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Tamara de las Tormentas: The Artist in the Middle of the Storm

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She has been awarded with the Auguste Rodin prize, hosted a tv show and recently one of her works, a 70 thousand USD painting, was stolen from a Pasadena private collection. In this interview the Chilean artist set in Concepción, answers it all.

How do you feel that thieves are stealing your art?

I don’t really know how to feel, I probably shouldn’t say it, but I feel kind of flattered. It’s nice to see people enjoying your art. Anyway it’s nicer to see people paying it.

But it wasn’t your money, the painting was sold to a collector

Yes, it’s always surprising to see how the prices go up and up. When I sold it, the painting wasn’t that expensive, and that was only around two years ago.

How do you feel about the art market

I am intellectually interested, I studied art history so I am supposed to be able to put a price on a painting, but I think I am mostly concerned with the inner quality of a product and not its fame or with whom the painter is friends with. I think we should be allowed to have an opinion and not be dependent on what others think, so I have a sort of critical approach.

You seem to move from one style to another with some ease

You say it because one day I paint abstract and other I paint flowers? Yes, I like switching because I like freedom of thought, because with the abstract painting I can make emotional, personal statements. With flowers I get to communicate with nature, and the beauty that surrounds us all, I get to capture a particular moment, a particular quality of the light, a particular shade of a color.

Many of my floral paintings are in hospitals in the USA, I’ve told that people feels more calmed when seeing an object of beauty on their waiting.

What’s up with your name?

Ha! People are always wondering about that, De las Tormentas (of the Storm) it’s my actual last name, not a pseudonym. My daughter, who is a filmmaker, enjoys making puns with it, she was the one who named our tv show Pintando en la Tormenta (Painting in the Storm), and she also happens to be the director.

You seem to be very close to your family

Yes, very close to them all, I also have an excellent relationship with my son in law.

Really?

Yes, people don’t believe us, but he is like a son to me, I get him cookies, I cook his favorite meals. For instance, he has written a series of child short stories, and I have illustrated them. We are super close.

You seem like a happy person, what do you want to communicate with your art?

I want to communicate emotions, personal thoughts, ideas I explore on my daily life. I want to share the beauty that’s around us.

https://www.saatchiart.com/tormentas

https://laconcepciondelarte.com/onirica.html

The idea of Bigtime Daily landed this engineer cum journalist from a multi-national company to the digital avenue. Matthew brought life to this idea and rendered all that was necessary to create an interactive and attractive platform for the readers. Apart from managing the platform, he also contributes his expertise in business niche.

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Entertainment

Going Public: The Groundbreaking Series Transforming How Americans Invest

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In a media landscape saturated with reality TV and startup showcases, Going Public stands apart, not just as a show but as a movement. Now in its third season, the interactive series invites viewers to do more than just watch entrepreneurs chase success. It gives them the tools and the opportunity to invest in startups in real time, democratizing access to early-stage funding and reshaping how ordinary Americans engage with entrepreneurship and wealth-building.

Launched by Todd M. Goldberg, a former MedTech executive who hit a frustrating wall while preparing his company for a Nasdaq IPO, Going Public was born from a moment of personal disillusionment.

“When I brought a list of interested friends and colleagues to the Chairman of the Board,” Goldberg recalls, “he explained that all the IPO shares were reserved for institutional investors. That was my epiphany. I just knew that was wrong. Regular people should have a chance to invest in IPOs, but it needed to go even further.”

That insight became the foundation for Going Public, a hybrid of entrepreneurial storytelling and financial access that offers retail investors a seat at the table usually reserved for venture capitalists and insiders. The show brings audiences inside the capital-raising journey of startups, often before they go public, and leverages a powerful innovation: its “Click-to-Invest” feature.

“The bottom line with Click-to-Invest is that it’s seamless,” says Goldberg. “Viewers can go from watching the show to literally clicking a button. It feels more like a Shopify or Amazon checkout than a traditional investment process.”

This accessibility is central to the show’s mission: to educate, inspire, and empower everyday people to participate in early-stage investing. Unlike financial news channels that target seasoned traders, Going Public merges entertainment with financial literacy, using real startup stories to highlight the risks, rewards, and realities of entrepreneurship. It’s financial content with emotional stakes, real people, and tangible outcomes.

Season 3 reflects how far the show has come and where it’s going. With more celebrity involvement, including gaming icon Ninja backing the cashew milk startup Nutcase, and a strategic partnership with the social media platform X (formerly Twitter), Going Public has widened its reach while deepening its cultural relevance.

“How do you make this mainstream?” Goldberg says. “The concept was The Apprentice meets Shark Tank meets IPO, but with a twist. Viewers aren’t just spectators, they’re stakeholders.”

The show’s selection of featured companies is another defining element. Startups are chosen not just for their growth potential but also for their mission, relatability, and cultural resonance. In Season 3, that includes everything from disruptive wellness brands to tech-enabled platforms, each paired with guidance from top-tier venture capitalists and Silicon Valley mentors.

This season also introduces a livestream finale, a format innovation designed to create a real-time, high-stakes environment where viewers can watch, decide, and invest together. It adds urgency and community to the investing experience, aligning with the show’s values of transparency and participation.

One of the most surprising and meaningful outcomes has been the personal stories from viewers who never imagined themselves as investors. “We’ve heard from teachers, nurses, and even students who said this was their first time investing and they felt confident doing it because the show made it accessible,” Goldberg shares. “It’s not just about money, it’s about empowerment.”

Looking ahead, Goldberg and his team have ambitious plans. They aim to expand the format to new platforms, explore international adaptations, and build out educational tools so viewers not only invest but understand what they’re investing in. The goal isn’t just more participation. It’s smarter participation.

In a world where capital often feels distant, technical, and exclusionary, Going Public brings the financial journey down to earth and into the hands of the people. It’s not just a show. It’s a redefinition of how business stories are told and how wealth can be created and shared.

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