Entertainment
Hadestown Ruled the Broadway in 2019

Hadestown is the Greek myth of Orpheus and Eurydice, told in this day and age. It dominated the Broadway 8 times a week. There is a reason why it became so loved and watched by the audience. Anaïs Mitchell, the composer of this production has taken her tale of Hadestown — an idea that came to her from DIY upstart to concept album to full-fledged theatrical production. It stands out because of its contemporary touch, and it deals with problems which are relatable to the audience.
The production deals with present-day concerns like anti-immigration rhetoric and the #MeToo movement with songs like “Why We Build the Wall” and “Hey, Little Songbird.” There are also themes of wealth disparity and climate change in the Broadway production. Mitchell mentioned that all these occurrences were not deliberate. And one of the interesting facts is that the show evolved over the part 13 years, and it is what it is through the growth.
The great thing about Hadestown is how it inculcated the music into itself. Mitchell mentioned how at the earlier stage of production there were times that the show had gaps in the between. After each scene the production felt haphazard and was all over the place. But with relevant songs, now it feels like there is a linear progress.
Unlike other directors, Mitchell works on guitar when she feels inspired, rather than working on piano. Her music is mostly influenced by folk songs and traditional music, particularly from the British Isles. That’s why her music has a folksy feel even when it is based on an ancient myth.
She talks about Orpheus and how he is a character that is parallel to today’s youth. He starts up by striving for a world he believes could exist. But by the end of the journey he has lost his innocence. And he is saved when he realizes everyone has the same journey. That’s why audience love the show, and that is why Hadestown tickets become sold so easily, because they feel connected to the character somehow.
Entertainment
MiG Arogan: The Haitian Powerhouse Behind the Spiritual Anthem “Moon Under Me”

MiG Arogan has firmly established himself as a commanding force in the music industry, bringing the weight and depth of Haitian culture and spirituality into the spotlight with his powerful track “Moon Under Me.” This song is not simply a musical creation; it is a bold spiritual declaration and a vivid expression of ancestral strength rooted in Haitian Vodou tradition.
Hailing from Haiti, MiG Arogan combines contemporary rap energy with rich cultural symbolism, carving a unique space where music meets ritual. “Moon Under Me” stands as a testament to this fusion, drawing deeply from the Vodou pantheon of Lwa (spirits) to convey protection, power, and fearlessness.
The song’s hook centers around the presence of Mama performing the sacred work “with the moon under me,” a metaphor for hidden spiritual forces guiding and empowering the artist. Papa Legba, the revered gatekeeper of the spiritual crossroads, “opens doors I don’t see,” symbolizing MiG’s access to realms and protections invisible to others. This connection to Legba asserts a profound control over paths both physical and metaphysical.
Further spiritual guardians emerge in the lyrics: Kalfou, the fierce spirit of crossroads and chaos, “waiting at the edge with heat,” ready to defend or attack; Baron Samedi and Baron Kriminel, powerful death spirits who “laugh when your blood hit street,” representing MiG’s untouchable status backed by forces of life and death. These spirits signal that crossing MiG Arogan or disrespecting his heritage comes with grave consequences.
The song also invokes Erzuli, embodying love, beauty, and pride, along with Simbi, the wise serpent spirit guiding MiG’s style and movement. Ogou, the warrior spirit, tests and arms him, while Damballa offers calm wisdom and balance. The mention of Granne Brigitte, the fierce protector, and the other spirits completes a powerful spiritual armor surrounding the artist.
“Moon Under Me” goes beyond conventional music; MiG Arogan describes himself as “no rapper, I’m a ritual in boots,” emphasizing the song’s ceremonial and mystical weight. The imagery of candles, chants, incense, and spirits evokes authentic Vodou ceremonies that infuse the track with genuine ancestral energy.
By weaving these sacred names and symbols into his lyrics, MiG Arogan not only asserts his own power but elevates Haitian Vodou from misunderstood superstition to a living, respected tradition. His message is clear: “Play with Haitians — that’s the wrong belief.” It’s a warning and a proclamation — the strength of his roots and spiritual backing make him untouchable, commanding respect from all who hear his voice.
With “Moon Under Me,” MiG Arogan asserts a profound cultural and spiritual identity. His music becomes a vessel for ancestral power, a declaration that the Haitian spirit is fierce, unbreakable, and very much alive in him. This song stands as an anthem for strength, heritage, and the unstoppable force that MiG Arogan represents in today’s music and culture landscape.
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