She has decided to do her own thing now and is trying to pitch her own show.
Billie was roped in Vanderpump Rules to bring a little diversity to the mayo-white series being the show’s first transgender cast member. Unfortunately from the very start only, she clashed with co-stars most notably Katie Maloney and Lala Kent. The entire cast of Vanderpump is very appealing to everyone including each other. They have a good track record with regard to the LGBTQ community.
With this quit, Billie Lee joins James Kennedy, Vail Bloom and Whoever Scheana Is F–king This Season, on the list of failed new additions to the cast of Vanderpump.
Entertainment
Take the Gig, Meet the People, Build the Life: Sarah Angel’s Real Talk for Musicians
Too many talented musicians spend the early years of their careers standing still, waiting. Waiting for the “right” gig. Waiting to be discovered. Waiting until they feel completely ready. But while they hesitate, others with less experience but more urgency are out there taking the jobs, building connections, and gaining ground.
Sarah Angel has seen this happen again and again. A successful live entertainer and founder of Posh Piano, she didn’t wait for a perfect opportunity to appear; she built her career by saying yes to what was already in front of her.
Sarah’s journey didn’t begin with a business plan. It began on stage, performing at corporate gigs and high-end events. For a while, she did what many musicians do: she showed up, played the set, and collected the paycheck. But the turning point came when she realized how much more others were earning off her talent. While she was being paid a small cut, the booker was making thousands. That gap shifted everything. She didn’t get angry, she got to work.
Sarah learned to run sound, bought her own equipment, built piano shells to give her setup a polished look, and began booking directly. Before each event, she would spend hours hauling gear and setting up the space herself. She didn’t wait for anyone to hand her a better gig; she created it. That same mindset carries into how she mentors and advises young musicians today.
For Sarah, one of the biggest traps new performers fall into is comparison. Instead of focusing on their own style and voice, they mimic what’s already out there. But copying someone else won’t lead to a sustainable career. What matters most is figuring out what makes you different and building on that. Your individuality is not a risk; it’s the foundation of your career.
Equally important, she says, is learning to say yes more often. Not every opportunity will be glamorous or well-paid. But every job is a chance to meet someone new, gain experience, or get your name in front of people who can open doors down the road.
This is where so many early careers stall, not because of a lack of talent, but because of hesitation. When performers constantly hold out for something better, they miss what’s right in front of them. Taking one job often leads to five more. And even if a gig doesn’t seem ideal at first, it often brings value in ways that are not obvious right away.
Sarah compares it to building momentum. Each job adds to your experience, your network, and your visibility. It’s not just about stacking performances, it’s about putting yourself in motion. The more active you are, the more people think of you when opportunities come up. That kind of consistency can’t be faked, and it can’t be replaced with a few viral moments online.
Another common challenge she sees is indecision. Musicians who spend too much time analyzing every offer often lose out on real growth. Taking action, even imperfectly, leads to more progress than standing still. Not every gig will be a perfect fit, but most will teach you something valuable.
Over the years, Sarah has also learned to be intentional about who she surrounds herself with. She chooses to work with musicians who are not just talented, but reliable, respectful, and open to learning. Attitude often matters more than technical skill. It’s easier to grow as a musician than to fix a lack of work ethic.
Sarah Angel’s career didn’t come from waiting or wishing. It came from working. She showed up, learning as she went, and made smart choices when it counted. The music industry doesn’t reward perfection, it rewards presence, action, and growth over time.
If you are serious about building a career in music, start with what’s in front of you. Take the gig. Meet the people. Build a life. One step at a time.
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