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DEFEO’s Journey From Local Clubs To Big Music Festivals

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The art of DJing is not a new concept. DJs have been bringing lives to major concerts and festivals for a long time. Some people perceive that being a DJ does not require significant music skills, but this conception is way far from the truth. A modern-day DJ needs to work with different kinds of professional software and equipment. A talented DJ needs a sense of music and effective technical skills to rock the concert and make the people dance to their own taste in music. Most DJs love their job and enjoy doing it every other night. However, the fun does not come that easy; they need to give out of the practice efforts to gauge the attention of the music lovers and skyrocket in the industry. In most cases, DJs start their music-producing career in local clubs and concerts; they keep doing extra effort but go unnoticed in the industry. Only a few talented DJs climb the ladder of success by giving extraordinary efforts. One such professional DJ is Angelo De Feo, who started his music recording and producing journey from the local clubs but never compromised on smaller achievements. He kept polishing his DJing skills and got an opportunity to show his art in major concerts and big music festivals.

Success does not come on a silver plate. One needs to work very hard to reach the required destination. Various problems become a hurdle in the journey, but one needs to stay true to the path and keep giving the effort until expected results. Like other professions, DJing requires strong commitment and consistency to get to the next level of success. A DJ’s life might seem rocking with lots of fun. However, the reality differs from the audience’s conceptions. There are a lot of issues that a DJ suffers from. Initially, a newbie gets very low money for playing music at the full-night party. It is not money that inspires music lovers to become DJs. Instead, it is their passion and love for the job that they do it committedly.

A DJ’s lifestyle is different from that of normal people; they do not have a proper time to nap. They rock the stage and make people dance to their music and that too regularly. In addition, the DJs do not get immediate recognition like musicians or singers. It takes much time and patience to enjoy a fan following and get huge recognition. The DJ needs to perform at such shows, but that’s how they make friends and develop a dominating name in the industry. Despite hurdles and struggles, DEFEO never stopped at any point and kept climbing the ladder of success with his exceptional performance and art of music.

Angelo De Feo was born on 22 July 1991 in Switzerland. He is a DJ and record producer well known for his stage name, DEFEO. DEFEO started his DJing journey in 2009 when he played music in several local clubs and bars in Switzerland. In 2010, his talent was spotted by his General Manager, Marc Heymoz. DEFEO had bigger goals. He knew his talent was not for the small platforms. DEFEO wanted to perform on bigger stages. Intending to grow professionally, DEFEO joined Aprod Agency (CH) in 2012 for two years. Being part of the agency, DEFEO got opportunities to play music at the biggest festival in Switzerland. He also performed at the Winter Music Conference in Miami.

DEFEO had been working with his general manager for years. However, the time came when they both decided to call their partnership off in 2014. After the separation, DEFEO worked as a free agent DJ, but the separation did not remain forever. His general manager, March Heymoz, started a new agency in 2015, known as AFFINITY, and asked DEFEO to join. The duo started working together as a new team.

DEFEO has gained impressive recognition in DJing. Currently, he performs in various clubs in Switzerland, including MAD Club – ranked in the annual list of top 100 clubs. Besides Switzerland, DEFEO also performs in different Europe counties, such as Spain, France, and the Czech Republic. He also performs in the United States and Macedonia. DEFEO has been performing in these countries for years.

Besides touring as DJ, DEFEO has also produced and released his singles on some popular labels like Sosumi Records and Kryteria Records (Spinnin’ Records) – both the labels are run by Kryder. DEFEO also released his music on Generation HEX, Sirup Music, and Juicy Traxx. 

DEFEO is skyrocketing his name in the DJing profession. His journey started in local bars and clubs, and today he performs in various countries. DEFEO’s journey is an inspiration for newcomers.

From television to the internet platform, Jonathan switched his journey in digital media with Bigtime Daily. He served as a journalist for popular news channels and currently contributes his experience for Bigtime Daily by writing about the tech domain.

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Entertainment

Going Public: The Groundbreaking Series Transforming How Americans Invest

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In a media landscape saturated with reality TV and startup showcases, Going Public stands apart, not just as a show but as a movement. Now in its third season, the interactive series invites viewers to do more than just watch entrepreneurs chase success. It gives them the tools and the opportunity to invest in startups in real time, democratizing access to early-stage funding and reshaping how ordinary Americans engage with entrepreneurship and wealth-building.

Launched by Todd M. Goldberg, a former MedTech executive who hit a frustrating wall while preparing his company for a Nasdaq IPO, Going Public was born from a moment of personal disillusionment.

“When I brought a list of interested friends and colleagues to the Chairman of the Board,” Goldberg recalls, “he explained that all the IPO shares were reserved for institutional investors. That was my epiphany. I just knew that was wrong. Regular people should have a chance to invest in IPOs, but it needed to go even further.”

That insight became the foundation for Going Public, a hybrid of entrepreneurial storytelling and financial access that offers retail investors a seat at the table usually reserved for venture capitalists and insiders. The show brings audiences inside the capital-raising journey of startups, often before they go public, and leverages a powerful innovation: its “Click-to-Invest” feature.

“The bottom line with Click-to-Invest is that it’s seamless,” says Goldberg. “Viewers can go from watching the show to literally clicking a button. It feels more like a Shopify or Amazon checkout than a traditional investment process.”

This accessibility is central to the show’s mission: to educate, inspire, and empower everyday people to participate in early-stage investing. Unlike financial news channels that target seasoned traders, Going Public merges entertainment with financial literacy, using real startup stories to highlight the risks, rewards, and realities of entrepreneurship. It’s financial content with emotional stakes, real people, and tangible outcomes.

Season 3 reflects how far the show has come and where it’s going. With more celebrity involvement, including gaming icon Ninja backing the cashew milk startup Nutcase, and a strategic partnership with the social media platform X (formerly Twitter), Going Public has widened its reach while deepening its cultural relevance.

“How do you make this mainstream?” Goldberg says. “The concept was The Apprentice meets Shark Tank meets IPO, but with a twist. Viewers aren’t just spectators, they’re stakeholders.”

The show’s selection of featured companies is another defining element. Startups are chosen not just for their growth potential but also for their mission, relatability, and cultural resonance. In Season 3, that includes everything from disruptive wellness brands to tech-enabled platforms, each paired with guidance from top-tier venture capitalists and Silicon Valley mentors.

This season also introduces a livestream finale, a format innovation designed to create a real-time, high-stakes environment where viewers can watch, decide, and invest together. It adds urgency and community to the investing experience, aligning with the show’s values of transparency and participation.

One of the most surprising and meaningful outcomes has been the personal stories from viewers who never imagined themselves as investors. “We’ve heard from teachers, nurses, and even students who said this was their first time investing and they felt confident doing it because the show made it accessible,” Goldberg shares. “It’s not just about money, it’s about empowerment.”

Looking ahead, Goldberg and his team have ambitious plans. They aim to expand the format to new platforms, explore international adaptations, and build out educational tools so viewers not only invest but understand what they’re investing in. The goal isn’t just more participation. It’s smarter participation.

In a world where capital often feels distant, technical, and exclusionary, Going Public brings the financial journey down to earth and into the hands of the people. It’s not just a show. It’s a redefinition of how business stories are told and how wealth can be created and shared.

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