Entertainment
Hadestown Ruled the Broadway in 2019
Hadestown is the Greek myth of Orpheus and Eurydice, told in this day and age. It dominated the Broadway 8 times a week. There is a reason why it became so loved and watched by the audience. Anaïs Mitchell, the composer of this production has taken her tale of Hadestown — an idea that came to her from DIY upstart to concept album to full-fledged theatrical production. It stands out because of its contemporary touch, and it deals with problems which are relatable to the audience.
The production deals with present-day concerns like anti-immigration rhetoric and the #MeToo movement with songs like “Why We Build the Wall” and “Hey, Little Songbird.” There are also themes of wealth disparity and climate change in the Broadway production. Mitchell mentioned that all these occurrences were not deliberate. And one of the interesting facts is that the show evolved over the part 13 years, and it is what it is through the growth.
The great thing about Hadestown is how it inculcated the music into itself. Mitchell mentioned how at the earlier stage of production there were times that the show had gaps in the between. After each scene the production felt haphazard and was all over the place. But with relevant songs, now it feels like there is a linear progress.
Unlike other directors, Mitchell works on guitar when she feels inspired, rather than working on piano. Her music is mostly influenced by folk songs and traditional music, particularly from the British Isles. That’s why her music has a folksy feel even when it is based on an ancient myth.
She talks about Orpheus and how he is a character that is parallel to today’s youth. He starts up by striving for a world he believes could exist. But by the end of the journey he has lost his innocence. And he is saved when he realizes everyone has the same journey. That’s why audience love the show, and that is why Hadestown tickets become sold so easily, because they feel connected to the character somehow.
Entertainment
When Motherhood Meets the Mic: Stacey Jackson’s Story Sings Its Own Soundtrack
Stacey Jackson doesn’t take herself too seriously, and that might be the secret to her success. She’s the first to admit that her latest project, How a Gangsta Rapper Made Me a Better Mom (Integrated Musical Edition), began with laughter. “The title came from a moment of total chaos and comedy in my real life, juggling my kids, my career, and all the curveballs in between,” she says. “At the point I found myself working with an actual ‘gangsta rapper’, and the clash of worlds was so surreal, my son blurted out ‘Mom, how about calling the book How A Gangsta Rapper Made Me a Better Mom?’ And it just stuck with me.”
It’s the kind of moment that defines Jackson’s brand of honesty, a combination of humor and heart that turns the chaos of daily life into something both relatable and inspiring. “The phrase may have started as a bit of a joke… but the more I thought about it, the more I realised how true it was. That experience (and the people I met along the way) genuinely changed how I parent, how I view and teach my kids about drive and ambition, and how I navigate life as a woman trying to do it all. So the title is cheeky, yes but it’s also honest.”
That mix of playfulness and sincerity runs through the entire project. How a Gangsta Rapper Made Me a Better Mom isn’t just a memoir it’s a musical novel, a storytelling format that merges fiction, sound, and emotion. “Honestly? I’ve always seen life like one big music video, scenes, moods, characters and music has always been the emotional thread that ties it all together for me,” Jackson says. “So when I started writing this story, I couldn’t not hear the songs that went with it. I thought, what if the characters in the book had their own voices literally through music? That’s when it hit me: what if a novel could be heard as much as read?”

It’s a question only Jackson could ask and actually answer. The book allows readers to hear songs as they appear in the story. “For the paperback we’ve included QR codes throughout the story where the song appears (direct links to all music platforms on an e-book) so that readers can instantly listen to the tracks that align with certain scenes or characters,” she explains. “For the audiobook, we took it a step further: the music is actually woven into the narration. The tracks are part of the whole immersive experience much like a film score or a musical.”
Her confidence in crossing genres from pop to publishing to tech innovation didn’t come from comfort zones. Jackson credits her past collaborations for teaching her how to take risks. “Working with someone like Snoop was a game-changer,” she says. “It showed me what it meant to blend worlds, to find common ground through music even when you come from totally different backgrounds. That spirit of collaboration and that sense of humour and grit absolutely influenced the tone of the story. You’ll see it in the character of ‘The Most Famous Rapper in the World’ he’s not based on Snoop, but let’s just say I borrowed some of that larger-than-life charisma.”
Behind the glitz of the project lies a deeply personal truth: Jackson knows what it’s like to be stretched thin, to juggle family, art, and the expectations of the world. “While the plot is fictional, the emotional heart of it is deeply personal,” she says. “Like Stephanie Bloom, I’ve had to juggle a million roles: mom, wife, performer, businesswoman all while chasing dreams that sometimes felt a bit… delusional. I know what it’s like to be underestimated, to start again, and to fight for your creative voice.”

That battle fought with humor and resilience fuels the book’s message. “At its core, it’s about second chances, finding your voice, and refusing to let age, motherhood, or society box you in,” Jackson says. “It’s about stepping into your power, even if it looks messy or unconventional. It’s also about grief, resilience, and the beauty of reinventing yourself and doing it with humour and heart.”
But make no mistake: this isn’t just an emotional journey. It’s also a technical feat. “Syncing the timing of the book release with the music production was a bit like conducting an orchestra while tap dancing,” she says with a laugh. “Then there were the logistics of making sure QR codes worked… and that the audiobook format allowed music integration without disrupting the listening experience. It was a lot of back-and-forth with engineers, designers, and tech partners. But I had an amazing team, and we just kept pushing boundaries until it all came together.”
Like her heroine, Jackson isn’t content to stay still. She’s already imagining future chapters, sequels, new formats, fresh reinventions. “I really do feel that audiences today want more than just a book or an album; they want experiences,” she says. “We’re already used to streaming, binge-watching, interacting across platforms… So why not apply that to storytelling? For me, this is just the beginning.”

And for someone like Stacey Jackson whose career has thrived on laughter, chaos, and pure creative courage it’s easy to believe her story is only growing stronger.
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