Entertainment

Tamara de las Tormentas: The Artist in the Middle of the Storm

Published

5 years ago

January 26, 2020

She has been awarded with the Auguste Rodin prize, hosted a tv show and recently one of her works, a 70 thousand USD painting, was stolen from a Pasadena private collection. In this interview the Chilean artist set in Concepción, answers it all.

How do you feel that thieves are stealing your art?

I don’t really know how to feel, I probably shouldn’t say it, but I feel kind of flattered. It’s nice to see people enjoying your art. Anyway it’s nicer to see people paying it.

But it wasn’t your money, the painting was sold to a collector

Yes, it’s always surprising to see how the prices go up and up. When I sold it, the painting wasn’t that expensive, and that was only around two years ago.

How do you feel about the art market

I am intellectually interested, I studied art history so I am supposed to be able to put a price on a painting, but I think I am mostly concerned with the inner quality of a product and not its fame or with whom the painter is friends with. I think we should be allowed to have an opinion and not be dependent on what others think, so I have a sort of critical approach.

You seem to move from one style to another with some ease

You say it because one day I paint abstract and other I paint flowers? Yes, I like switching because I like freedom of thought, because with the abstract painting I can make emotional, personal statements. With flowers I get to communicate with nature, and the beauty that surrounds us all, I get to capture a particular moment, a particular quality of the light, a particular shade of a color.

Many of my floral paintings are in hospitals in the USA, I’ve told that people feels more calmed when seeing an object of beauty on their waiting.

What’s up with your name?

Ha! People are always wondering about that, De las Tormentas (of the Storm) it’s my actual last name, not a pseudonym. My daughter, who is a filmmaker, enjoys making puns with it, she was the one who named our tv show Pintando en la Tormenta (Painting in the Storm), and she also happens to be the director.

You seem to be very close to your family

Yes, very close to them all, I also have an excellent relationship with my son in law.

Really?

Yes, people don’t believe us, but he is like a son to me, I get him cookies, I cook his favorite meals. For instance, he has written a series of child short stories, and I have illustrated them. We are super close.

You seem like a happy person, what do you want to communicate with your art?

I want to communicate emotions, personal thoughts, ideas I explore on my daily life. I want to share the beauty that’s around us.

https://www.saatchiart.com/tormentas

https://laconcepciondelarte.com/onirica.html

Entertainment

Omar Harfouch’s ‘Concerto for Peace’ to Enchant Paris in an Evening of Musical Unity

Published

3 days ago

September 5, 2024

Jonathan Grilli

Photo Credit: Daniel Topic

Byline: Katreen David

It’s no secret that music holds the power to enchant people. Ears hear the melodies and every fiber of the soul feels them, especially when the message behind the musical notes conveys a call for world peace.

“In times of turmoil, music has always been our refuge, where we find solace and the courage to hope. This is what inspired ‘Concerto for Peace,’” reflects Omar Harfouch, the world-renowned pianist and composer who will bring “Concerto for Peace” to the Théâtre des Champs-Élysées in Paris, France.

When he isn’t busy producing classical melodies with every keystroke of his piano, Harfouch can be found redefining what it means to blend art and activism. His upcoming “Concerto for Peace,” set to premiere on September 18, 2024, promises to be more than just a concert—it’s an evocative call to unity, a symphonic plea for a world yearning to heal.

Just 48 hours after enchanting Paris with the concerto, Omar Harfouch will take the stage at the United Nations in Geneva to deliver the “Concerto for Peace” once more. This remarkable performance is set to be a highlight of the World Music Conference, coinciding with the global observance of World Peace Day on September 20.

A Symphony as a Statement

Omar Harfouch is no stranger to the power of music as a transformative force. With a career that’s as much about melodic innovation as it is about social impact, Harfouch’s latest work, “Concerto for Peace,” encapsulates his belief that music can be both recreational and revolutionary. As 2024 sees the rise of art with a cause, Harfouch’s concert stands out for its musical mastery and bold message.

“This isn’t just about notes on a page,” Harfouch explains. “It’s about creating a space where every listener, regardless of background, can feel part of something larger—a movement toward peace, one note at a time.”

In a world where philanthropy is increasingly woven into the heart of the arts, Omar Harfouch’s “Concerto for Peace” reflects a growing trend where music serves as a catalyst for change. The performance, featuring the Béziers Méditerranée Symphony Orchestra under the skilled direction of Mathieu Bonnin, is set to be a defining moment in this movement.

The Pulse of 2024: Music with Purpose

As we navigate the complexities of 2024, the intersection of art and advocacy has never been more pronounced. The global music industry is seeing an unprecedented convergence with philanthropic efforts. Artists are not just creating for the sake of creation; they are crafting experiences that resonate with the world’s most pressing issues.

Omar Harfouch stands on the frontlines of this shift. “Concerto for Peace” is emblematic of a broader movement where art becomes a form of protest, a medium for messages that words alone can’t convey.

“Music has this incredible ability to reach where words often fail,” Harfouch reflects. “In every melody, there’s a story. In every crescendo, a call to action.”

An Artistic Tribute to Roots and Responsibility

The story behind one of Harfouch’s most famous compositions is a tale from his childhood. This is primarily why the upcoming Paris performance is also deeply personal for Harfouch. Among the pieces featured is “Tripoli,” a composition that serves as a musical homage to his birthplace.

With its intricate blend of cultural motifs and personal history, this piece adds a profound layer of authenticity to the concert. To that effect, it becomes an artistic expression fueled by his personal journey.

“Tripoli is more than just a city to me—it’s a symbol of resilience, of the beauty that can emerge from hardship,” says Harfouch. “Through this piece, I’m sharing a part of myself, my history, and my hope for the future.”

Another key highlight is “Save One Life, You Save Humanity,” a composition that spotlights Harfouch’s belief in the power of individual action. In a world where small acts of kindness can ripple into broader societal change, this piece serves as both a reminder and an inspiration.

A Crescendo of Hope

As the “Concerto for Peace” prepares to echo through the streets of Paris, Omar Harfouch is reflective yet resolute. “We live in a world that’s constantly changing, constantly challenging us,” he says. “But in music, we find a constant—a reminder that beauty, harmony, and peace are always within our reach if only we’re brave enough to listen.”

For Harfouch, this concert is the culmination of months of work and proof of the enduring power of art to reflect the world, comfort the world, and change the world.

The “Concerto for Peace” is bound to leave behind a lasting impact—a reminder that, in the grand symphony of life, every voice matters, and every note counts.